BaL 4.06.22 - Britten: Four Sea Interludes (from "Peter Grimes")

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    BaL 4.06.22 - Britten: Four Sea Interludes (from "Peter Grimes")

    9.30 am
    Building a Library

    Anna Lapwood compares recordings of Benjamin Britten’s Four Sea Interludes and picks a favourite.

    When Peter Grimes premiered in 1945 it immediately put Britten, uniquely among his compatriots, in the first rank of the world’s opera composers. As well as the consummate solo vocal and choral writing, the orchestra, too, plays a vital role in Britten’s dark drama of alienation and hypocrisy in a small Suffolk fishing community. Several purely orchestral episodes sometimes punctuate, sometimes push forward the narrative and four of these were published separately as the Sea Interludes. Much performed and recorded, Britten’s dazzling orchestration vividly conjures up Dawn, Sunday Morning, Moonlight and a Storm.


    Available versions:-


    London Symphony Orchestra, Steuart Bedford
    Concertgebouw Orchestra, Eduard van Beinum
    Boston Symphony Orchestra, Leonard Bernstein
    New York Philharmonic, Leonard Bernstein (SACD)
    London Philharmonic Orchestra, Sir Adrian Boult *
    English Symphony Orchestra, William Boughton
    Royal Opera House Orchestra, Benjamin Britten
    BBC Symphony Orchestra, Andrew Davis
    New Zealand Symphony Orchestra, Myer Fredman
    BBC Philharmonic, Edward Gardner
    Philharmonia Orchestra, Carlo Maria Giulini
    Ulster Orchestra, Vernon Handley
    Bournemouth Symphony Orchestra, Richard Hickox
    Bergen Philharmonic Orchestra, Neeme Järvi
    Oregon Symphony, Carlos Kalmar (SACD)
    Flanders Symphony Orchestra, Jan Latham-Koenig
    Minnesota Orchestra, Sir Neville Marriner *
    Orchestra Sinfonica Nazionale della RAI di Milano, Riccardo Muti *
    Montreal Metropolitan Orchestra, Yannick Nézet-Séguin *
    Royal Liverpool Philharmonic Orchestra, Libor Pe�sek *
    London Symphony Orchestra, André Previn
    London Philharmonic Orchestra, Zhang Yi

    * = download only
    Last edited by Eine Alpensinfonie; 05-06-22, 15:16.
  • Pulcinella
    Host
    • Feb 2014
    • 11112

    #2
    Not as much recorded as I would have thought.
    Certainly much performed/played on R3, though!

    Hard to beat Previn, I'd venture to suggest.
    Am I right in thinking that Britten's own version is taken from the full opera recording (with some vocal elements)?

    Comment

    • Bryn
      Banned
      • Mar 2007
      • 24688

      #3
      Without the Passacaglia they're somewhat wanting, as far as I'm concerned.

      Comment

      • Petrushka
        Full Member
        • Nov 2010
        • 12329

        #4
        Originally posted by Bryn View Post
        Without the Passacaglia they're somewhat wanting, as far as I'm concerned.
        Previn and Andrew Davis do include the Passacaglia (op. 33b) as a separate track though I prefer to insert it between 'Moonlight' and 'Storm' when playing those versions as Rostropovich did in a 1998 Prom concert I attended.

        Agree with Pulcinella that Previn would be my first choice.
        "The sound is the handwriting of the conductor" - Bernard Haitink

        Comment

        • ardcarp
          Late member
          • Nov 2010
          • 11102

          #5
          Not as much recorded as I would have thought.
          A realtively small body of music and a fairly limited discography could mean that we get a meaningful BAL.

          Comment

          • Edgy 2
            Guest
            • Jan 2019
            • 2035

            #6
            This work, especially LSO Previn, is very special to me
            Mid 70s, school record library LP c/w Passacaglia and Sinfonia Da Requiem sparked a lifelong passion for British music
            “Music is the best means we have of digesting time." — Igor Stravinsky

            Comment

            • Pulcinella
              Host
              • Feb 2014
              • 11112

              #7
              Originally posted by Petrushka View Post
              Previn and Andrew Davis do include the Passacaglia (op. 33b) as a separate track though I prefer to insert it between 'Moonlight' and 'Storm' when playing those versions as Rostropovich did in a 1998 Prom concert I attended.

              Agree with Pulcinella that Previn would be my first choice.
              That's how it appears in the Pešek/RLPO recording that is on CD1 of the 37CD Collector's Edition.

              Comment

              • Ein Heldenleben
                Full Member
                • Apr 2014
                • 6962

                #8
                Surprised it hasn’t been recorded more often particularly as it’s often both scheduled in concerts and is usually , excerpted , on Radio 3 once a week.
                Bernstein’s own conductor’s score is in the New York Phil archive website



                Link does not work so search Bernstein sea interludes score instead if you are interested !

                Comment

                • gurnemanz
                  Full Member
                  • Nov 2010
                  • 7414

                  #9
                  Originally posted by Pulcinella View Post
                  That's how it appears in the Pešek/RLPO recording that is on CD1 of the 37CD Collector's Edition.
                  I have that box and it's my only version on CD. Pešek is surely a major contender. Vivid sound.

                  We went to a memorable concert 10 years ago in Birmingham with CBSO and Andris Nelsons which started with the Britten Sea Interludes followed by Mahler's Kindertotenlieder sung by Jonas Kaufmann. There's a child death link there since the Passacaglia precedes the boy falling to his death while descending the cliff. The second half of the concert was Strauss orchestral songs and a return to the sea with Debussy's La Mer concluding the evening.

                  Comment

                  • cloughie
                    Full Member
                    • Dec 2011
                    • 22205

                    #10
                    Interesting that the reviewer is Anna Lapwood - she will have probably thoroughly studied the score before recording her organ transcription of the Interludes at Ely Cathedral. For anyone who hasn’t heard it - it is beautifully played and well worth a listen!

                    Comment

                    • Pulcinella
                      Host
                      • Feb 2014
                      • 11112

                      #11
                      Originally posted by cloughie View Post
                      Interesting that the reviewer is Anna Lapwood - she will have probably thoroughly studied the score before recording her organ transcription of the Interludes at Ely Cathedral. For anyone who hasn’t heard it - it is beautifully played and well worth a listen!
                      Sunday Times article about her here:

                      Anna Lapwood describes herself as an “all-rounder”. Which is charming and modest, but also quite an understatement. The formidably talented 26-year-old organist

                      Comment

                      • Darloboy
                        Full Member
                        • Jun 2019
                        • 335

                        #12
                        This is the first time that the Interludes have been specifically covered by BaL, although Peter Grimes has been featured twice. Tbh, I’d have preferred a programme on the full opera, especially given that: (1) it hasn’t been featured since 2007, and (2) there’s a recent Gramophone Award-winning recording which might have displaced the previous first choices.

                        Comment

                        • Eine Alpensinfonie
                          Host
                          • Nov 2010
                          • 20575

                          #13
                          Originally posted by Darloboy View Post
                          This is the first time that the Interludes have been specifically covered by BaL, although Peter Grimes has been featured twice. Tbh, I’d have preferred a programme on the full opera, especially given that: (1) it hasn’t been featured since 2007, and (2) there’s a recent Gramophone Award-winning recording which might have displaced the previous first choices.

                          Yes. This is something of a bleeding chunk BaL, rather like reviewing a ballet suite rather than the entire work.

                          Comment

                          • Petrushka
                            Full Member
                            • Nov 2010
                            • 12329

                            #14
                            Originally posted by Eine Alpensinfonie View Post
                            Yes. This is something of a bleeding chunk BaL, rather like reviewing a ballet suite rather than the entire work.
                            Point taken but the Interludes do have a separate life in the concert hall as well as on disc and I'm happy to see them considered on BaL.
                            "The sound is the handwriting of the conductor" - Bernard Haitink

                            Comment

                            • ardcarp
                              Late member
                              • Nov 2010
                              • 11102

                              #15
                              Point taken but the Interludes do have a separate life in the concert hall as well as on disc and I'm happy to see them considered on BaL.
                              Me too.

                              Comment

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