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Building a Library
Anna Lapwood compares recordings of Benjamin Britten’s Four Sea Interludes and picks a favourite.
When Peter Grimes premiered in 1945 it immediately put Britten, uniquely among his compatriots, in the first rank of the world’s opera composers. As well as the consummate solo vocal and choral writing, the orchestra, too, plays a vital role in Britten’s dark drama of alienation and hypocrisy in a small Suffolk fishing community. Several purely orchestral episodes sometimes punctuate, sometimes push forward the narrative and four of these were published separately as the Sea Interludes. Much performed and recorded, Britten’s dazzling orchestration vividly conjures up Dawn, Sunday Morning, Moonlight and a Storm.
Available versions:-
London Symphony Orchestra, Steuart Bedford
Concertgebouw Orchestra, Eduard van Beinum
Boston Symphony Orchestra, Leonard Bernstein
New York Philharmonic, Leonard Bernstein (SACD)
London Philharmonic Orchestra, Sir Adrian Boult *
English Symphony Orchestra, William Boughton
Royal Opera House Orchestra, Benjamin Britten
BBC Symphony Orchestra, Andrew Davis
New Zealand Symphony Orchestra, Myer Fredman
BBC Philharmonic, Edward Gardner
Philharmonia Orchestra, Carlo Maria Giulini
Ulster Orchestra, Vernon Handley
Bournemouth Symphony Orchestra, Richard Hickox
Bergen Philharmonic Orchestra, Neeme Järvi
Oregon Symphony, Carlos Kalmar (SACD)
Flanders Symphony Orchestra, Jan Latham-Koenig
Minnesota Orchestra, Sir Neville Marriner *
Orchestra Sinfonica Nazionale della RAI di Milano, Riccardo Muti *
Montreal Metropolitan Orchestra, Yannick Nézet-Séguin *
Royal Liverpool Philharmonic Orchestra, Libor Pe�sek *
London Symphony Orchestra, André Previn
London Philharmonic Orchestra, Zhang Yi
* = download only
Building a Library
Anna Lapwood compares recordings of Benjamin Britten’s Four Sea Interludes and picks a favourite.
When Peter Grimes premiered in 1945 it immediately put Britten, uniquely among his compatriots, in the first rank of the world’s opera composers. As well as the consummate solo vocal and choral writing, the orchestra, too, plays a vital role in Britten’s dark drama of alienation and hypocrisy in a small Suffolk fishing community. Several purely orchestral episodes sometimes punctuate, sometimes push forward the narrative and four of these were published separately as the Sea Interludes. Much performed and recorded, Britten’s dazzling orchestration vividly conjures up Dawn, Sunday Morning, Moonlight and a Storm.
Available versions:-
London Symphony Orchestra, Steuart Bedford
Concertgebouw Orchestra, Eduard van Beinum
Boston Symphony Orchestra, Leonard Bernstein
New York Philharmonic, Leonard Bernstein (SACD)
London Philharmonic Orchestra, Sir Adrian Boult *
English Symphony Orchestra, William Boughton
Royal Opera House Orchestra, Benjamin Britten
BBC Symphony Orchestra, Andrew Davis
New Zealand Symphony Orchestra, Myer Fredman
BBC Philharmonic, Edward Gardner
Philharmonia Orchestra, Carlo Maria Giulini
Ulster Orchestra, Vernon Handley
Bournemouth Symphony Orchestra, Richard Hickox
Bergen Philharmonic Orchestra, Neeme Järvi
Oregon Symphony, Carlos Kalmar (SACD)
Flanders Symphony Orchestra, Jan Latham-Koenig
Minnesota Orchestra, Sir Neville Marriner *
Orchestra Sinfonica Nazionale della RAI di Milano, Riccardo Muti *
Montreal Metropolitan Orchestra, Yannick Nézet-Séguin *
Royal Liverpool Philharmonic Orchestra, Libor Pe�sek *
London Symphony Orchestra, André Previn
London Philharmonic Orchestra, Zhang Yi
* = download only
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