I don't think I would have guessed that Argerich was playing had it been audio only and I think Zimerman is absolutely right.
BaL 30.04.22 - Chopin: Piano Sonata no. 3 in B minor
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Originally posted by Barbirollians View PostLipatti still my favourite - but also very fond of both Argerich ( EMI and DG) , Rubinstein's late stereo account, the live Peter Katin and Howard Shelley on an 1830s piano.
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Originally posted by Barbirollians View PostNo Lipatti or Rubinstein as far as I can hear but Pogorelich - time to turn off
Hamelin never really does it for me in mainstream repertoire.
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Originally posted by Barbirollians View PostJust as I was about to Lipatti made an appearance in the final movement knocking the vast majority of the other versions she had played into a cocked hat.
Hamelin never really does it for me in mainstream repertoire.
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Originally posted by Ein Heldenleben View PostIn fact partly because of his popularity in the concert hall and the lollipop pieces he’s one of the most misunderstood indeed underrated 19th century composers . The Polonaise Fantasie and Bacarolle , the F minor Ballade are masterpieces which stand comparison with just about anything written in the Romantic era . It’s not his fault they are not symphonies or operas - those weren’t his genre.
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Originally posted by Ein Heldenleben View PostIt wouldn’t surprise me if she hasn’t . I used to go to lots of piano recitals and I’ve never heard it live unlike the BFlat minor. I wonder if it’s because it lacks the “big tunes” you get in the latter. Maybe it’s because for non specialists having one Chopin sonata in your repertoire is considered enough along with a couple of ballades and scherzi and a selection of nocturnes / etudes / preludes . I think the slow movement is one of the most beautiful things Chopin ever wrote and as harmonically daring , in its way , as some Liszt. In recital it strikes me as a good piece to schedule because of its bravura ending whereas the finale of the Funeral March is over before you know it.I keep hitting the Escape key, but I'm still here!
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Originally posted by RobP View PostYes he is one of the great composers. The works you mention, plus the Sonatas, all the Ballades, Scherzos, Preludes, Etudes, Nocturnes etc are all masterpieces and I don't know anyone who thinks otherwise.
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Originally posted by LeMartinPecheur View PostJust checked records of live performances I've attended over nearly 50 yrs and No 3 outscores No 2 by 6 to 3, and this isn't because I prefer it particularly. For the record, in chronological order, No 2: Tamas Vasary, Bernard d'Ascoli and Freddie Kempf; No 3: Daniel Barenboim, Andre Tchaikovsky, Vlado Perlemuter, Imogen Cooper, Jeremy Young, Lara Melda. Melda's No 3 just a few months ago in Welshpool.
I worked on a Perlmuter recording session once - what a wonderful sound he had.
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Originally posted by Alison View PostCan’t imagine many will be rushing to buy Hamelin. It was accurate but the ending was something less than orgiastic and with a rather dull greyish recording.
Definitely a work greater than it can be played.
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Originally posted by Ein Heldenleben View PostAn unusual BAL in that I preferred just about every other recording to the winner. Hamelin has amazing technique but his playing unlike Lipatti, Cziffra and Perlmuter just doesn’t connect with me. It’s all a bit too dispassionate for me.
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