BaL 1.01.22 - Mozart: Piano Concerto no 20 in D minor K466

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  • ardcarp
    Late member
    • Nov 2010
    • 11102

    It's still a fortepiano in the accepted usage of the word, i.e. an early keyboard instrument with hammers striking the strings. It was an unusaual attachment to have pull-down pedals for a few bass notes, though some harpsichords did.

    I found this somewhat unscholarly and un-attributed article online:

    Mozart was not only a composer, but was also a popular pianist of the first order. One of his favorite pianos that he played while he was living in Vienna had a pedal-board that was operated with the feet, like that of an organ.
    Today, the piano that Mozart owned is on display at Mozart House in Salzburg, but it has no pedal-board. However, the notion that Mozart had a piano with a pedal-board came from a letter written by his father, Leopold, who visited his son while he lived in Vienna.
    Among Mozart's piano works, none are written with a part for a pedal-board. However, according to Leopold's report, at the first performance of the timeless masterpiece, Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, is said to have used his own piano, which was equipped with a pedal-board. One can perhaps imagine that the pedal-board was used to reinforce the left-hand part, but because Mozart was also an expert on the organ, operating a pedal-board with his feet was likely no different than using his hands.


    There is this evidence, however:

    your brother’s fortepiano has been taken at least a dozen times to the theatre or to some other house. He has had a large fortepiano pedal made, which stands under the instrument and is about two feet longer and extremely heavy. It is taken to the Mehlgrube every Friday, and has also been taken to Count Zichy’s and Prince Kaunitz’s. (Leopold Mozart – letter to Nannerl)
    Last edited by ardcarp; 01-01-22, 19:27.

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    • silvestrione
      Full Member
      • Jan 2011
      • 1773

      Originally posted by ardcarp View Post
      It's still a fortepiano in the accepted usage of the word, i.e. an early keyboard instrument with hammers striking the strings. It was an unusaual attachment to have pull-down pedals for a few bass notes, though some harpsichords did.

      I found this somewhat unscholarly and un-attributed article online:

      Mozart was not only a composer, but was also a popular pianist of the first order. One of his favorite pianos that he played while he was living in Vienna had a pedal-board that was operated with the feet, like that of an organ.
      Today, the piano that Mozart owned is on display at Mozart House in Salzburg, but it has no pedal-board. However, the notion that Mozart had a piano with a pedal-board came from a letter written by his father, Leopold, who visited his son while he lived in Vienna.
      Among Mozart's piano works, none are written with a part for a pedal-board. However, according to Leopold's report, at the first performance of the timeless masterpiece, Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, is said to have used his own piano, which was equipped with a pedal-board. One can perhaps imagine that the pedal-board was used to reinforce the left-hand part, but because Mozart was also an expert on the organ, operating a pedal-board with his feet was likely no different than using his hands.


      There is this evidence, however:

      your brother’s fortepiano has been taken at least a dozen times to the theatre or to some other house. He has had a large fortepiano pedal made, which stands under the instrument and is about two feet longer and extremely heavy. It is taken to the Mehlgrube every Friday, and has also been taken to Count Zichy’s and Prince Kaunitz’s. (Leopold Mozart – letter to Nannerl)
      Fascinating, thank you. So TS got his info from some such source. He imagined Mozart reinforcing the bass notes with the pedal in some of those agitated passages, e.g in the 1st movement. One can imagine that, just about!

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