BaL 11.12.21 - Shostakovich: Symphony no. 7 "Leningrad"

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    BaL 11.12.21 - Shostakovich: Symphony no. 7 "Leningrad"

    9.30
    Building a Library on Shostakovich’s Leningrad Symphony with Edward Seckerson.

    Dmitri Shostakovich’s Symphony No. 7 in C major was at first dedicated to Lenin. But eventually the composer dedicated it to the besieged city of Leningrad, where it was first played in 1942, during the siege by German and Finnish forces. It soon became popular in both the Soviet Union and the West as a symbol of resistance to fascism and totalitarianism. The work is still regarded as an important musical testament to the 27 million Soviet people who lost their lives in World War II.


    Available versions:-


    Radio-Sinfonieorchester Stuttgart des SWR, Yuri Ahronovitch
    Czech Philharmonic Orchestra, Karel Ancerl
    St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy
    German Youth Philharmonic Orchestra, Moscow Philharmonic Orchestra, Rudolf Barshai
    WDR Sinfonieorchester, Rudolf Barshai
    Bournemouth Symphony Orchestra, Paavo Berglund *
    Boston Symphony Orchestra.Leonard Bernstein
    Chicago Symphony Orchestra, Leonard Bernstein
    New York Philharmonic Orchestra, Leonard Bernstein
    American Symphony Orchestra, Leon Botstein *
    Orchestra Sinfonica di Milano G. Verdi, Oleg Caetani
    Hallé Orchestra, Sir Mark Elder
    Tchaikovsky Symphony Orchestra of Moscow Radio, Vladimir Fedosseyev
    Mariinsky Orchestra, Valéry Gergiev (SACD)
    Netherland Radio Philharmonic Orchestra, Kirov Orchestra, Valéry Gergiev (DVD)
    London Philharmonic Orchestra, Bernard Haitink *
    Saarbrucken Radio Symphony Orchestra, Günther Herbig
    Wiener Symphoniker, Eliahu Inbal
    Tatarstan National Symphony Orchestra, Masters of Choral Singing, Alexander Sladkovsky
    Symphonie-Orchester des Bayerischen Rundfunks, Mariss Jansons
    Royal Concertgebouw Orchestra, Mariss Jansons (SACD)
    Leningrad Philharmonic Orchestra, Mariss Jansons
    St Petersburg Philharmonic Orchestra, Mariss Jansons
    Scottish National Orchestra, Neeme Järvi
    Russian National Orchestra, Paavo Järvi (SACD)
    Gürzenich-Orchester Köln, Dmitri Kitayenko (SACD)
    Moscow Philharmonic Orchestra, Kirill Kondrashin *
    Royal Concertgebouw Orchestra, Rafael Kubelik *
    London Philharmonic Orchestra, Kurt Masur
    New York Philharmonic Orchestra, Kurt Masur
    Dallas Symphony Orchestra, Eduardo Mata *
    Leningrad Philharmonic Orchestra, Evgeny Mravinsky
    Boston Symphony Orchestra, Andris Nelsons
    City of Birmingham Symphony Orchestra, Andris Nelsons
    Spanish National Youth Orchestra, George Pehlivanian
    Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
    Russian State Symphony Orchestra, Valeri Polyansky
    National Symphony Orchestra, Mstislav Rostropovich
    Dresdner Philharmonie, Michael Sanderling
    Prague Symphony Orchestra, Maxim Shostakovich
    Tatarstan National Symphony Orchestra, Masters of Choral Singing, Alexander Sladkovsky
    Slovak Radio Symphony Orchestra, Ladislav Slovak
    NBC Symphony Orchestra, Leopold Stokowski
    Swedish Radio Symphony Orchestra, Evgeny Svetlanov
    Bulgarian National Radio Symphony Orchestra, Emil Tabakov
    St Petersburg Philharmonic Orchestra, Yuri Temirkanov
    NBC Symphony Orchestra, Arturo Toscanini
    ADDA Simfònica, Josep Vicent *
    BBC National Orchestra of Wales, Mark Wigglesworth
    Netherlands Radio Philharmonic Orchestra, Mark Wigglesworth (SACD)
    Russian Philharmonic Orchestra, Dmitry Yablonsky

    (* = download only)
    Last edited by Eine Alpensinfonie; 22-11-21, 18:22.
  • jayne lee wilson
    Banned
    • Jul 2011
    • 10711

    #2
    OH....MY.... GOD.......

    How can anyone listen to multiple versions of..... THIS?

    A life-changing experience for me when I first got to know it (R3, BBCPO/Edward Downes, live, taped off air...)...
    Two (almost literally) heart-stopping live performances with Petrenko at the RLPO....

    7 is the first in the DSCH "War Symphony Trilogy". I adore it, almost every bar of it, but.... could I ever listen to it again, unless - in my head?
    Last edited by jayne lee wilson; 22-11-21, 14:14.

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20575

      #3
      My initial reaction was to ascertain how the reviewer will drop Jurowski's name into the review.

      Comment

      • Pianoman
        Full Member
        • Jan 2013
        • 529

        #4
        Surely it'll be Bernstein/ Chicago knowing Seckerson...
        Personally, i'll stick to the swifter renditions, namely Jarvi (Father or son...)

        Comment

        • Petrushka
          Full Member
          • Nov 2010
          • 12329

          #5
          I've got many recordings on my shelves but it's the live performances that stand out in my mind. My first was at the 1983 Proms, BBC PO/Downes, (wonder if that's the one JLW mentions?); an unforgettable one in Symphony Hall, Birmingham, in 1993 with Jansons and the St Petersburg PO, when I shared a table in the cafe with members of the horn section of the orchestra before the concert; Gergiev and the World Orchestra for Peace at the 1998 Proms, seated in 'O' stalls, almost in the orchestra, an overwhelming experience; LSO/Rostropovich, also in 1998, the same day I attended Solti's memorial service in Westminster Abbey.

          On record my first was the Bournemouth SO/Berglund, still sounding very good in its CD incarnation but you really need to go the full Soviet for this symphony and, despite less than ideal sonics I'd go for the USSR SO/Svetlanov, either the 1960s Melodiya, or a live one in 1978 both of which are/were available on the Scribendum label, and which I'm surprised to see are absent from Alpie's listing. I also wouldn't be without the USSR Ministry of Culture Orch/Rozhdestvensky which could well blow your speakers as well as your mind.

          Ultimately, for the best sound coupled with a top performance I'd be looking at the Chicago SO/Bernstein which is far more involved than the latest Nelsons which I found disappointing.
          "The sound is the handwriting of the conductor" - Bernard Haitink

          Comment

          • silvestrione
            Full Member
            • Jan 2011
            • 1725

            #6
            I like Shostakovich, but...

            However, I will listen, because sometimes you find with these BALs you get a breakthrough with a work you can't take.

            Comment

            • visualnickmos
              Full Member
              • Nov 2010
              • 3614

              #7
              This is going to be good..... I hope!

              Comment

              • Bryn
                Banned
                • Mar 2007
                • 24688

                #8
                I hope Wigglesworth gets a look-in.

                  Resistance   The lowest estimate for the number of Soviet people murdered for political reasons between 1928 and 1941 is 7.9 million. Some people claim that Stalin was responsible for as many as three times that number of deaths. The ultimate horror is, in fact, that nobody will ever know. Stalin’s grip on power […]

                Comment

                • LeMartinPecheur
                  Full Member
                  • Apr 2007
                  • 4717

                  #9
                  Some useful background reading https://www.amazon.co.uk/Leningrad-S...7605237&sr=1-1 (if you like nightmares...).
                  I keep hitting the Escape key, but I'm still here!

                  Comment

                  • pastoralguy
                    Full Member
                    • Nov 2010
                    • 7816

                    #10
                    Regarding the SNO/Jarvi recording on Chandos, I remember hearing the work for the first time in the Usher Hall before the cd was made. Iirc, Jarvi had 4 side drummers playing at the climax of the first movement. I really feared for the Usher Hall’s ceiling! Unbelievably exciting!

                    The orchestra played it on four occasions. Dundee, Aberdeen, Glasgow and Edinburgh. My teacher was a violinist in the orchestra and he told me that each performance got progressively faster as Jarvi was keen that it would fit on a single cd!

                    Comment

                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      #11
                      How is it that the BBC has not found a way to release one of its recordings of Edward Downes conducting this work of which he was such a strong advocate?

                      Comment

                      • richardfinegold
                        Full Member
                        • Sep 2012
                        • 7747

                        #12
                        There is a Sanderling recording…unfortunately pere. Oh well.
                        I have multiple versions. My personal favorite is Lenny from Chicago, but that stems from hearing a radio broadcast cast roughly contemporaneous with the recording. I would love to see that tape surface.
                        I heard this performed at my University days with Yuri Temirkanov leading one of those weirdly named Soviet Bands, something like The Peoples All Union Collective Farm Tractor Symphony Orchestra. The Invasion Theme blew me away but I had not yet learned to appreciate the rest of the work, and smoking funny tobacco before a long Shostakovich Symphony isn’t to be recommended . One truly great rendition is Ancerl on Supraphon, regrettably in relatively dim mono, but if ever a version sounded like an indictment of all Totalitarianism, not just the National Socialist variety, this is it.
                        I just finished a great novel called City of Thieves. It’s a bromance set during the siege of Leningrad, both entertaining and hair raising. The protagonists did not have very kind words for DSCH

                        Comment

                        • Edgy 2
                          Guest
                          • Jan 2019
                          • 2035

                          #13
                          Chicago/Bernstein and Halle/Elder for me
                          “Music is the best means we have of digesting time." — Igor Stravinsky

                          Comment

                          • vibratoforever
                            Full Member
                            • Jul 2012
                            • 149

                            #14
                            Originally posted by Bryn View Post
                            How is it that the BBC has not found a way to release one of its recordings of Edward Downes conducting this work of which he was such a strong advocate?
                            Agree completely! Not sure where I got a copy from, probably Youtube

                            Comment

                            • richardfinegold
                              Full Member
                              • Sep 2012
                              • 7747

                              #15
                              I discovered an iTunes download of Berglund/Bournemouth. . It sounds perfectly fine to me, somehow less subjectively Slavic than the norm. My personal favorite besides Bernstein/Chicago is Kitaenko/Gurzenich SO of Cologne. Not only is it spectacularly recorded (Mine is SACD, but available for years as a High Resolution download), but there is something about the mix of a Russian Conductor raised in the USSR leading a German Orchestra that I find compelling. Barshai with the same Orchestra is equally riveting but less beautifully recorded, but very inexpensive to purchase.
                              So-what would it take to make a bad recording? The over the toppery is built into the music. It is so heart on sleeve that even Stokowski (another bad sounding mono) sounds non plussed, as in “How can I personally put my stamp on this?” I was prepared to criticize the Bournemouth for not being in the same league as the CSO, et. al, but that isn’t the case. Perhaps the Royal Liverpool sounds a bit outclassed in Petrenko’s recording, but if it had to be my only recording of the piece it would make do. So Orchestral execution isn’t the issue ( didn’t Beecham once say he was in favor of Orchestral Execution?). You can’t possibly over emote here. Can you fail by attempting to neuter it? I don’t think that can be done.
                              The Forumite That Used To Be Known As Caliban and I once had an exchange about the Seventh after I attended a CSO concert led by Semyon Bychkov (I think). Pre concert we had supped at a venerable German restaurant. After consuming sauerbraten and kraut I became uncomfortable and flatulent during the performance but I related to Nick that due to the noise level in I my distress went unnoticed. Nick said “Well, the piece was written to withstand a German bombardment “. I now remember that every time the subject of the Symphony appeat

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