Originally posted by Petrushka
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BaL 13.11.21 - Strauss: Eine Alpensinfonie
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Originally posted by Petrushka View PostThat's three times that the Karajan recording has come out top on BaL.Del boy: “Get in, get out, don’t look back. That’s my motto!”
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Originally posted by Keraulophone View PostDoes anyone know how the EMI DVD-Audio of Kempe’s Dresden ASZ and EA compares in sound quality with the 2013 remastering for CD?
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Originally posted by Bryn View PostKempe's association with Strauss's music being such as it is, I would hope that Warner might, at some point, issue a Bly-ray Audio disc of his Strauss recordings, in surround where applicable."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by LHC View PostHave EMI or Warner issued any Blu-Ray Audio discs of anything? My recollection is that they’ve mainly come from the Universal labels (DG, Decca), or from labels like LSO Live. I remember that EMI were the last company to start issuing CDs, so I always expect them to be very slow on adopting new formats.
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I only managed to catch up with this later yesterday. I’m amazed no one has commented on Mark Simpson’s appalling vocal tics - literally dozens of ‘kind ofs’ and plenty of ‘ummms’. However talented a musician he may be, I don’t think he’s a suitable broadcaster, and I think it’s why we heard so much of AMcG on this occasion.
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Originally posted by Goon525 View PostI only managed to catch up with this later yesterday. I’m amazed no one has commented on Mark Simpson’s appalling vocal tics - literally dozens of ‘kind ofs’ and plenty of ‘ummms’. However talented a musician he may be, I don’t think he’s a suitable broadcaster, and I think it’s why we heard so much of AMcG on this occasion.
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OK, well back on track, I was surprised the excellent recent Jurowski didn’t get a look in. I wonder whether the Kempe (perhaps never the best recording quality) is a bit long in the tooth. As a confessed audiophile, I think sound quality matters a lot in a work like this. The LSO/Haitink, even though recorded in the unhelpful acoustic of the Barbican, doesn’t sound bad.
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Originally posted by Keraulophone View PostThe blu-ray disc of the first six CDs in the ‘Deluxe’ DG set of Strauss/Karajan provides the best sound available of these recordings dating back to 1959. Disappointingly, the Alpine Symphony is on CD7 and therefore missing from the blu-ray disc. Did DG think that they had remastered the much-criticised original sonics to the extent that inclusion on the blu-ray wasn’t necessary? A bit of a lost opportunity, given that this recording apparently has its admirers.
Not only no Kempe/DS, but no Haitink/RCO either - his offstage horns are marvellous, as is the rest. [Someone mentioned he was included… I must have nodded off having to listen to AMG.]
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Originally posted by visualnickmos View PostJust an observation; there isn't much actual discussion about the piece in question, on this thread, the winner, others in the running - or not, etc, etc.
It seems to be going off on all sorts of tangents.
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Originally posted by Ein Heldenleben View PostThat’s partly because most of the discussion took place before the BAL went out, partly because there aren’t many ( public ) fans of the “winning “ Karajan performance and the knot of Kempe fans are shaking their heads in disbelief . I’ve listened to the following in the last two weeks - Kempe , Karajan, Jurowski and Jansons and still think Kempe head and shoulders the best in performance terms and ahead in sound balance terms though not in overall audio quality.
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