BaL 13.11.21 - Strauss: Eine Alpensinfonie

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    #76
    Originally posted by Petrushka View Post
    That's three times that the Karajan recording has come out top on BaL. This can't be a coincidence and perhaps Karajan's detractors in this work need to consider that they might be wrong.
    Believe me, I’ve asked myself that very question many times. I had the original 1983 CD and gave it away because the audio quality was so awful. I now have the remastered version Pet mentioned, and it’s definitely an improvement. The oppressive string sound is much less of an issue, but towards the end of Ausklang, the balance is still awkward in my view. As an interpretation, it’s almost faultless, apart from the weird decision to invite the off-stage band into the main auditorium. (And hearing FW-M’s trite Summit interpretation immediately after Karajan’s certainly made me think better of HvK’s.

    Comment

    • Alison
      Full Member
      • Nov 2010
      • 6468

      #77
      Only Haitink/LSO was featured today.

      I agree the Concertgebouw version represents the best of a truly special orchestra-conductor partnership.

      Comment

      • Alison
        Full Member
        • Nov 2010
        • 6468

        #78
        Was it clear if the reviewer(s) like the Welser-Most Summit extract?
        Last edited by Alison; 13-11-21, 20:54.

        Comment

        • Parry1912
          Full Member
          • Nov 2010
          • 965

          #79
          Originally posted by Petrushka View Post
          That's three times that the Karajan recording has come out top on BaL.
          It was also the Gramophone Collection winner in 2017 and a favourite with the Penguin Guide. Not often that there is such critical agreement concerning the best recording of a piece.
          Del boy: “Get in, get out, don’t look back. That’s my motto!”

          Comment

          • Keraulophone
            Full Member
            • Nov 2010
            • 1967

            #80
            Does anyone know how the EMI DVD-Audio of Kempe’s Dresden ASZ and EA compares in sound quality with the 2013 remastering for CD?

            Comment

            • Bryn
              Banned
              • Mar 2007
              • 24688

              #81
              Originally posted by Keraulophone View Post
              Does anyone know how the EMI DVD-Audio of Kempe’s Dresden ASZ and EA compares in sound quality with the 2013 remastering for CD?
              Kempe's association with Strauss's music being such as it is, I would hope that Warner might, at some point, issue a Bly-ray Audio disc of his Strauss recordings, in surround where applicable.

              Comment

              • LHC
                Full Member
                • Jan 2011
                • 1561

                #82
                Originally posted by Bryn View Post
                Kempe's association with Strauss's music being such as it is, I would hope that Warner might, at some point, issue a Bly-ray Audio disc of his Strauss recordings, in surround where applicable.
                Have EMI or Warner issued any Blu-Ray Audio discs of anything? My recollection is that they’ve mainly come from the Universal labels (DG, Decca), or from labels like LSO Live. I remember that EMI were the last company to start issuing CDs, so I always expect them to be very slow on adopting new formats.
                "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                Lady Bracknell The importance of Being Earnest

                Comment

                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  #83
                  Originally posted by LHC View Post
                  Have EMI or Warner issued any Blu-Ray Audio discs of anything? My recollection is that they’ve mainly come from the Universal labels (DG, Decca), or from labels like LSO Live. I remember that EMI were the last company to start issuing CDs, so I always expect them to be very slow on adopting new formats.
                  Not in the 'classical' genre but https://store.warnermusic.com/chicag...ray-audio.html

                  Comment

                  • Goon525
                    Full Member
                    • Feb 2014
                    • 604

                    #84
                    I only managed to catch up with this later yesterday. I’m amazed no one has commented on Mark Simpson’s appalling vocal tics - literally dozens of ‘kind ofs’ and plenty of ‘ummms’. However talented a musician he may be, I don’t think he’s a suitable broadcaster, and I think it’s why we heard so much of AMcG on this occasion.

                    Comment

                    • gurnemanz
                      Full Member
                      • Nov 2010
                      • 7405

                      #85
                      Originally posted by Goon525 View Post
                      I only managed to catch up with this later yesterday. I’m amazed no one has commented on Mark Simpson’s appalling vocal tics - literally dozens of ‘kind ofs’ and plenty of ‘ummms’. However talented a musician he may be, I don’t think he’s a suitable broadcaster, and I think it’s why we heard so much of AMcG on this occasion.
                      Agree, alas, but in the speaker's defence the fault must lie at least partly in the decision to move to the twofer format which is more like a chat than a more formal scripted essay. I suspect most of us have vocal tics when let loose to chat informally.

                      Comment

                      • visualnickmos
                        Full Member
                        • Nov 2010
                        • 3614

                        #86
                        Just an observation; there isn't much actual discussion about the piece in question, on this thread, the winner, others in the running - or not, etc, etc.
                        It seems to be going off on all sorts of tangents.

                        Comment

                        • Goon525
                          Full Member
                          • Feb 2014
                          • 604

                          #87
                          OK, well back on track, I was surprised the excellent recent Jurowski didn’t get a look in. I wonder whether the Kempe (perhaps never the best recording quality) is a bit long in the tooth. As a confessed audiophile, I think sound quality matters a lot in a work like this. The LSO/Haitink, even though recorded in the unhelpful acoustic of the Barbican, doesn’t sound bad.

                          Comment

                          • richardfinegold
                            Full Member
                            • Sep 2012
                            • 7737

                            #88
                            Originally posted by Keraulophone View Post
                            The blu-ray disc of the first six CDs in the ‘Deluxe’ DG set of Strauss/Karajan provides the best sound available of these recordings dating back to 1959. Disappointingly, the Alpine Symphony is on CD7 and therefore missing from the blu-ray disc. Did DG think that they had remastered the much-criticised original sonics to the extent that inclusion on the blu-ray wasn’t necessary? A bit of a lost opportunity, given that this recording apparently has its admirers.

                            Not only no Kempe/DS, but no Haitink/RCO either - his offstage horns are marvellous, as is the rest. [Someone mentioned he was included… I must have nodded off having to listen to AMG.]
                            I wish I knew what you were referring to. I can’t find any Karajan Blu Ray for Strauss. I own the Bruckner, Beethoven, and Tchaikovsky sets as well as his Mahler5 and would be interested.

                            Comment

                            • Ein Heldenleben
                              Full Member
                              • Apr 2014
                              • 6932

                              #89
                              Originally posted by visualnickmos View Post
                              Just an observation; there isn't much actual discussion about the piece in question, on this thread, the winner, others in the running - or not, etc, etc.
                              It seems to be going off on all sorts of tangents.
                              That’s partly because most of the discussion took place before the BAL went out, partly because there aren’t many ( public ) fans of the “winning “ Karajan performance and the knot of Kempe fans are shaking their heads in disbelief . I’ve listened to the following in the last two weeks - Kempe , Karajan, Jurowski and Jansons and still think Kempe head and shoulders the best in performance terms and ahead in sound balance terms though not in overall audio quality.

                              Comment

                              • visualnickmos
                                Full Member
                                • Nov 2010
                                • 3614

                                #90
                                Originally posted by Ein Heldenleben View Post
                                That’s partly because most of the discussion took place before the BAL went out, partly because there aren’t many ( public ) fans of the “winning “ Karajan performance and the knot of Kempe fans are shaking their heads in disbelief . I’ve listened to the following in the last two weeks - Kempe , Karajan, Jurowski and Jansons and still think Kempe head and shoulders the best in performance terms and ahead in sound balance terms though not in overall audio quality.
                                Absolutely agree.

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