BaL 30.10.21 - Elgar: Violin Concerto in B minor

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    #16
    Originally posted by cloughie View Post
    cdcfp4632 but also available on a double cfp with the violin sonata and other Elgar chamber music for arong £6 in p&p
    The Hugh Bean recording was also part of the 30 CD EMI box set (also nla).

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    • richardfinegold
      Full Member
      • Sep 2012
      • 7747

      #17
      Originally posted by Ein Heldenleben View Post
      I wasn’t taken with this performance either . Nigel K and Handley for me in this. A work I rate much higher than the cello concerto . Indeed I wonder if it isn’t the very greatest violin concerto of them all…?
      This is another VC in the canon that I just can’t get on with (the other is the Bartok). I’ve bought a few recordings based on reviews, the first Nigel and Gil Shaham, which isn’t on the list, and it just doesn’t do much for me. Ranking this over the Cello Concerto just leaves me baffled, let alone over Beethoven, Brahms, Tchaikovsky, Sibelius, etc. I do like some of the shorter Elgar Violin pieces.

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      • Bryn
        Banned
        • Mar 2007
        • 24688

        #18
        Originally posted by richardfinegold View Post
        This is another VC in the canon that I just can’t get on with (the other is the Bartok). . . .
        Which of the Bartok violin concertos, or is it both?

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        • cloughie
          Full Member
          • Dec 2011
          • 22205

          #19
          Originally posted by Ein Heldenleben View Post
          Yes you’re right . Elgar’s work does not lend itself to bleeding chunks . The Cello concerto , though a wonderful work , is overplayed and over -extracted on radio . The violin concerto is comparatively underplayed
          An example of Elgar bleeding chunks this morning’s EC - movt 2 of Sym 1 - this should never be separated from mvt 3 again!

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          • Petrushka
            Full Member
            • Nov 2010
            • 12329

            #20
            Originally posted by richardfinegold View Post
            This is another VC in the canon that I just can’t get on with (the other is the Bartok). I’ve bought a few recordings based on reviews, the first Nigel and Gil Shaham, which isn’t on the list, and it just doesn’t do much for me. Ranking this over the Cello Concerto just leaves me baffled, let alone over Beethoven, Brahms, Tchaikovsky, Sibelius, etc. I do like some of the shorter Elgar Violin pieces.
            It took me a long time and many listens before the Elgar Violin Concerto 'clicked' in my head and once it did I couldn't have enough of it. I bought the Perlman/Chicago SO/Barenboim on LP in 1982 and played it to death. I urge you to keep trying because when it finally 'clicked' in my head it was a hugely satisfying moment and worth all the effort. Some works don't easily unlock their secrets.

            I've seen both Perlman and Kennedy perform the concerto twice and once saw the legendary leader of the Halle Orchestra, Martin Milner, perform it with Loughran.
            "The sound is the handwriting of the conductor" - Bernard Haitink

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            • Bryn
              Banned
              • Mar 2007
              • 24688

              #21

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              • cloughie
                Full Member
                • Dec 2011
                • 22205

                #22
                Originally posted by richardfinegold View Post
                This is another VC in the canon that I just can’t get on with (the other is the Bartok). I’ve bought a few recordings based on reviews, the first Nigel and Gil Shaham, which isn’t on the list, and it just doesn’t do much for me. Ranking this over the Cello Concerto just leaves me baffled, let alone over Beethoven, Brahms, Tchaikovsky, Sibelius, etc. I do like some of the shorter Elgar Violin pieces.
                Perhaps rfg you are not bombarded with the chunks your side of the pond - anyway it wouldn’t good for as all to have uniform tastes!

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                • Keraulophone
                  Full Member
                  • Nov 2010
                  • 1972

                  #23
                  .
                  Having had to bear Menuhin’s excruciating intonation in this masterpiece at the Brighton Festival, Zuckerman’s 1976 release came as quite a revelation. It remained my yardstick until Kennedy/Handley in 1984, not surpassed IMO by his remake with Rattle. Ehnes/Davis has impressed more recently, but one I like to return to that will never be a front runner is Ida Haendel’s expansive (55 min) 1977 recording with Boult for EMI at Abbey Road: lingering but lovely; reissued on Testament, including the Bach Chaconne (from 1995, also worth hearing).

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                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20575

                    #24
                    Originally posted by cloughie View Post
                    An example of Elgar bleeding chunks this morning’s EC - movt 2 of Sym 1 - this should never be separated from mvt 3 again!
                    Just how can they stoop to this?

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                    • Wolfram
                      Full Member
                      • Jul 2019
                      • 280

                      #25
                      Originally posted by Ein Heldenleben View Post
                      A work I rate much higher than the cello concerto . Indeed I wonder if it isn’t the very greatest violin concerto of them all…?
                      Working my way this week through my current 9 versions I had exactly the same thought.

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                      • mikealdren
                        Full Member
                        • Nov 2010
                        • 1205

                        #26
                        Originally posted by Petrushka View Post
                        It took me a long time and many listens before the Elgar Violin Concerto 'clicked' in my head and once it did I couldn't have enough of it. I bought the Perlman/Chicago SO/Barenboim on LP in 1982 and played it to death. I urge you to keep trying because when it finally 'clicked' in my head it was a hugely satisfying moment and worth all the effort. Some works don't easily unlock their secrets.

                        I've seen both Perlman and Kennedy perform the concerto twice and once saw the legendary leader of the Halle Orchestra, Martin Milner, perform it with Loughran.
                        It was the Heifetz version that convinced me. I was at the Milner concert too, about 1973? I have the programme at home, I'll check when I get back at the weekend. Milner was amazing and very Heifetz like in his interpretation, he was such a fine player. I saw Kennedy play it too, very different and very good as well, much more emotional. I find the Perlman CD disappointing but his BBC broadcast version was much better.

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                        • richardfinegold
                          Full Member
                          • Sep 2012
                          • 7747

                          #27
                          Originally posted by Bryn View Post
                          Which of the Bartok violin concertos, or is it both?

                          Is the "First" which was unpublished, part of the canon? Does it ever get played in Concert? I just thought it gets hauled out as a discmate for the "Second". At any rate, I don't care for either of them, and since Bartok was and remains a seminal Composer for me when I became a Music Enthusiast, my dislike of the "Second" continues to baffle me, since other Bartokians have taken to it.
                          Elgar's Music in general is less essential to me. The Cello Concerto, the Enigma Variations, the Good Old Pomp and Circumstance, and the rest I can do without. We all have our blind spots

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                          • Bryn
                            Banned
                            • Mar 2007
                            • 24688

                            #28
                            Originally posted by richardfinegold View Post
                            Is the "First" which was unpublished, part of the canon? Does it ever get played in Concert? I just thought it gets hauled out as a discmate for the "Second". At any rate, I don't care for either of them, and since Bartok was and remains a seminal Composer for me when I became a Music Enthusiast, my dislike of the "Second" continues to baffle me, since other Bartokians have taken to it.
                            Elgar's Music in general is less essential to me. The Cello Concerto, the Enigma Variations, the Good Old Pomp and Circumstance, and the rest I can do without. We all have our blind spots

                            Comment

                            • Edgy 2
                              Guest
                              • Jan 2019
                              • 2035

                              #29
                              Originally posted by Ein Heldenleben View Post
                              I wasn’t taken with this performance either . Nigel K and Handley for me in this. A work I rate much higher than the cello concerto . Indeed I wonder if it isn’t the very greatest violin concerto of them all…?
                              I think so, in a previous life on this forum I said as much and one or two members disagreed.
                              As well as all the stellar names already mentioned I wholeheartedly recommend Dong-Suk Kang on Naxos, it's a terrific recording.
                              Bet it doesn't win though
                              “Music is the best means we have of digesting time." — Igor Stravinsky

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                              • gurnemanz
                                Full Member
                                • Nov 2010
                                • 7414

                                #30
                                I did already own a good recording with Kyung Wha Chung and Solti but I only felt I had got inside this work when I experienced it with the focus and immediacy of a live performance, which was also Nicola Benedetti's first performance - with the Bath Phil in Bath a few years ago. Having not listened to the last BaL I shall be curious to see what transpires this time.

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