Two names from the past I always associate with Haydn are Mogens Woldike and Leslie Jones ( with the delightfully named Little Orchestra of London).
BaL 1.05.21 - Haydn: Symphony no. 92 "Oxford"
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Originally posted by MickyD View PostI've never heard the Hanover Band/Goodman version - I recall that Goodman was rather fond of harpsichord or fortepiano continuo in his Haydn. Sad that this was another cycle that never got completed.
"The Hanover Band performs on period instruments at a pitch of A = 430Hz, and since I firmly believe that Haydn either played or expected a keyboard continuo instrument, I direct symphonies 1 to 92 from the harpsichord, and symphonies 93 to 104 from a Broadwood fortepiano, with the violins divided on opposite sides." (Roy Goodman).
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Originally posted by jayne lee wilson View PostProbably because it falls between the oftrecorded very familiar (and thereby popular) Paris and London sets, But it was very well done by Scherchen in the 50s (HIPPs avant la lettre perhaps, though vitally individual); and various later readings from Kuijken (as aforementioned here by veris), Bruggen, Harnoncourt, Jacobs and others, so there is much choice in interpretive shades......
78-81 are another such marginalised group, often ignored but among Haydn's best and most inspired, innovative creations....
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Originally posted by richardfinegold View PostI,ve mainly been listening to the early and middle period symphonies for several years and it seemed like not that many choices for this available via Qobuz, and scant HIPP offering
Qobuz is the world leader in 24-bit Hi-Res downloads, offering more than 100 million tracks for streaming in unequalled sound quality 24-Bit Hi-Res
For a HIPPs-moderne refresher, try Van Zweden....Last edited by jayne lee wilson; 17-04-21, 18:29.
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Originally posted by jayne lee wilson View PostCD/Download/Notes still all here......
"The Hanover Band performs on period instruments at a pitch of A = 430Hz, and since I firmly believe that Haydn either played or expected a keyboard continuo instrument, I direct symphonies 1 to 92 from the harpsichord, and symphonies 93 to 104 from a Broadwood fortepiano, with the violins divided on opposite sides." (Roy Goodman).
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Originally posted by jayne lee wilson View PostCD/Download/Notes still all here......
"The Hanover Band performs on period instruments at a pitch of A = 430Hz, and since I firmly believe that Haydn either played or expected a keyboard continuo instrument, I direct symphonies 1 to 92 from the harpsichord, and symphonies 93 to 104 from a Broadwood fortepiano, with the violins divided on opposite sides." (Roy Goodman).
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Originally posted by jayne lee wilson View Post
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I have sampled AHHO/Fischer, Cleveland/Széll, Kuijken and Goodman. Their are many good things in the first two but both conductors are adherents of the old-fashioned stately minuet school and that now rules out both accounts for me. Kuijken, to my ears, is too often careless of balance so that when his trumpets and drums get going it can be hard to hear the fiddles properly. Therefore it's Goodman for me, even though the presence of the harpsichord is academic (could be my hearing loss, of course).
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