Originally posted by Karafan
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BaL 2.06.18 - Schumann: Symphony no. 4 in D minor
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Originally posted by verismissimo View PostFirst audition of Dausgaard and his Swedes in the 1841 4th.
Exhilarating breath of fresh Nordic air! Thanks, Jayne.
Just starting on Hanover Band/Goodman.... pretty startling, all-laid-bare Abbey Road sound, (not a trace of harshness though), more obviously chamber-scale, period-instrument than JEG...(see Listening thread...)....
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Having decided that I really do need to get the JEG set, now I’m being sidetracked into Duasgaard distraction, with the additional temptation of those lovely covers.
A bit wasted on CDs though....I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by jayne lee wilson View PostYes and all those rare overtures!
Just starting on Hanover Band/Goodman.... pretty startling, all-laid-bare Abbey Road sound, (not a trace of harshness though), more obviously chamber-scale, period-instrument than JEG...(see Listening thread...)....
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Originally posted by Barbirollians View PostLoved the Harnoncourt 3 and 4 recording . I struggle withNH in a lot of repertoire but his Schumann I have a great deal of time for especially the Paradis undo die Peri recording
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The Furtwangler Lucerne Festival account has reappeared in that Audite set with the terrific Eroica I referred to in the Furtwangler Eroica thread that has attracted so little interest . A blazing performance similar to but more exciting and on the edge of your seat I think than his classic studio account - a few blips on the sound in the early part of the third movement but irrelevant overall.
Knocks most accounts into a cocked hat.
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