Originally posted by ostuni
View Post
....posted as ever after several comparative hearings. No other way to get the measure of a recording, especially of very familiar music, where you can find your responses on auto-pilot or too wedded to older favourites. It is an advantage not to suffer from those vestigial attachments.
Newer and younger artists (the Stravinsky is Nebel's solo debut) surely need to have something new to say about a frequently-recorded work - which may of course mean a freely creative reading of the score's instructions; benefit to the music and experienced listener inter alia is de-familiarisation. So the music can speak to her, and she may respond to it, anew.
Comment