BaL 3.04.21 - Tchaikovsky: Symphony no. 5 in E minor

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  • mikealdren
    Full Member
    • Nov 2010
    • 1183

    #61
    Composer William Mival has been submerged in recordings of Tchaikovsky's dramatic Fifth Symphony, from historic versions by Mravinsky and Karajan to recent performances by Dudamel, Gergiev and Nelsons.

    Did I drift off and miss Karajan and Dudamel?

    Comment

    • Pulcinella
      Host
      • Feb 2014
      • 10714

      #62
      Originally posted by cloughie View Post
      We’ve not really had the French/Russian horn sound that I sometimes crave with Tchaik 5, possibly a little with Mravinsky!
      Shame there's apparently no Cluytens recording then, cloughie?

      Comment

      • Eine Alpensinfonie
        Host
        • Nov 2010
        • 20565

        #63
        Originally posted by cloughie View Post
        We’ve not really had the French/Russian horn sound that I sometimes crave with Tchaik 5, possibly a little with Mravinsky!
        We had it in bucketloads when he was discussing the second movement. It’s a sound I prefer to avoid.

        Comment

        • cloughie
          Full Member
          • Dec 2011
          • 22072

          #64
          Originally posted by Pulcinella View Post
          Shame there's apparently no Cluytens recording then, cloughie?
          The PCO Solti is a favourite of mine.

          Comment

          • LMcD
            Full Member
            • Sep 2017
            • 8175

            #65
            Originally posted by cloughie View Post
            Our Old Dad used to listen to it while the ovens were heating up!
            The first child actor to be cast for the Hovis commercial couldn't ride a bike, and the second refused to have his hair cut in the required style. I shall try to remember that as I watch the last episode of 'The Terror'.

            Comment

            • ardcarp
              Late member
              • Nov 2010
              • 11102

              #66
              We’ve not really had the French/Russian horn sound that I sometimes crave with Tchaik 5, possibly a little with Mravinsky!
              I quite like it too...in context, and the Marinsky soloist was just great I thought.

              Changing the subject slightly, does anyone remember the slightly rude mnemonics for remembering the tunes in Tchaik 5?

              e.g. "Once I was a virgin, now I am a whore"

              or. "I've got the key to the toilet"

              See if you can match them up to to themes in the 3rd movement.

              Comment

              • Cockney Sparrow
                Full Member
                • Jan 2014
                • 2275

                #67
                Originally posted by jch48 View Post
                Jansons and Oso do it for me. Even if it doesn't come out on top, it ticks my boxes and I don't need to buy another, though I may stream out of curiosity.
                One of the 1st 10 CDs I bought in the 80s
                Well, your favourite proves to the same as Mival's.........

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26458

                  #68
                  Originally posted by Heldenleben View Post
                  Sorry but I like the Hovis ad feel of the vibrato in the Horn solo of the Mravinsky...or as the guest reviewer slightly disparagingly calls it “Coronation Street”,
                  I’m with you, H

                  The reviewer clearly had it in for this recording, seeing hammers & sickles as well as hearing Corrie...
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • Bryn
                    Banned
                    • Mar 2007
                    • 24688

                    #69
                    Originally posted by Nick Armstrong View Post
                    I’m with you, H

                    The reviewer clearly had it in for this recording, seeing hammers & sickles as well as hearing Corrie...


                    Comment re low quality of translation noted.

                    Comment

                    • Nick Armstrong
                      Host
                      • Nov 2010
                      • 26458

                      #70
                      Originally posted by Nick Armstrong View Post
                      I’m with you, H

                      The reviewer clearly had it in for this recording, seeing hammers & sickles as well as hearing Corrie...
                      Having said that, I just heard him retain it for his ‘final run-in’ ... Personally, it’s the only version that makes sense of what I hear as the melodic banality of the final movement
                      "...the isle is full of noises,
                      Sounds and sweet airs, that give delight and hurt not.
                      Sometimes a thousand twangling instruments
                      Will hum about mine ears, and sometime voices..."

                      Comment

                      • gradus
                        Full Member
                        • Nov 2010
                        • 5585

                        #71
                        Interesting to hear the much-praised euphonium solo in place of the usual french horn but not to my taste.

                        Comment

                        • LMcD
                          Full Member
                          • Sep 2017
                          • 8175

                          #72
                          Originally posted by ardcarp View Post
                          I quite like it too...in context, and the Marinsky soloist was just great I thought.

                          Changing the subject slightly, does anyone remember the slightly rude mnemonics for remembering the tunes in Tchaik 5?

                          e.g. "Once I was a virgin, now I am a whore"

                          or. "I've got the key to the toilet"

                          See if you can match them up to to themes in the 3rd movement.
                          'Once I couldn't stand it
                          Now I like it more and more (and more)'

                          Comment

                          • visualnickmos
                            Full Member
                            • Nov 2010
                            • 3608

                            #73
                            Originally posted by Heldenleben View Post
                            Sorry but I like the Hovis ad feel of the vibrato in the Horn solo of the Mravinsky...or as the guest reviewer slightly disparagingly calls it “Coronation Street”,
                            Exactly what I thought. Insulting to Corrie, as well as to Mravinsky. I love that sort of yearning - almost desperation, of the vibrato in this recording. It would sound most odd, if it came as clean, polished solo - not at all befitting of the whole.

                            Comment

                            • Eine Alpensinfonie
                              Host
                              • Nov 2010
                              • 20565

                              #74
                              Originally posted by visualnickmos View Post
                              It would sound most odd, if it came as clean, polished solo - not at all befitting of the whole.
                              On the contrary, the smoothness and nobility of a wobble-free French horn contrasts beautifully with the lush strings of the opening. Gergiev and Maazel with the Vienna Philharmonic are superb.
                              I’ve just been listening to the Gergiev to get the Corrie out of my head. On rehearing the slow movement, I realised just what a master of climax Tchaikovsky was.

                              Comment

                              • visualnickmos
                                Full Member
                                • Nov 2010
                                • 3608

                                #75
                                Originally posted by Eine Alpensinfonie View Post
                                On the contrary, the smoothness and nobility of a wobble-free French horn contrasts beautifully with the lush strings of the opening. Gergiev and Maazel with the Vienna Philharmonic are superb.
                                I’ve just been listening to the Gergiev to get the Corrie out of my head. On rehearing the slow movement, I realised just what a master of climax Tchaikovsky was.
                                Fair point. You like the contrast; I like the mud! Very Russian!

                                Comment

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