Originally posted by CallMePaul
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BaL 13.03.21 - Ravel: Introduction and Allegro
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What's the old joke about orchestral harps? If the harps are in tune then they must be playing the wrong notes - or something like that. Very cruel.
To wander off the point just briefly, whenever I listen to a new recording of the Ring for the first time, I always go straight for the rainbow bridge sequence after Donner's hammer blow and the magic fire music at the end of Die Walkure just to check the harps in the recorded balance. I find nothing more infuriating than producers, or conductors, who don't bother to ensure that the six harps can be clearly heard in the orchestral texture. I've always assumed that Wagner scored those passages for six harps simply because he wanted them to be heard through the dense orchestration at those pivotal points. Solti, or Culshaw, or both, is/are exemplary in this respect. And actually the Karajan is not too bad either, in spite of his reputation for homogeneous orchestral textures, and Janowski in Dresden. Even more infuriating though are those conductors who think that you can get away with only 4 - Sir Simon in Munich for one - presumably for reasons of cost. But on those occasions when they are captured just right by the conductor and engineers, there's really nothing quite like them.
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I got to know the piece from an old Saga LP of French harp music with Edward Vito as the harpist. I've got my record deck connected up again so I'll listen again this morning. Lovely programme, the coupling includes the Debussy danse sacrée et profane and, Saint Saens fantasie Op.124 and the Faure impromptu for harp Op.86.
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Off piste again....but here's a harp impromptu by Gabriel Pierné, superbly played. Those interested in the technical side can watch those little widgets at the top of the harp which are altering the pitch of strings via her feet (which you can't see.)
Impromptu Caprice, composed by Gabriel Pierné, performed by Inge van Grinsven (17 years old) on harp.♬Connect with Inge Louisa♬ ► https://www.facebook.com/in...
I think the French fell in love with both the flute and the harp au fin de siècle.
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Originally posted by ardcarp View PostOff piste again....but here's a harp impromptu by Gabriel Pierné, superbly played. Those interested in the technical side can watch those little widgets at the top of the harp which are altering the pitch of strings via her feet (which you can't see.)
Impromptu Caprice, composed by Gabriel Pierné, performed by Inge van Grinsven (17 years old) on harp.♬Connect with Inge Louisa♬ ► https://www.facebook.com/in...
I think the French fell in love with both the flute and the harp au fin de siècle.
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Originally posted by mikealdren View PostI got to know the piece from an old Saga LP of French harp music with Edward Vito as the harpist. I've got my record deck connected up again so I'll listen again this morning. Lovely programme, the coupling includes the Debussy danse sacrée et profane and, Saint Saens fantasie Op.124 and the Faure impromptu for harp Op.86.
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Didn’t Mozart write his concerto for flute and harp for a Paris commission ?
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Originally posted by cloughie View PostBoth of the Melos with Ellis are excellent (alps I think the one with Chung Lupu is the same Decca Melos but coupled with Chung and Lupu playing the Franck Sonata and others playing Debussy)
For the orchestral versions I would choose either Gerhardt or Martinon.
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Originally posted by ardcarp View PostThe thought crossed my mind when I typed the words Flute and Harp. I was thinking though of late 19th century flautists such as Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel. And isn't there a famous book of flute studies by Moyse?
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Originally posted by Goon525 View PostI’m no expert on the work, but this seemed a perfectly sound, sensible BaL with reasons given for choices. Quite a luxury, of course, to have plenty of time to discuss a ten minute work.
Don't often miss BaL but I hope packing to move house on Weds is sufficient excuseI keep hitting the Escape key, but I'm still here!
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