Bavouzet sounded wonderful but so I find do many others, it is not a work that anyone would choose to record lacking the necessary technical accomplishment and so I would be happy with any of his suggestions except perhaps performances with poor recorded sound, given the extraordinary piano sounds that Debussy and his interpreters create.
BaL 6.03.21 - Debussy: Études pour piano
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Originally posted by jonfan View PostA hugely enjoyable BAL with music, as a sort of pianist, I know nothing about. IB is not used enough for talking about music. He knows his stuff, has reasoned opinions and is enthusiastic and joyful about the music which in turn excites the listener.
Pleased to hear Monique Haas mentioned.
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Originally posted by jonfan View PostA hugely enjoyable BAL with music, as a sort of pianist, I know nothing about. IB is not used enough for talking about music. He knows his stuff, has reasoned opinions and is enthusiastic and joyful about the music which in turn excites the listener.
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Such a contrast to last week, Burnside showed immediately he knew the music and recordings. Good examples showing contrasts between differing performances, even mentioned the ones he could not include but felt well worth hearing. Andrews scripted interjections not intrusive and well handled by Burnside. Enjoyable and informative.
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Originally posted by Serial_Apologist View PostMy first recording of these was Yvonne Loriod on Erato - a technically exhausting performance for my taste on a very hard-toned piano. My last, Peter Frankl on the cheap Turnaround series (Vol 3), tends rather too much in the opposite direction for me, being all-too unassuming and lacking in punch. My vinyl copy has now worn out.
I was wondering if anyone has a recommendation from among currently available recordings?
Opinions would be most gratefully received.
S-A
Last edited by Nick Armstrong; 06-03-21, 14:30."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by gurnemanz View PostAgree ... and it only emphasised the annoying pointlessness of the interview format. I sent off another email to the programme to that effect. Whistling in the wind no doubt.
Pleased to hear Monique Haas mentioned.
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Originally posted by vinteuil View Post.
... yes, much to enjoy here - many rewarding performances, and Ian Burnside's infectious knowledgeable enthusiasm.
I was particularly taken by the Werner Haas and the Ohlsson (in addition to the wonderful Bavouzet, Gieseking, Thibaudet, Uchida...
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Originally posted by kuligin View PostSuch a contrast to last week, Burnside showed immediately he knew the music and recordings. Good examples showing contrasts between differing performances, even mentioned the ones he could not include but felt well worth hearing. Andrews scripted interjections not intrusive and well handled by Burnside. Enjoyable and informative.
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Originally posted by Pulcinella View PostI must have done the aural equivalent of blinking: Werner Haas was mentioned a couple of times (and an extract played), though. That's one of the versions I have, on a Philips Duo.
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Originally posted by gurnemanz View PostMonique H was on a list of versions he liked but had no to play extracts from.
Qobuz is the world leader in 24-bit Hi-Res downloads, offering more than 100 million tracks for streaming in unequalled sound quality 24-Bit Hi-Res
But if you're really keen to get physical....
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Great and cheap Monique Haas box has the Etudes. I got it recently and recommended it elsewhere on here.
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Originally posted by gurnemanz View PostGreat and cheap Monique Haas box has the Etudes. I got it recently and recommended it elsewhere on here.“Music is the best means we have of digesting time." — Igor Stravinsky
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