It would be good if a classic recording is savaged in BAL to have a counterblast the following week from a different reviewer.
BaL 20.02.21 - Bruckner: Symphony no. 6
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Originally posted by Barbirollians View PostIt would be good if a classic recording is savaged in BAL to have a counterblast the following week from a different reviewer.
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Originally posted by Barbirollians View PostIt would be good if a classic recording is savaged in BAL to have a counterblast the following week from a different reviewer.
I take little notice of BaL these days and much prefer to hear a wide range of interpretations of a given work, mostly, in my case, from the great conductors of the past with the occasional nod to those active today. It's why my CD shelves are groaning and the house taken over by boxed sets. It's certainly more expensive than a single library choice but no such thing really exists.
This Bruckner 6 discussion and broadcast has provided a perfect example of why I feel that my way is ultimately the ideal. I know that not everyone can afford 20 versions of everything but streaming offers a viable option."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Alison View PostThat’s where there could potentially be an advantage to the twofer format in my view. Andrew McG could really press the reviewer on such things but instead meekly and convivially agrees with everything.
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Originally posted by Richard Barrett View PostVery interesting, thanks. It's always good to have new and fresh insights coming in.
[…]The balance between trumpets and the rest of the brass section, for example, often makes the difference between something that sounds like bombastic blaring and something more balanced between high and low, bright and dark, while retaining the identity of each component in the mix […]
For a moment, I heard victorious Roman soldiers ... well, I suppose AB was a Roman Catholic!
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Originally posted by Lordgeous View PostIndeed. That's always annoyed me about Building a Library. Is it because its semi or fully scripted in advance? The presenter also often pre-empts what the 'expert' is about to say.
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Originally posted by Heldenleben View PostI wonder if it would make better radio if you had two interlocutors who wildly differed on their opinions of the recordings and had to justify them . Strikes me you could find quite a good cast from this forum!
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Originally posted by Richard Barrett View Post... something that also takes in the spatial relationships between orchestral sections (which is why I'm not really interested in hearing the music in mono)...
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Originally posted by Alison View PostThat’s where there could potentially be an advantage to the twofer format in my view. Andrew McG could really press the reviewer on such things but instead meekly and convivially agrees with everything.
Btw thanks for your Dausgaard mention upthread. Not a version I was aware of - thanks to Qobuz and what you say about the performance, I shall give a listen.
Isn’t it a pity Klaus Tennstedt never recorded the 6th? It could have been right up his street....
Originally posted by Petrushka View PostThis Bruckner 6 discussion and broadcast has provided a perfect example of why I feel that my way is ultimately the ideal. I know that not everyone can afford 20 versions of everything but streaming offers a viable option."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Nick Armstrong View PostSpot on, Alison
Btw thanks for your Dausgaard mention upthread. Not a version I was aware of - thanks to Qobuz and what you say about the performance, I shall give a listen.
Isn’t it a pity Klaus Tennstedt never recorded the 6th? It could have been right up his street....
I share your approach
Last edited by jayne lee wilson; 21-02-21, 15:47.
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Originally posted by jayne lee wilson View PostReview of Dausgaard, whose praises I've sung repeatedly since its release last year (including page 1 et seq, and et seq again, of this very thread...), on this page at #109....
http://www.for3.org/forums/showthrea...176#post834176
My Forum perusals are sometimes not exhaustive...
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by jayne lee wilson View PostReview of Dausgaard, whose praises I've sung repeatedly since its release last year (including page 1 et seq, and et seq again, of this very thread...), on this page at #109....
http://www.for3.org/forums/showthrea...176#post834176
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Originally posted by jayne lee wilson View PostGet into a Brucker thread, especially a BaL Bruckner thread, and you better hunker down, lay in rations or at least a stiff drink....
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Originally posted by Loathecliff View PostMy first post in such distinguished company, and I'm feeling cheated; for circa 56 years!
I've spent a week once more delving into No.6 & yesterday spotted the Keilberth BPO Telefunken (TelDec) issue recorded in 1963.
Symphony No 6 in A Major by Anton Bruckner1.Maestoso2.Adagio (Sehr feierlich)3.Scherzo (Nicht schnell)4.Bewegt, doch nicht zu schnellPhilharmonic Orchestra B...
I didn't know it existed. Why?! Released shortly before the awful Klumperer & it's magnificent imvho.
An HvK-free BPO are captured with superb (Decca tree?) engineering.
Even the last movement makes sense, & is a joy.
I'm just finished my fourth listen. I'm not even minding the perfunctory sounding string phrasing at 20 & 28:50 now.
Thank you Joseph Keilberth. IMHO your insight into a masterpiece was criminally neglected when you were on this crazy planet.
Apologies. This is a way OTT first post. Maybe it's my age :(
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