BaL 17.10.20 - Dvorák: Symphony no. 7 in D minor

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 17.10.20 - Dvorák: Symphony no. 7 in D minor

    9.30 Building a Library
    Jan Smaczny chooses his favourite recording of Dvorak’s Seventh Symphony

    Possibly Dvorák’s greatest symphony, he started work on the piece in 1884. After hearing Brahms’s new Third Symphony, he was inspired to write a new symphony himself. He said that during his regular stroll to Prague railway station, “the first subject of my new symphony flashed in to my mind on the arrival of the festive train bringing our countrymen from Pest”. The Czechs were in fact arriving for a musical celebration of the Czech nation. He decided that his new work would celebrate his patriotism and desire to see the Czech nation flourish.

    Available versions:-

    Baltimore Symphony Orchestra, Marin Alsop (Blu-ray audio option)
    Slovak Radio Symphony Orchestra, Ivan Anguélov *
    Halle Orchestra, Sir John Barbirolli
    Royal Concertgebouw Orchestra, Sir John Barbirolli
    Czech Philharmonic Orchestra, Jirí Belohlávek (Decca)
    Czech Philharmonic Orchestra, Jirí Belohlavek
    Czech Philharmonic Orchestra, Jirí Belohlávek (DVD)
    Prague Symphony Orchestra, Jirí Belohlávek (DVD)
    New York Philharmonic Orchestra, Leonard Bernstein
    Dresden Philharmonic Orchestra, Heinz Bongartz
    Staatsphilharmonie Nurnberg, Marcus Bosch (SACD)
    Philharmonia Orchestra, Andrew Davis *
    Concertgebouw Orchestra, Amsterdam, Sir Colin Davis
    Göteborgs Symfoniker, Myung-Whun Chung
    Wiener Philharmoniker, Myung-Whun Chung
    London Symphony Orchestra, Sir Colin Davis
    London Symphony Orchestra, Sir Colin Davis
    Royal Concertgebouw Orchestra, Sir Colin Davis
    Cleveland Orchestra, Christoph von Dohnányi
    London Symphony Orchestra, Antal Dorati
    Budapest Festival Orchestra, Iván Fischer (SACD)
    Malaysian Philharmonic Orchestra, Claus Peter Flor (SACD)
    SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen
    New York Philharmonic, Alan Gilbert *
    Berliner Philharmoniker, Carlo Maria Giulini
    London Philharmonic Orchestra, Carlo Maria Giulini
    Royal Concertgebouw Orchestra, Carlo Maria Giulini *
    Slovak Philharmonic Orchestra, Stephen Gunzenhauser
    Royal Concertgebouw Orchestra, Bernard Haitink *
    Royal Concertgebouw Orchestra, Nikolaus Harnoncourt *
    Oslo Philharmonic Orchestra, Mariss Jansons
    Royal Scottish National Orchestra, Neeme Järvi
    London Symphony Orchestra, Istvan Kertesz
    Czech Philharmonic Orchestra, Zdenek Kosler
    Netherlands Philharmonic, Yakov Kreizberg *
    Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
    Berlin Philharmonic Orchestra, Rafael Kubelik
    Wiener Philharmoniker, Rafael Kubelík
    Adrian Leaper, Orquesta Filarmónica de Gran Canaria *
    Chicago Symphony Orchestra, James Levine *
    Czech Philharmonic Orchestra, Zdenek Macal *
    Wiener Philharmoniker, Lorin Maazel
    Philharmonia Orchestra, Sir Charles Mackerras
    Academy of St. Martin in the Fields Orchestra, Neville Marriner
    Minnesota Orchestra, Neville Marriner*
    London Symphony Orchestra, Eduardo Mata *
    Israel Philharmonic Orchestra, Zubin Mehta
    London Symphony Orchestra, Pierre Monteux
    Czech Philharmonic Orchestra, Vaclav Neumann
    London Philharmonic Orchestra, Yannick Nezet-Seguin
    SWR Sinfonieorchester Baden-Baden & Freiburg, Sir Roger Norrington
    Royal Philharmonic Orchestra, Grzegorz Nowak
    Houston Symphony, Andrés Orozco-Estrada (SACD)
    Sinfonia Varsovia, Krzysztof Penderecki
    Philharmonic Symphony Orchestra, Carlos Païta *
    Royal Liverpool Philharmonic Orchestra, Libor Pesek
    London Symphony Orchestra, Witold Rowicki *
    Budapest Philharmonic Orchestra, Rico Saccani *
    Philadelphia Orchestra, Wolfgang Sawallisch
    Hamburg Radio Symphony Orchestra, Hans Schmidt-Isserstedt
    Bournemouth Symphony Orchestra, José Serebrier *
    Wiener Philharmoniker, Constantin Silvestri
    Musica Florea, Marek Stryncl
    Staatskapelle Berlin, Otmar Suitner
    Cleveland Orchestra, George Szell
    Czech Philharmonic Orchestra, Václav Talich
    Czech Radio Symphony Orchestra of Prague, Vladimir Valek

    * = download only
    Last edited by Eine Alpensinfonie; 17-10-20, 09:15.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    #2
    I'm not too certain about the historical accuracy of the BBC blurb. the Czech nation? I was under the impression that during the 19th century, there were two Czech regions in the Hapsburg Empire: Bohemia and Moravia, but no Czech nation as such.

    Comment

    • richardfinegold
      Full Member
      • Sep 2012
      • 7737

      #3
      Originally posted by Eine Alpensinfonie View Post
      I'm not too certain about the historical accuracy of the BBC blurb. the Czech nation? I was under the impression that during the 19th century, there were two Czech regions in the Hapsburg Empire: Bohemia and Moravia, but no Czech nation as such.
      Perhaps the word Nation is to describe a body of people, and not geographical boundaries

      Comment

      • LMcD
        Full Member
        • Sep 2017
        • 8637

        #4
        The Gunzenhauser is coupled with the 5th, which is my favourite Dvorak symphony and deserves to be programmed and/or broadcast more often.

        Comment

        • BBMmk2
          Late Member
          • Nov 2010
          • 20908

          #5
          I’ll have to look and see what I have!
          Don’t cry for me
          I go where music was born

          J S Bach 1685-1750

          Comment

          • Barbirollians
            Full Member
            • Nov 2010
            • 11751

            #6
            Kertesz,Barbirolli,Colin Davis and Monteux for me.

            Comment

            • rauschwerk
              Full Member
              • Nov 2010
              • 1482

              #7
              I have had the Concertgebouw/Colin Davis version on my shelves for years and hardly played it. Having just listened to the first movement, I find the playing and recording excellent in every way. Kertesz is ok but not as good as this Davis recording.

              Comment

              • richardfinegold
                Full Member
                • Sep 2012
                • 7737

                #8
                Szell was my only recording for many years, but now it’s Monteux that comes off the shelves.

                Comment

                • cloughie
                  Full Member
                  • Dec 2011
                  • 22182

                  #9
                  My first recording of this was from the days when it was called no2 by the BPO and Ferdinand Leitner. There was a good Supraphon CPO/Sejna and the the LSO Decca v Philips Kertesz v Rowicki and a powerful IPO/Mehta.

                  Comment

                  • Nick Armstrong
                    Host
                    • Nov 2010
                    • 26572

                    #10
                    Will have to listen to the 7th in the performance by LSO/Rowicki (which I don’t think I ever have), because imvvho they mopped the floor with everyone in a personal BAL of a couple of the earlier symphonies...
                    "...the isle is full of noises,
                    Sounds and sweet airs, that give delight and hurt not.
                    Sometimes a thousand twangling instruments
                    Will hum about mine ears, and sometime voices..."

                    Comment

                    • cloughie
                      Full Member
                      • Dec 2011
                      • 22182

                      #11
                      Originally posted by Nick Armstrong View Post
                      Will have to listen to the 7th in the performance by LSO/Rowicki (which I don’t think I ever have), because imvvho they mopped the floor with everyone in a personal BAL of a couple of the earlier symphonies...
                      Not surprised Nick - on the LP issues for me the Kertesz set always scored over the Rowicki mainly on the sound from the Decca engineers (and the Breughel prints on the sleeves). However the Rowicki CDs improved the sound greatly but I would not be without both sets now.

                      Comment

                      • Petrushka
                        Full Member
                        • Nov 2010
                        • 12308

                        #12
                        It took me a fair while to get to grips with the 7th but it's probably now the Dvorak symphony I play most often. The only time I saw Vaclav Neumann and the Czech PO was in this very symphony back in 1977 and I therefore have a soft spot for his recording. Bernard Haitink made his very first recording with the Dvorak 7 and it is a fiery, dramatic reading, well recorded. Always surprised that Karajan never recorded or performed this work as I'd have thought it would have been perfect for him.

                        On my shelves are Neumann, Haitink, Colin Davis (x2), Monteux, Szell, Barbirolli, Giulini and Kubelik. There doesn't seem to be a duff performance amongst them but if pushed to choose one I'd go for Szell.
                        "The sound is the handwriting of the conductor" - Bernard Haitink

                        Comment

                        • Bryn
                          Banned
                          • Mar 2007
                          • 24688

                          #13
                          Originally posted by Petrushka View Post
                          It took me a fair while to get to grips with the 7th but it's probably now the Dvorak symphony I play most often. The only time I saw Vaclav Neumann and the Czech PO was in this very symphony back in 1977 and I therefore have a soft spot for his recording. Bernard Haitink made his very first recording with the Dvorak 7 and it is a fiery, dramatic reading, well recorded. Always surprised that Karajan never recorded or performed this work as I'd have thought it would have been perfect for him.

                          On my shelves are Neumann, Haitink, Colin Davis (x2), Monteux, Szell, Barbirolli, Giulini and Kubelik. There doesn't seem to be a duff performance amongst them but if pushed to choose one I'd go for Szell.
                          What, no Kertesz?

                          Comment

                          • Petrushka
                            Full Member
                            • Nov 2010
                            • 12308

                            #14
                            Originally posted by Bryn View Post
                            What, no Kertesz?
                            Not sure why I've never bought either the Kertesz or Rowicki sets. but I've been satisfied with those I have and so far haven't felt the need for more.
                            Last edited by Petrushka; 07-10-20, 11:46.
                            "The sound is the handwriting of the conductor" - Bernard Haitink

                            Comment

                            • Pulcinella
                              Host
                              • Feb 2014
                              • 11062

                              #15
                              Originally posted by Petrushka View Post
                              Not sire why I've never bought either the Kertesz or Rowicki sets. but I've been satisfied with those I have and so far haven't felt the need for more.
                              At the risk of tons of opprobrium being heaped on me, I'm satisfied with the BBC MM offering (BBCPO/Sinaisky), as I am for the forthcoming Brahms Piano Quintet (two offerings in that case!). Indeed, one of the reasons I subscribed to the magazine was to get what are probably decent enough recordings of music that I'm not particularly attracted to, but am happy enough to have in my collection. And in my defence, I usually listen to the work being discussed before the broadcast, to at least familiarise myself with it. Indeed, I gave the Dvorak a spin this morning.

                              Comment

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