Originally posted by Bryn
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BaL 26.09.20 - Mozart: Mass in C minor K427 'Great'
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I missed the programme and haven't listened to this work for ages but I always liked JEG's recording. However when it comes to Mozart I generally favour Harnoncourt, so I've lined up his complete Mozart choral works for investigation, something I've wanted to listen to for a long time without ever getting around to it. Was his recording mentioned in the programme at all?
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Originally posted by visualnickmos View Post.... but it was Sony?Mozart: Mass in C minor, K427 'Great'. Carus: CAR83284. Buy CD or download online. Sarah Wegener (soprano), Sophie Harmsen (mezzo-soprano), Colin Balzer (tenor), Felix Rathgeber (bass) Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius
or for those with a QOBUZ subscription, https://www.qobuz.com/gb-en/album/mo.../4009350832848
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Originally posted by Darloboy View PostLast time out, in June 96, Anthony Burton made no fewer than 6 recommendations … Perhaps surprising that Sir Colin Davis didn’t feature amongst so many recommendations.
Suzuki’s 2017 Gramophone Award winner must be a contender this time round.
I grew up with the young Colin Davis's Mozart some 50, even 60, years ago, and loved it. But listening again to his recording of this Mass: like wading through mud.
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Originally posted by Bryn View Posthttps://www.prestomusic.com/classica...nor-k427-great
or for those with a QOBUZ subscription, https://www.qobuz.com/gb-en/album/mo.../4009350832848
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I see that the Hogwood (which I preferred to the Suzuki, at least in the excerpts chosen) is a Presto CD only, so presumably has been deleted by Decca. Perhaps reviewers should do their homework on availability before including a recording in their shortlists?
Having never bought a Presto CD, are these playable on any CD player and do they have the same booklet/ texts/ translations as the originals?
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Originally posted by CallMePaul View PostI see that the Hogwood (which I preferred to the Suzuki, at least in the excerpts chosen) is a Presto CD only, so presumably has been deleted by Decca. Perhaps reviewers should do their homework on availability before including a recording in their shortlists?
Having never bought a Presto CD, are these playable on any CD player and do they have the same booklet/ texts/ translations as the originals?
PS: This is what Presto say about their own CDs.
Presto CD
Presto CDs are manufactured by Presto Classical under license from the original record label.
Full booklets and inlays are sourced from digital files supplied by the label and produce a very high quality finish. Combined with the thermal full colour printed silver dye CD-R, using audio sourced from the original factory DDP files, the result is a finished product almost indistinguishable from the original factory-pressed version.
Presto CDs are playable on all standard CD players.
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Originally posted by CallMePaul View PostI see that the Hogwood (which I preferred to the Suzuki, at least in the excerpts chosen) is a Presto CD only, so presumably has been deleted by Decca. Perhaps reviewers should do their homework on availability before including a recording in their shortlists?
Having never bought a Presto CD, are these playable on any CD player and do they have the same booklet/ texts/ translations as the originals?
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Originally posted by CallMePaul View PostI see that the Hogwood (which I preferred to the Suzuki, at least in the excerpts chosen) is a Presto CD only, so presumably has been deleted by Decca. Perhaps reviewers should do their homework on availability before including a recording in their shortlists?
Having never bought a Presto CD, are these playable on any CD player and do they have the same booklet/ texts/ translations as the originals?
...from as little as 6 euros.
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Originally posted by Richard Barrett View PostI missed the programme and haven't listened to this work for ages but I always liked JEG's recording. However when it comes to Mozart I generally favour Harnoncourt, so I've lined up his complete Mozart choral works for investigation, something I've wanted to listen to for a long time without ever getting around to it. Was his recording mentioned in the programme at all?
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Originally posted by Richard Barrett View PostSince nobody answered I thought I'd have a listen to it this morning to hear for myself. Unfortunately, like many others of NH's choral recordings, the choral singing is much too "operatic" for my liking, sitting rather uneasily with the more HIPP tones of the orchestra, and generally much too large-scale for Mozart. For what it's worth. JEG is a breath of fresh air after that.
I'll have to try jeggers now.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by MickyD View Post
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Just an update/reminder of #4......
There is an excellent recent release of the C Minor Mass from the Musiciens du Louvre/Marc Minkowski (you'd expect nothing beneath excellence from this source) of the Helmut Eder Edition published in 1985 in the New Mozart Edition.
Sadly marred by brief editing glitches as Threasher pointed out (G. 9/2020), but the minimal vocal resources are strikingly effective, and it is very well worth hearing.
It is an outstandingly vital recording of a work I'm fond of(**), and the two very small (!) glitches may well be put right in streams or downloads soon...
...right up there in the top group otherwise.
"Minimal vocal resources" perhaps, but no lack of power or impact - if anything, given the SQ, vocal & instrumental clarity and the ideal acoustic, very much the reverse...
Hearing the qui tollis again now (24/96 QP), still aware of the little jump, but not sure I agree with the excellent Threasher about the sonic change after it.... I feel it is more a case of the music climaxing in that passage, as the pps after it sound similar to the earlier... hmm.....certainly inspires close listening, which this new reading truly deserves... hope for other views here soon.
Listen to Marc Minkowski in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Subscription from £10.83/month
(**) ...started with the Karajan LP on its release (lovely angelic blue cover, later on the various CDs...) but travelled far.....back to Fricsay, then forward to Bolton and the Mozarteum (Orfeo, St. Peters live)... haven't heard the latter for years but recall it with a glow...Last edited by jayne lee wilson; 28-09-20, 15:36.
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Originally posted by Richard Barrett View PostHarnoncourt... Was his recording mentioned in the programme at all?
Caught up with the programme this morning: no reference to NH that I can recall.
The Minkowski for which Jayne advocates was summarily dismissed in the preamble chat as “not really a contender”..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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