BaL 16.11.19 - Stravinsky: Symphony of Psalms

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 16.11.19 - Stravinsky: Symphony of Psalms

    09.30
    Building a Library: Jeremy Summerly sifts through recordings of Stravinsky's austerely beautiful Symphony of Psalms.
    A choral symphony from the composer's 'neoclassical' period, Stravinsky's compact, three-movement work has been fortunate on record with a wide range of interpretations from all round the world. It inhabits a unique sound world, omitting as it does clarinets, violins and violas, and comparisons are guaranteed to be fascinating.

    Available versions:-

    Choeur Des Jeunes, Lausanne, Orchestre de la Suisse Romande, Choeur De Radio, Lausanne, Ernest AnsermetLondon Philharmonic Orchestra, London Philharmonic Choir, Ernest Ansermet
    Hallé Orchestra, Sir John Barbirolli
    Orchestre de Paris, Chorus of the Orchestre de Paris, Daniel Barenboim *
    Windsbacher Boys Choir, Berlin Deutsches Symphony Orchestra, Karl-Friedrich Beringer
    Sündfunkchor und Radio-Symphonieorchester Stuttgart, Gary Bertini
    London Symphony Orchestra, The English Bach Festival Chorus, Leonard Bernstein (DVD)
    London Symphony Orchestra, English Bach Festival Choir, Leonard Bernstein
    American Symphony Orchestra, Leon Botstein *
    Berliner Philharmoniker, Rundfunkchor Berlin, Pierre Boulez
    Chor des Münchner Philharmoniker, Philharmonischer Chor München, Münchner Philharmoniker, Sergiu Celibidache
    Radio-Symphonie-Orchester Berlin, Rundfunkchor Berlin, Riccardo Chailly
    The Sixteen, BBC Philharmonic Orchestra, Harry Christophers
    Simon Joly Chorale, Philharmonia Orchestra, Robert Craft
    Royal Concertgebouw Orchestra, Sir Colin Davis
    Radiokören, Swedish Radio Symphony Orchestra, Sixten Ehrling
    RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay *
    Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner
    Wiener Philharmoniker, Konzertvereinigung Wiender Staatsopernchor, Valery Gergiev (DVD/Blu-ray)
    WDR Rundfunkchor Köln, SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen
    Collegium Vocale Gent & Royal Flemish Philharmonic, Philippe Herreweghe (SACD) *
    Chor & Symphonie-Orchester des Bayerischen Rundfunks, Mariss Jansons
    Rundfunkchor Berlin, Royal Concertgebouw Orchestra, Mariss Jansons
    Orchestre de la Suisse Romande, Romande Chamber Choir, Lausanne Pro Arte Choir, Brassus Choral Society, Neeme Järvi
    Chor der Deutschen Oper Berlin & Berliner Philharmoniker, Herbert von Karajan
    Chor des Bayerischen Rundfunks, Symphonie-Orchester des Bayerischen Rundfunks, Lorin Maazel
    Berlin Philharmonic Orchestra, Russian State Academic Choir & Russian Symphony Orchestra, Igor Markevitch (SACD)
    Russian State Academy Orchestra, Boys'and Male Voices of the Russian State Academic Choir, Igor Markevitch *
    Orchestra of La Fenice, Riccardo Muti (DVD)
    City of Birmingham Symphony Orchestra, Andris Nelsons
    City of London Sinfonia, Westminster Cathedral Choir, James O’Donnell
    Choir of Christ Church Cathedral, Oxford, The Philip Jones Brass Ensemble, London Sinfonietta, Simon Preston
    Berliner Philharmoniker & Rundfunkchor Berlin, Sir Simon Rattle
    Atlanta Symphony Orchestra, Robert Shaw
    Tenebrae, BBC Symphony Orchestra, Nigel Short
    Chicago Symphony Chorus, Chicago Symphony Orchestra, Glen Ellyn Children's Chorus, Sir Georg Solti
    Columbia Symphony Orchestra, Columbia Symphony Chorus, Igor Stravinsky
    CBC Symphony Orchestra, Toronto Festival Singers, Igor Stravinsky
    Academic Symphony Orchestra of the USSR, Evgeny Svetlanov *
    London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas *
    Czech Philharmonic Orchestra, Prague Philharmonic Choir, Josef Veselka
    Last edited by Eine Alpensinfonie; 16-11-19, 18:55.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    #2
    Hey!

    It isn't advertised as a twofer.

    Comment

    • Pulcinella
      Host
      • Feb 2014
      • 11062

      #3
      LSO not NYPO for the Bernstein CD too, Alpie.
      Didn't know there was a DVD, in fact!

      Looking forward to this!

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #4
        Originally posted by Pulcinella View Post
        Didn't know there was a DVD, in fact!
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • Bryn
          Banned
          • Mar 2007
          • 24688

          #5
          Does anyone here know how many recordings reflect the composer's original intention that only male voices be used. There's O'Donnell and one with Russian forces condiuctred by the Stravinsky (not on CD, as far as I know), but are there any others?

          Comment

          • Pulcinella
            Host
            • Feb 2014
            • 11062

            #6
            Originally posted by Bryn View Post
            Does anyone here know how many recordings reflect the composer's original intention that only male voices be used. There's O'Donnell and one with Russian forces condiuctred by the Stravinsky (not on CD, as far as I know), but are there any others?
            Christ Church, Oxford, with Preston.

            The Beringer, too, by the looks of it (Boys).

            Comment

            • Pulcinella
              Host
              • Feb 2014
              • 11062

              #7
              Originally posted by ferneyhoughgeliebte View Post
              With Beroff and the Chorus rather oddly described as 'Actors'!

              Comment

              • Gabriel Jackson
                Full Member
                • May 2011
                • 686

                #8
                Originally posted by Bryn View Post
                Does anyone here know how many recordings reflect the composer's original intention that only male voices be used. There's O'Donnell and one with Russian forces condiuctred by the Stravinsky (not on CD, as far as I know), but are there any others?
                Igor Markevitch in Moscow

                Comment

                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  #9
                  Originally posted by Gabriel Jackson View Post
                  Igor Markevitch in Moscow
                  Ah, yes. How did I forget that one. I think I even referred to on this very forum some years ago.
                  Last edited by Bryn; 08-11-19, 23:53. Reason: Link added

                  Comment

                  • visualnickmos
                    Full Member
                    • Nov 2010
                    • 3614

                    #10
                    Originally posted by Eine Alpensinfonie View Post
                    Hey!

                    It isn't advertised as a twofer.
                    Is BJ the copy writer?
                    Last edited by visualnickmos; 08-11-19, 23:26. Reason: Unsubtle correction

                    Comment

                    • Pulcinella
                      Host
                      • Feb 2014
                      • 11062

                      #11
                      Originally posted by Bryn View Post
                      Does anyone here know how many recordings reflect the composer's original intention that only male voices be used. There's O'Donnell and one with Russian forces condiuctred by the Stravinsky (not on CD, as far as I know), but are there any others?
                      I've just started reading I saw eternity the other night, Timothy Day's book on the sound of King's Cambridge (amongst others). I wonder if the sound Stravinsky was after from his preferred all-male choir has now effectively been supplanted by that of many mixed-voice choirs that grew from that tradition.

                      Comment

                      • rauschwerk
                        Full Member
                        • Nov 2010
                        • 1482

                        #12
                        Originally posted by Bryn View Post
                        Does anyone here know how many recordings reflect the composer's original intention that only male voices be used.
                        Stravinsky did indeed say, 'My first sound-image was of an all-male chorus...', and, 'I was careful to keep the treble parts within the powers of child choristers.', but I'm not sure how far that amounts to an actual preference for boys. Comparing Preston to the five other versions I have of this wonderful piece, I have been surprised to find how small is the difference in choral timbre.

                        Comment

                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          #14
                          Originally posted by Pulcinella View Post
                          I've just started reading I saw eternity the other night, Timothy Day's book on the sound of King's Cambridge (amongst others). I wonder if the sound Stravinsky was after from his preferred all-male choir has now effectively been supplanted by that of many mixed-voice choirs that grew from that tradition.
                          Not that the English Cathedral Choir tradition as it was in the 1920s was necessarily the "sound-image" that the Russian-born, French-residing composer had in mind, of course.

                          (Day's Eternity* is very good: I'm sure you'll enjoy reading it.)

                          (* - sounds like a quotation from an early 19th Century poem, used as the title of a 21st Century novel.)
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                          Comment

                          • Pulcinella
                            Host
                            • Feb 2014
                            • 11062

                            #15
                            Originally posted by ferneyhoughgeliebte View Post
                            Not that the English Cathedral Choir tradition as it was in the 1920s was necessarily the "sound-image" that the Russian-born, French-residing composer had in mind, of course.

                            (Day's Eternity* is very good: I'm sure you'll enjoy reading it.)

                            (* - sounds like a quotation from an early 19th Century poem, used as the title of a 21st Century novel.)
                            Yes, of course!
                            I should have qualified my comment: a clumsy way of saying that nowadays boys/girls/mixed voices can be virtually indistinguishable (apart from occasionally on the Choral Evensong thread ).

                            Comment

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