BaL 18.02.12 - Bach Goldberg Variations

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    Originally posted by Brassbandmaestro View Post
    It's always down to the artists' interpretation, unfortunately!
    Yes and no.
    Some Desert Island Discs guests actually asked for scores rather than recordings.

    Comment

    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      Originally posted by Eine Alpensinfonie View Post
      Yes and no.
      Some Desert Island Discs guests actually asked for scores rather than recordings.
      Aha! that's good!
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

      Comment

      • kernelbogey
        Full Member
        • Nov 2010
        • 5752

        Beatrice Rana

        I've just listened for the first time to Beatrice Rana's piano recording (released 24 February) just arrived from Presto. I heard a couple of variations played on R3 (I can't figure out when, but not Record Review) and was immediately captivated. I'm mildly obsessed with this work, and am most familiar with Hewitt, but have also enjoyed Esfahani on harpsichord.

        There is a kind of meditative purity to her interpretation, with great clarity and superb technique. Her insert note, very elegantly translated from Italian into English, is deeply thoughtful - indeed touching on the transcendental.

        I just wanted to gush a bit about it here and may add more after further listenings - but (obviously) recommend it highly.

        Comment

        • kernelbogey
          Full Member
          • Nov 2010
          • 5752

          Originally posted by kernelbogey View Post
          I've just listened for the first time to Beatrice Rana's piano recording (released 24 February) just arrived from Presto. I heard a couple of variations played on R3 (I can't figure out when, but not Record Review) and was immediately captivated. I'm mildly obsessed with this work, and am most familiar with Hewitt, but have also enjoyed Esfahani on harpsichord.

          There is a kind of meditative purity to her interpretation, with great clarity and superb technique. Her insert note, very elegantly translated from Italian into English, is deeply thoughtful - indeed touching on the transcendental.

          I just wanted to gush a bit about it here and may add more after further listenings - but (obviously) recommend it highly.
          Bumping this up in hope of some reactions from anyone who's heard this disc....

          Comment

          • visualnickmos
            Full Member
            • Nov 2010
            • 3610

            Who won? !

            One needs only Glenn Gould, invho

            Comment

            • Pianorak
              Full Member
              • Nov 2010
              • 3127

              One needs Glenn Gould, Igor Levitt and most definitely Beatrice Rana. IMNVHO.
              My life, each morning when I dress, is four and twenty hours less. (J Richardson)

              Comment

              • Belgrove
                Full Member
                • Nov 2010
                • 941

                kernelbogey - Beatrice Rana's disc is sublime. It's an individual and insightful interpretation, but without wilfulness or eccentricity. It sounds 'right', and has already repayed several repeat listenings.

                Comment

                • pastoralguy
                  Full Member
                  • Nov 2010
                  • 7763

                  Originally posted by Belgrove View Post
                  kernelbogey - Beatrice Rana's disc is sublime. It's an individual and insightful interpretation, but without wilfulness or eccentricity. It sounds 'right', and has already repayed several repeat listenings.

                  Comment

                  • BBMmk2
                    Late Member
                    • Nov 2010
                    • 20908

                    Originally posted by kernelbogey View Post
                    Bumping this up in hope of some reactions from anyone who's heard this disc....
                    Thanks for bumping this up, I will play this later. Hoping it's on Spotify
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment

                    • Pulcinella
                      Host
                      • Feb 2014
                      • 10962

                      Originally posted by Belgrove View Post
                      kernelbogey - Beatrice Rana's disc is sublime. It's an individual and insightful interpretation, but without wilfulness or eccentricity. It sounds 'right', and has already repayed several repeat listenings.
                      Quite the reverse observation here, I'm sorry to report, and I say this as an admirer of Gould!
                      Individual and insightful, yes, but wilful and somewhat eccentric too (imvho, of course!).
                      Listening now (Deezer/Sonos) and it's not a version I would particularly listen to again.
                      Too many little hiatuses in the playing (for my taste) that stop the flow.

                      Comment

                      • silvestrione
                        Full Member
                        • Jan 2011
                        • 1708

                        Originally posted by Belgrove View Post
                        kernelbogey - Beatrice Rana's disc is sublime. It's an individual and insightful interpretation, but without wilfulness or eccentricity. It sounds 'right', and has already repayed several repeat listenings.
                        I've just played it through, and agree whole-heartedly with this assessment. One of those performances where you're left thinking, not, what a player! but, what wonderful music, sublime music. My heart stopped more than once ( in the repeat of the first half of the magical Var.13, surely one of the most wonderful bits of music anywhere; in the amazing repeat of the aria at the end, of course)

                        Comment

                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          Originally posted by Brassbandmaestro View Post
                          Thanks for bumping this up, I will play this later. Hoping it's on Spotify
                          Result! It's on Spotify!!
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

                          Comment

                          • pastoralguy
                            Full Member
                            • Nov 2010
                            • 7763

                            Not being in the best of places just now, I've been listening a LOT to the Goldberg Variations recently as it provides a balm to my mental state. Having loved the Beatrice Rana version as well as Angela Hewitt's earlier version, I've ordered two new ones. The most recent Hewitt version and a Naxos disc by a pianist called Chen Pi-hsien, (30p from musicmagpie courtesy of Amazon), which gets good reviews in that particular boutique.

                            I wondered if there was any value in asking Mrs. PG to play them back to back but not telling me which is which. Mind you, two Goldberg's is an extremely demanding listen!

                            Now to read the posts on this thread.

                            Comment

                            • ferneyhoughgeliebte
                              Gone fishin'
                              • Sep 2011
                              • 30163

                              I was going to write that I hope you move to a better place soon, pasto - but that doesn't sound at all like what I meant! I hope the sentiments come from behind the clumsy words

                              Chen Pi-Hhsien is a superb artist - one of the great but largely unsung pianists: I didn't know she'd recorded the Goldbergs

                              I was interested the other day when you posted your reactions to the Jeremy Denk recording a week or so ago. This was a disc that was reviewed on CD Review when it was first released: I was in the car headed for the local supermarket, and I thought "Ah - who needs another piano recording of the Goldbergs?" A few bars into one of the excerpts, and I was hooked, and for the remainder of the "article", I was sitting in my car in the supermarket car park, completely captivated by how Denk transformed the work into piano terms. I had to buy the disc, and I have listened to it many, many times in the years since. By contrast, it was Ms Hewitt's recording that was one of the many that made me think that I would never need another piano recording of the work.

                              Remarkable how a work as huge as this "adapts" itself to so many different "treatments" and readings, each appealing to different audiences to console, inspire, and enliven our moods as we need them.

                              Best Wishes.
                              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                              Comment

                              • ferneyhoughgeliebte
                                Gone fishin'
                                • Sep 2011
                                • 30163

                                Ooh! I've just WIKIed the Chen Pi-hsien Goldbergs and discovered that it was a "Joyce Hatto recording"!
                                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                                Comment

                                Working...
                                X