No, no, Gordon, they were not all "verbatim". It took some detective work by Pristine Audio to reverse engineer the modifications. Regarding the Egarr, it does not sound to me to be the same tuning system he used for the 48. Mind you, do the squiggles not apply solely to Book 1? Bach may well have changed his mind about the tuning regime by the time he got round to Book 2, but Egarr sticks to the Bradley Lehman tuning.

Comment