BaL 21.09.19/21.3.20 - Prokofiev: Symphony no. 1 "Classical"

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 21.09.19/21.3.20 - Prokofiev: Symphony no. 1 "Classical"

    09.30
    Building a Library: Marina Frolova-Walker compares recordings of Prokofiev's Symphony No 1 'Classical'.
    Composed following the model of the symphony established by Haydn (the 'Father of the Symphony'), Prokofiev's first foray into the genre is widely known as the 'Classical Symphony', a name given to it by the composer. One of the earliest examples of 'neoclassicism', the symphony premiered in 1918 in Petrograd, conducted by Prokofiev himself, and together with Peter and the Wolf, is has become one of his most popular works.

    Available recordings:-


    Chamber Orchestra of Europe, Claudio Abbado
    Chamber Orchestra of Europe, Claudio Abbado (DVD)
    London Symphony Orchestra, Claudio Abbado
    São Paulo Symphony Orchestra, Marin Alsop
    São Paulo Symphony Orchestra, Marin Alsop (DVD/Blu-ray)
    Prague Symphony Orchestra , Karel Ancerl
    Paris Conservatoire Orchestra, Ernest Ansermet
    Suisse Romande Orchestra, Ernest Ansermet
    London Symphony Orchestra, Vladimir Ashkenazy
    Sydney Symphony Orchestra, Vladimir Ashkenazy *
    Philharmonia Orchestra, Rudolf Barshai
    New York Philharmonic Orchestra, Leonard Bernstein
    Nova Filarmonia Portuguesa, Álvaro Cassuto
    Berliner Philharmoniker, Sergiu Celibidache
    Munich Philharmonic Orchestra, Sergiu Celibidache
    Münchner Philharmoniker, Sergiu Celibidache (DVD)
    Orchestre Symphonique de Montréal, Charles Dutoit
    Chamber Orchestra of Philadelphia, JoAnn Falletta
    Berlin Radio Symphony Orchestra, Ferenc Fricsay *
    Netherlands Radio Philharmonic Orchestra, James Gaffigan (SACD)
    London Symphony Orchestra, Valery Gergiev
    Orchestra & Chorus of the Marinksy Theatre, Valery Gergiev (DVD/Blu-ray)
    World Orchestra for Peace, Valery Gergiev (DVD)
    Chicago Symphony Orchestra, Carlo Maria Giulini
    The Pro Arte Orchestra, Sir Eugene Goossens
    Slovak Philharmonic Orchestra, Stephen Gunzenhauser
    Orchestre des Concerts Colonne, Jascha Horenstein
    Royal Scottish National Orchestra, Neeme Jarvi
    San Francisco Symphony Orchestra, Enrique Jorda *
    Orchestre de l'Opéra National de Paris, Philippe Jordan
    Bournemouth Symphony Orchestra, Kirill Karabits
    Berliner Philharmoniker, Herbert von Karajan
    Berliner Philharmoniker, Herbert von Karajan (DVD)
    Gürzenich-Orchester Köln, Dmitrij Kitajenko
    Moscow Philharmonic Symphony Orchestra, Dmitrij Kitajenko
    Kioi Sinfonietta Tokyo *
    Czech Philharmonic Orchestra, Zdeněk Košler
    Ukraine National Symphony Orchestra, Theodore Kuchar
    Philharmonia Orchestra, Efrem Kurtz
    Japan Philharmonic Orchestra, Alexander Lazarev *
    Atlanta Symphony Orchestra, Yoel Levi
    Chicago Symphony Orchestra, James Levine
    Orchestre Nationale de France, Lorin Maazel
    Jerzy Maksymiuk
    Philharmonia Orchestra, Nicolai Malko *
    Philharmonia Orchestra, Igor Markevitch
    Academy of St Martin in the Fields, Sir Neville Marriner *
    London Symphony Orchestra, Sir Neville Marriner
    Orchestre des Concerts Lamoureux, Jean Martinon
    Dresden Philharmonic Orchestra, Kurt Masur *
    Kurt Masur, London Philharmonic Orchestra *
    Bavarian Radio Symphony Orchestra. Dmitri Mitropoulos
    Minneapolis Symphony Orchestra, Dimitri Mitropoulos
    English String Orchestra, Yehudi Menuhin
    Boston Symphony Orchestra, Pierre Monteux
    French National Orchestra, Pierre Monteux
    Philadelphia Orchestra, Riccardo Muti
    Philharmonia Orchestra, Eugene Ormandy
    Orpheus Chamber Orchestra
    Southbank Sinfonia, Simon Over
    Berliner Philharmoniker, Seiji Ozawa
    No Borders Orchestra, Premil Petrović *
    London Symphony Orchestra, André Previn
    Los Angeles Philharmonic, André Previn
    Artur Rodzinski
    Orchestre National de France, Mstislav Rostropovich
    Royal Oakes Chamber Orchestra
    Budapest Philharmonic Orchestra, Rico Saccani *
    London Symphony Orchestra, Sir Malcolm Sargent *
    Los Angeles Chamber Orchestra, Gerard Schwarz
    Scottish Chamber Orchestra, José Serebrier
    Bournemouth Symphony Orchestra, Constantin Silvestri
    Royal Philharmonic Orchestra, Yuri Simonov
    Deutsches Symphonie-Orchester Berlin, Tugan Sokhiev
    Chicago Symphony Orchestra, Sir Georg Solti
    Chicago Symphony Orchestra, Sir Georg Solti (DVD/Blu-ray)
    Pittsburgh Symphony Orchestra, William Steinberg
    Chamber Orchestra of Philadelphia, Michael Stern
    Evgeny Svetlanov
    Scottish Chamber Orchestra, Joseph Swensen
    St. Petersburg Philharmonic, Yuri Temirkanov
    NBC Symphony Orchestra, Arturo Toscanini
    London Symphony Orchestra, Walter Weller *
    Orchestre de Chambre de Lausanne, Alberto Zedda
    Last edited by Eine Alpensinfonie; 11-10-19, 14:02.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    #2
    Ah, that's better!

    * means download only

    Comment

    • mikealdren
      Full Member
      • Nov 2010
      • 1203

      #3
      Originally posted by Eine Alpensinfonie View Post
      Ah, that's better!

      * means download only
      Welcome back Building a Library however I won't be bothering with a twofer considering only about 10 version.

      Comment

      • Petrushka
        Full Member
        • Nov 2010
        • 12309

        #4
        The Philharmonia/Nikolai Malko version from 1955, one of EMI's very first stereo recordings I believe, would still rank as my favourite. Nothing to do with 'first version heard' syndrome as that, in my case, was the Chicago SO/Giulini.

        However, I do wonder how much interpretative leeway there is in a work lasting around 15 minutes? In all honesty, all of those I have are perfectly fine, and those not included in boxes were picked up mainly because of the coupling.

        One consequence of it being such a short work is that there should be more time to consider plenty of versions to see if there are any great differences in interpretation sufficient enough to call one a 'winner'.
        "The sound is the handwriting of the conductor" - Bernard Haitink

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20572

          #5
          I know this is difficult to believe, but I don’t have a single recording of this work.

          Comment

          • Richard Tarleton

            #6
            Originally posted by Petrushka View Post
            However, I do wonder how much interpretative leeway there is in a work lasting around 15 minutes? In all honesty, all of those I have are perfectly fine, and those not included in boxes were picked up mainly because of the coupling.
            This is what I wondered - to borrow a question Alison asked of the Concierto de Aranjuez BAL, isn't this rather a work that plays itself, and does it matter greatly which version you buy? I didn't think there were great interpretative depths to plumb here. Or perhaps I'm wrong

            Comment

            • cloughie
              Full Member
              • Dec 2011
              • 22182

              #7
              Originally posted by Petrushka View Post
              The Philharmonia/Nikolai Malko version from 1955, one of EMI's very first stereo recordings I believe, would still rank as my favourite. Nothing to do with 'first version heard' syndrome as that, in my case, was the Chicago SO/Giulini.

              However, I do wonder how much interpretative leeway there is in a work lasting around 15 minutes? In all honesty, all of those I have are perfectly fine, and those not included in boxes were picked up mainly because of the coupling.

              One consequence of it being such a short work is that there should be more time to consider plenty of versions to see if there are any great differences in interpretation sufficient enough to call one a 'winner'.
              My first Classical was PCO Ansermet on ACL123 - by the way Alps there is also available on Australian Eloquence and also in the big Decca Ansermet Russian box, the later SRO Ansermet recording.

              Comment

              • Alison
                Full Member
                • Nov 2010
                • 6468

                #8
                The LSO/Gergiev set of the complete symphonies rates highly in my collection.

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20572

                  #9
                  Originally posted by cloughie View Post
                  - by the way Alps there is also available on Australian Eloquence and also in the big Decca Ansermet Russian box, the later SRO Ansermet recording.
                  Added to list.

                  Comment

                  • Pulcinella
                    Host
                    • Feb 2014
                    • 11062

                    #10
                    I wonder if, by choosing a 'lighter' piece, they are hoping to attract (or keep) the audience they might have built up with the different format during the Proms season: don't frighten the horses!

                    RSNO/Järvi (in complete symphony set), Philharmonia/Kurtz (EMI 2CD set, bought for the Zimmermann VC1), LSO/Previn (twice: in an HMV compilation and as the filler to Cinderella), and Lausanne Chamber Orchestra/Zedda (Virgin compilation, bought ages ago primarily for the Sinfonietta) here, so no need for another!

                    Comment

                    • jayne lee wilson
                      Banned
                      • Jul 2011
                      • 10711

                      #11
                      Originally posted by Alison View Post
                      The LSO/Gergiev set of the complete symphonies rates highly in my collection.
                      Absolutely! My joint favourite with Bournemouth SO/Karabits...
                      (Don't play No.1 much though.....
                      Oh alright.... I never play it now...

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        #12
                        Originally posted by jayne lee wilson View Post
                        Absolutely! My joint favourite with Bournemouth SO/Karabits...
                        (Don't play No.1 much though.....
                        Oh alright.... I never play it now...
                        When, around the time of my 15th birthday, I was staying in Orléans on a school exchange, the very charming middle-class family I was staying with had only very few classical recordings. However, one of that few was a 7" 33.333 RPM vinyl of the Classical Symphony. I forget who was playing it but while I was there it got played a very great deal. These days I tend to only ever spin a CD of the work in response to hearing the extended version of the Gavotte in its Romeo and Juliet context. I will certainly be checking out this BaL. Abbado springs to mind as having recorded a particularly fine performance.

                        Comment

                        • richardfinegold
                          Full Member
                          • Sep 2012
                          • 7737

                          #13
                          I don’t think that I have ever heard a recording that didn’t charm. I think my first was the EMI Kurtz/Philharmonia, with Peter and the Wolf as the coupling. Levine/CSO is the one that I have lived the most

                          Comment

                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            #14
                            Originally posted by richardfinegold View Post
                            I don’t think that I have ever heard a recording that didn’t charm.
                            - I'm very happy with my three recordings, and shall be quite as happy to add any that come as couplings to other works. Delightful work, always a pleasure to hear it.

                            Edit - Four! (Karajan, Bernstein, Leinsdorf, Kurtz.)
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                            Comment

                            • teamsaint
                              Full Member
                              • Nov 2010
                              • 25225

                              #15
                              Works that I have multiple copies of , that I probably haven’t listend to , or haven’t listened to, would certainly include this one along with.......oh well, let’s leave it there.

                              Can’t see anybody except R3 presenters getting really excited about this.

                              And possibly not even them.
                              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                              I am not a number, I am a free man.

                              Comment

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