Originally posted by Pulcinella
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BaL 29.06.19 - Mozart: Piano Quartets 1 & 2
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Hi Mal,
Excellent! You really 'nailed' it. I agree with your trenchant observations and brilliant asides, 100%
I too, loved the "too lush" Ax, Stern, Laredo and Ma. The Faure - yep - nothing special, good but....
I didn't like any of the HIPs, all the pianos sounded pretty dire, however well they might have been played.
Beaux Arts omitted! - flawed BaL from the start, in my books, then.
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Originally posted by Mal View PostYes, an hour of my life wasted.
This BaL lacked authority and the evidence base for its conclusions was poor. Some of our colleagues on this site show better judgement.
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Originally posted by visualnickmos View PostHi Mal,
Excellent! You really 'nailed' it. I agree with your trenchant observations and brilliant asides, 100%
I too, loved the "too lush" Ax, Stern, Laredo and Ma. The Faure - yep - nothing special, good but....
I didn't like any of the HIPs, all the pianos sounded pretty dire, however well they might have been played.
Beaux Arts omitted! - flawed BaL from the start, in my books, then.Last edited by Stanfordian; 29-06-19, 14:45.
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Originally posted by Stanfordian View PostI'm puzzled why the most popular version namely the Beaux Arts was omitted? Talk about being out of one's depth.
Mozart: Complete Piano Trios. Decca: 4831573. Buy download online. Bernard Greenhouse (cello), Menahem Pressler (piano), Daniel Guilet (violin), Isidore Cohen (violin), Isidore Cohen (violin) & Bruno Giuranna (viola) Beaux Arts Trio
Note, Presto have got the title wrong, it shouldn't be "Mozart: Complete Piano Trios" because the set does contain the piano quartets! As the box itself indicates, and the details show, the box (hopefully) contains the complete Mozart recordings of the Beaux Arts on Philips.Last edited by Mal; 29-06-19, 12:19.
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Originally posted by visualnickmos View PostI too, loved the "too lush" Ax, Stern, Laredo and Ma....
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Originally posted by Mal View PostProfessor Laura Tunbridge seems to have formidable expertise in Schumann, especially his songs, but her CV doesn't indicate any great expertise in Mozart. Looks like another Brian Cox situation, as Patrick Moore kept on pointing out, "he isn't an astronomer!" Her only Mozart publication is entitled, ‘Loving Mozart: Berhard Lang, “Ach, ich fühl’s” (Grace Moor), I Hate Mozart, Act I’, which I don't understand, but that 'I hate Mozart' is a worry, I hope she was being ironic...
https://www.music.ox.ac.uk/about/peo...ura-tunbridge/
Do reviewers need academic qualifications to be acceptable now? Better to be an open-minded, experienced listener with a highly-resolving system, and skilled with words...as long as you have the knowledge...of the recorded catalogue (most essentially up to the present; one reason BaL sometimes omits mentions of older classics is simply that they are already so well-known. This is about recorded music, not acquiring a music degree.
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Mal.... HIPPs... with tasteless expressions like "Period Taliban" or "bar-room piano" you only emphasise your own already obvious prejudices.
As for Bilson's group "overacting" what on Earth does that mean? Certainly tells us nothing about the reading, which is a lovely, subtle, wide-ranging performance, one I'm coming to know quite well (see #53).
It is 2019 ....these types of performance have been around for some decades, they share the musical world with modern instruments........why not get a streaming service and saturate yourself in some of those I mentioned above in #53...?
I didn't take to instruments d'époque at first... I needed to live with them a while to learn to love them, and the various artists have become more and more adept, skilful and expressive.
Listening at length and leisure to HIPPS-authentic groups, you come to appreciate the greater timbral and presentational variety, often more vividly differentiated than with modern groups. Excerpts don't really bring that across, especially using lossy codecs, which do delicate textures and gestures no favours at all.
Part of the problem with having to commit to purchase (or not) even if only speculatively, is that it can distort your view of excerpts in such a presentation as BaL, whereas high-quality streaming has simply revolutionised serious listening to classical recordings, in that you can take your time to immerse yourself in new expressive and timbral worlds....it is far more relativistic, and truer to the creative spirit of listening, instead of everything being, on some level, a buyer's guide, or simply a more sophisticated version of I know what I like and I like what I know...
Very liberating to escape from that - which is the special gift of lossless/HD streaming....
Even better - located the Fauré Quartett (sic) on Qobuz, will scrutinise later....
I'll catch up on the BaL later.... after early local errands, back to the garden now the sun's sort-of-out...Last edited by jayne lee wilson; 29-06-19, 16:11.
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Originally posted by Eine Alpensinfonie View PostDoes anyone want to take over the listings?
Admittedly there are often duplications, with the same recording appearing with different couplings or in several bigger sets,
but forum members could do their own filtering (CD only, download available, etc).
I'm amazed how quickly and regularly you have been able to provide the lists in the past, and now even more so as the work under discussion no longer appears in the monthly BBC MM listings: presumably you only find out from the online schedules?
I know from the few that I have done either helping out for the regular BaL or launching a Summer BaL that it's pretty tedious work.
I wonder what others think.
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Yes - I am always astonished and extremely grateful for the list that you supply each week, Alpie - all the more so having done just one such list. But, given the scale of the task, and the way in which BaLs seem to have moved away from any attempt to discuss a wide range of recordings, I don't think anyone would object if you felt the task of putting the lists together each week is both onerous and no longer relevant to the programme content. As Pulcie suggests, a link to the Presto website - together with Forumistas' own additions - might well be sufficient for the purposes of Forum discussions.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Yes thanks for the lists Alpie, they are wonderful, I always use them as a first resource to see if I've missed anything, or to check spellings, or which pianist played in which ensemble(s), and similar. Maybe Wikipedia could substitute?
But can't find a discography for Mozart K478 on Wikipedia.... Allmusic seems a possibility:
Find composition details, parts / movement information and albums that contain performances of Piano Quartet No. 1 in G minor, K. on AllMusic
But you don't see the performers without clicking, and there is repetition. Maybe give a link to allmusic and/or presto and encourage people to create/add to a wikipedia discography, if necessary?
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I, for one, find Alpie's listings an absolute treasure trove. I enjoy (when I have the time to study it uninterrupted) finding versions/combos that I had no idea existed, and then researching ones that look particularly interesting and worthy of further exploration.
Therefore, forgetting BaL altogether, his listings are an invaluable source of inspiration and enjoyment. Many a time, I have acquired a recording based purely on the fact that it appears in the listing, way before the BaL is even aired.
NB This BaL was again very poor. This format is frustrating to listen to; as soon as one thinks some interesting point is about to issue forth, a damper (or is it 'dampener?') stamps on it in the form of a pointless platitude, or whatever.....
I wish David Owen Norris was given a weekly Bal all of his own. I could listen to him for hours. Best R 3 broadcaster, out there IMVHO. One learns so much from his knowledge and wonderful style of delivery.
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