Originally posted by pastoralguy
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BaL 15.06.19 - Elgar: Violin Sonata in E minor, Op. 82
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I appear to have three recordings of the sonata (first perf 1919) - all on LP - Sammons and Murdoch (1935), Loveday and Cassini (1963) and Bean and Parkhouse (1971). Curiously, only the first of those is in Alpie's fine list.
I shall have much pleasure comparing and contrasting them next week.
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Originally posted by LeMartinPecheur View PostWas a bit shocked to find no CD version on the shelves and just the one LP - the Weiss Duo, Sidney and Jeanne, he a former concertmaster of the Chicago SO, on Unicorn coupled with the Walton sonata. So I shall probably be listening plastic card in hand
The LP sleeve tells me I could also have snapped up the Weisses in a stratospherically un-obvious coupling, the R Strauss Sonata op18 with a Haydn Concerto in F for violin, keyboard and strings Wonder how many of this Unicorn Records sold!
Other recordings I have include Marat Bisengaliev, also nla and good.
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Originally posted by mikealdren View PostMy first LP was also the Weiss duo but with the much more appropriate coupling of the Walton sonata, a very unusual coupling for an american soloist in those days.
Other recordings I have include Marat Bisengaliev, also nla and good.I keep hitting the Escape key, but I'm still here!
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As a devoted admirer of Little and Roscoe (amongst other lovely performances in this well-served sonata) I simply pray that David Owen Norris is allowed free rein, without the coffee table inanities we get from twofers. I want to know what he has to say, and bet they'll be no "But are we in England?" or "This is a real Red Riding Hood moment!"
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Originally posted by Tony View PostSad to see that the incomparable Hugh Bean recording seems not to have made it to CD format.
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Originally posted by Master Jacques View PostAs a devoted admirer of Little and Roscoe (amongst other lovely performances in this well-served sonata) I simply pray that David Owen Norris is allowed free rein, without the coffee table inanities we get from twofers. I want to know what he has to say, and bet they'll be no "But are we in England?" or "This is a real Red Riding Hood moment!"Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by verismissimo View PostOistrakh, Heifetz, Mutter, Milstein, Chung, Perlman, Stern, Accardo, Zukerman, Kogan, Szigeti, Ricci, Haendel, Campoli, Grumiaux, Suk …
Where were they? Beneath them?
Well, these wonderful players all recorded for big companies who probably had accounts departments suggesting what could be recorded and what couldn't. Lets not kid ourselves that record companies don't have an eye on the bottom line when it comes to releasing 'product'. It's worth mentioning that David Oistrakh, Mutter, Milstein, Stern, Kogan, Szigeti, Ricci, Grumiaux and Suk didn't record the violin concerto either. That in no devalues the merit of the work in question. (I believe that David Oistrakh did play the Elgar Concerto but there's no commercial recording of it, afaik. I've always hoped a radio recording may turn up one day! IGOR Oistrakh did play and record it).
Actually, come to think of it, Oistrakh, father and son, Mutter, Stern, Zukerman, Kogan, Szigeti, Ricci and Campoli didn't record cycles of the Bach Sonatas and Partitas. And I'm damn sure that those Bach works are not/were beneath them!
I do believe that Milstein HATED the Elgar Concerto and refused to have anything to do with it!
The Lekeu Sonata is a wonderful work too but relatively few violinists have recorded it.Last edited by pastoralguy; 11-06-19, 18:44.
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Originally posted by verismissimo View PostOistrakh, Heifetz, Mutter, Milstein, Chung, Perlman, Stern, Accardo, Zukerman, Kogan, Szigeti, Ricci, Haendel, Campoli, Grumiaux, Suk …
Where were they? Beneath them?
I echo PG's hope that David Oistrakh's performance does resurface one day soon.
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Originally posted by mikealdren View PostUntil relatively recently, the Elgar concerto wasn't played (or recorded) very often and rarely outside the UK and, Mutter apart, these fine players were from earlier generations. To me the great surprise is not that they didn't record it but that Heifetz did.
I echo PG's hope that David Oistrakh's performance does resurface one day soon.
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Originally posted by pastoralguy View PostSurprisingly, Gideon Kramer played it at a Queen Elisabeth of the Belgiums competition in the 1970's. Not a flawless performance but very good. I did wonder if he'd studied it with David Oistrakh.
Gidon Kremer came third in 1967, according to Wiki:
I have heard of only very few of those listed, and am not aware of having heard any of the compositions that won.
Has anybody else?
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Originally posted by Mal View PostThird Ear do a lot of comparing to Bean :) I have McAslan and Blakeley's performance; Third Ear suggests that, compared to Bean, it is a "leaner, angular approach... ".Last edited by Mal; 14-06-19, 09:33.
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