Originally posted by jayne lee wilson
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BaL 1.06.19 - Mendelssohn: Symphony no. 4 "Italian"
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Originally posted by Alison View PostOne of my first CDs was the Sinopoli recording with the Schubert Unfinished as coupling.
His first DG recording I think and certainly the first with the Philharmonia. Altogether joyous music making.
Good timps a prerequisite in this work
Yes, I had that disc too. A Rosette in the Guide to Penguins iirc.
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A favourite CD version is the Tennstedt/Berlin PO which I acquired a few years ago via the 14 disc EMI Tennstedt Great Recordings Box (still around and at a good price, fittingly coupled with a very good Schubert Ninth, which Mendelssohn had conducted in its belated first performance at the Gewandhaus in 1839.)
My long-standing only LP version for many years was Masur/Leipzig Gewandhaus.
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Originally posted by pastoralguy View PostHis Schubert 9 was pretty good, iirc as was his Elgar 'In The South' Overture where he really had the mighty Philharmonia firing on all cylinders!
The sound of the Mendelssohn was very warm and detailed with a very realistic orchestral balance, good front to back perspective. Really must search out this one again!
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Originally posted by MickyD View PostI've always been very fond of the Hanover Band/Goodman recording, but then I am one of the few unashamed fans of that large Nimbus acoustic.
Knew there would another one lurking somewhere - duly added to my first posting.I keep hitting the Escape key, but I'm still here!
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Originally posted by Goon525 View PostMe too. Perhaps Sinopoli's best record?
Deeply fascinating individualist with an infinitesimal care for orchestral detail and transparency. And a truly rich recorded catalogue.
His Elgar Symphonies really divided the reviewers (unsurprisingly)... but he always had his own, extremely-thought-through approach to large symphonic structures, the details and textures within them.
He died terribly, tragically early of a heart attack, while conducting Aida at the Deutsche Oper....aged just 54. Imagine what he might have gone on to.Last edited by jayne lee wilson; 25-05-19, 23:43.
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Originally posted by jayne lee wilson View PostHis Elgar Symphonies really divided the reviewers (unsurprisingly)... but he always had his own, extremely-thought through approach to large symphonic structures, the details and textures within them.
Imagine what he might have gone on to.
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Originally posted by LeMartinPecheur View PostOoh, one I'd forgotten in my #10. Recently acquired in this set though not the reason for buying
Knew there would another one lurking somewhere - duly added to my first posting.
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I bought Orozco-Estrada's Reformation symphony mainly for Isabella Faust'sperformance of the Violin Concerto and enjoyed both performances, so his would be my choice for the Italian/ Scottish coupling. I much prefer smaller orchestras (period or modern instruments) in symphonic music of the period to full symphony orchestras with massed strings doing their best to obscure detail in the wind and brass sections. At present I only have the LSO/ Abbado recording on LP.
My guess is that we will only hear a handful (less than 10) recordings and do not know if these will be pre-selected by the reviewer or Radio3 production staff.
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