Yes, I liked the Ormandy, but I don't think it had good reviews. He recorded quite a bit of Sibelius over the years, sometimes two or three times. I beleive in America he's regarded as a bit like Malcolm Sargent, with many passionate devotees, while others seem to regard him as little more than a charlatan. I wouldn't regard him as one of the most eminent masters (I don't think he had Stokowski's flair), but I've honestly never been disappointed by his perfromances .
BaL 18.05.19 - Sibelius: Lemminkäinen Suite, Op.22
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Originally posted by Barbirollians View PostI seem to have missed most of this but a recently acquired secondhand copy of the 1970s Ormandy on EMI strikes me as much the best I have heard - leaving even Gibson well behind .
Also the Ormandy Sony Sibelius box, now methinks deleted and not the bargain it was when it first appeared, covers most of his stereo recordings from CBS and RCA.Last edited by cloughie; 14-06-23, 09:58.
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Originally posted by smittims View PostYes, I liked the Ormandy, but I don't think it had good reviews. He recorded quite a bit of Sibelius over the years, sometimes two or three times. I beleive in America he's regarded as a bit like Malcolm Sargent, with many passionate devotees, while others seem to regard him as little more than a charlatan. I wouldn't regard him as one of the most eminent masters (I don't think he had Stokowski's flair), but I've honestly never been disappointed by his perfromances .
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Originally posted by smittims View PostYes, I liked the Ormandy, but I don't think it had good reviews. He recorded quite a bit of Sibelius over the years, sometimes two or three times. I beleive in America he's regarded as a bit like Malcolm Sargent, with many passionate devotees, while others seem to regard him as little more than a charlatan. I wouldn't regard him as one of the most eminent masters (I don't think he had Stokowski's flair), but I've honestly never been disappointed by his perfromances .
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Yes, the BBC So recordings are easily explained, but I often wonder how those Vienna Phil sessions came about. Maybe he heard Victor Olof was recording in the Musikvereinsaal (mainly with Silvestri)and wanted a piece of the action. And I was pleased to find Sargent didn't neglect the Third symphony, doing it at the 1965 Proms, a performance that has survived on YouTube.
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Originally posted by smittims View PostYes, the BBC So recordings are easily explained, but I often wonder how those Vienna Phil sessions came about. Maybe he heard Victor Olof was recording in the Musikvereinsaal (mainly with Silvestri)and wanted a piece of the action. And I was pleased to find Sargent didn't neglect the Third symphony, doing it at the 1965 Proms, a performance that has survived on YouTube.
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