Originally posted by richardfinegold
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BaL 18.05.19 - Sibelius: Lemminkäinen Suite, Op.22
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SibeliusLemminkäinen Suite, Op.22
Lahti SO/Vanska. BIS 1999 rec., via Qobuz Studio.
including...
Lemminkainen and the Maidens of Sari (original 1896 version)
Lemminkainen's Homeward Journey (original 1896 version)
Sounding fine - earthy of texture and ruggedly dynamic with good detail, nothing like as bad as its infamous reputation suggests with terrific brass/percussion impact (have the files been cleaned up for download/stream?), this is fascinating for anyone who knows the familiar versions well.
Numerous rhythmical/instrumental differences in the Maidens piece, a looser, more unstructured feel than the revision (scarcely a model of concision itself...), with some startlingly fast tempi. The Homeward Journey is nearly twice as long in the original version, with an especially splendid and extended conclusion.
The familiar versions come off well too, if a shade matter-of-fact here and there, not quite on the inspired level of Segerstam or Mikko Franck.
https://www.qobuz.com/gb-en/album/si.../7318590010150
(notes accessible on BIS website).
https://www.eclassical.com/conductor...-kalevala.html
Last edited by jayne lee wilson; 16-05-19, 04:42.
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Originally posted by jayne lee wilson View PostSibeliusLemminkäinen Suite, Op.22
Lahti SO/Vanska. BIS 1999 rec., via Qobuz Studio.
including...
Lemminkainen and the Maidens of Sari (original 1896 version)
Lemminkainen's Homeward Journey (original 1896 version)
Sounding fine - earthy of texture and ruggedly dynamic with good detail, nothing like as bad as its infamous reputation suggests with terrific brass/percussion impact (have the files been cleaned up for download/stream?), this is fascinating for anyone who knows the familiar versions well.
Numerous rhythmical/instrumental differences in the Maidens piece, a looser, more unstructured feel than the revision (scarcely a model of concision itself...), with some startlingly fast tempi. The Homeward Journey is nearly twice as long in the original version, with an especially splendid and extended conclusion.
The familiar versions come off well too, if a shade matter-of-fact here and there, not quite on the inspired level of Segerstam or Mikko Franck.
https://www.qobuz.com/gb-en/album/si.../7318590010150
(notes accessible on BIS website).
https://www.eclassical.com/conductor...-kalevala.html
By the way, what were the criticisms of this recording (the one with the originals)? Len Mullenger was full of praise for its quality, though his disdain for that of the BIS recordings of Wigglesworth's Shostakovich do make me doubt his aural credentials.
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See Gramophone, 12/99, for details.... AA reported in his generally favourable review (from a purely musical POV) that Robert Suff confirmed to him that the recording sessions were "dogged by technical gremlins" which they then had to attempt to improve upon in the later production stages...
AA commented that despite all efforts, the results "muffled and curiously hollow, with etiolated strings" fell "disconcertingly far below their usual exalted technical standards"....
All I can add is - those BIS perfectionists appear to have rescued the situation very well, at some point since...so it is now very well worth a good, close listen...
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I have Lemminkäinen Suite, Op.22 in the 3CD Jarvi/Goteborg collection of tone poems. It's the Rough Guide top choice and they, rightly I think, praise the "warm spacious acoustic". The modern digital sound is superb. Penguin make the collection "key" and (mostly) praise the legends, suggesting, for instance, that Jarvi takes a broader view of Lemminkäinen in Tunella than most - "building an appropriately black and powerful atmosphere". But they are disappointed with the "Homeward Journey"... they say not manic enough compared to (say) Beecham. I'm not disappointed with it, but I'll be listening closely to BAL to hear if I fancy a manic supplement.Last edited by Mal; 17-05-19, 17:57.
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