Looking forward to tomorrow's broadcast (even if it is a twofer).
BaL 6.04.19 - Mahler: Symphony no. 4 in G
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Originally posted by Alison View PostI feel a controversial left field choice coming on.
I thought that this was a very good two-fer BaL, about the best so far. I thought also,, that McGregor allowed more time for the critic to have a say, without AM’s infernal interruptions!Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Richard Tarleton
No argument with the winner (no mention of Szell?), but I thought he restricted himself to a relatively narrow range of examples? Fascinating to hear Norrington missing the point quite so completely (in the example played at least).
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Originally posted by BBMmk2 View PostBudapest FO, Adam Fischer.
I thought that this was a very good two-fer BaL, about the best so far. I thought also,, that McGregor allowed more time for the critic to have a say, without AM’s infernal interruptions!
Not sure about the conductor having to bring out all the ‘meanings’ and ‘characters’, as if this were a gigantic tone poem, though I suspect few will quibble with the final choice.
Was there confusion over the speed of Zander (iii)? Andrew implied it was too slow while Nicholas said it was fine.
If they disagreed, fair enough but not sure they meant to!
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Originally posted by Richard Tarleton View PostNo argument with the winner.... but I thought he restricted himself to a relatively narrow range of examples?
Presumably this is the one to get:
...but is it really that expensive??
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A very interesting BaL, far more so than I was expecting because I wasn't prepared for so great a range of tempi and other conductorial variations, despite my 14-odd recordings.
Picking up in the reviewer's statement that the 3rd mov't's Poco adagio shouldn't be much more than 20' I dug out all my recordings with timings. Welser-Most is by far the slowest at 24'35" and also the slowest overall at 63'02". Maybe the church acoustic, St Augustine's, Kilburn, is a reason? Abravanel is much the fastest at 19'43" and 52'12" - must give it another spin to see if he makes it work. Another surprising speedster is Tennstedt at 54'55".
The only other one under 20' in III is Horenstein, though he's not fast overall at 59'25". Knowledge of authentic tradition?
The biggest shock was the clip of Kathleen Battle in the Maazel - I was waiting for her to be kicked firmly into touch as too arty by far (as I'd have done on this showing), but no. Another disc to re-spin, but not before the Kubelik which I don't know well and clearly should!I keep hitting the Escape key, but I'm still here!
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Originally posted by ardcarp View Post... I was left with a real wish to get hold of the Mengelberg.
Presumably this is the one to get:
...but is it really that expensive??
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Originally posted by vinteuil View Post... cheaper in this membran-type 10 CD box :
.I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostMaybe the church acoustic, St Augustine's, Kilburn, is a reason?
I have the Fischer and I've always found it a bit harsh-sounding. I mentioned Gielen earlier, but Kubelík is very special too.
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Originally posted by Richard Barrett View PostThat's not a very big space and doesn't really have a churchy acoustic.
I have the Fischer and I've always found it a bit harsh-sounding. I mentioned Gielen earlier, but Kubelík is very special too.
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