I have the Nash ensemble, which topped the list as a key recording in the Penguin guide. It's well recorded, with a dynamic approach, so it's going to be difficult to top, though I suspect the Borodins may manege it, but we'll see...
BaL 30.03.19 - Shostakovich: Piano Quintet in G minor Op. 57
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Originally posted by Mal View PostYes very good, but I'm not having a "must have that" moment. I'll probably just stick with the Nash...
In all the time I’ve known this work, the influence of Bach, never occurred to me. Of course in the opening you can tell that straight away. Reminds me of JSB’s 48.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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It came down to the Juillard or Argerich. Final choice Argerich, Capucon etc, Lugano - CD . I've found these details :
"The Lugano Recordings .Label: Warner Classics - Parlophone .Catalogue No.: 5099950450459" (On Naxos Music Library).
It also shows up in the 20CD M_ A_ The Lugano Recordings (same Label) at least, I assume it is that recording.
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Originally posted by Cockney Sparrow View PostIt came down to the Juillard or Argerich. Final choice Argerich, Capucon etc, Lugano - CD . I've found these details :
"The Lugano Recordings .Label: Warner Classics - Parlophone .Catalogue No.: 5099950450459" (On Naxos Music Library).
It also shows up in the 20CD M_ A_ The Lugano Recordings (same Label) at least, I assume it is that recording.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by ardcarp View PostI am grateful to this BAL for introducing me to a work I didn’t know. What a terrific piece.
Originally posted by Mal View PostI have the Nash ensemble, which topped the list as a key recording in the Penguin guide. It's well recorded, with a dynamic approach, so it's going to be difficult to top, though I suspect the Borodins may manege it, but we'll see...
Originally posted by BBMmk2 View PostIn all the time I’ve known this work, the influence of Bach, never occurred to me. Of course in the opening you can tell that straight away. Reminds me of JSB’s 48."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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I missed a couple of minutes, did he actually mention Richter and the Borodins? I know he said that he had restricted his programme to those that had something to say about the music but to miss them entirely seems rather surprising. I made me wonder whether he would review the Elgar cello concerto without mentioning du Pré or Beethoven sonatas without Schnabel.
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Originally posted by mikealdren View PostI missed a couple of minutes, did he actually mention Richter and the Borodins? I know he said that he had restricted his programme to those that had something to say about the music but to miss them entirely seems rather surprising. I made me wonder whether he would review the Elgar cello concerto without mentioning du Pré or Beethoven sonatas without Schnabel.I keep hitting the Escape key, but I'm still here!
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