BaL 30.03.19 - Shostakovich: Piano Quintet in G minor Op. 57

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  • Mal
    Full Member
    • Dec 2016
    • 892

    #31
    I have the Nash ensemble, which topped the list as a key recording in the Penguin guide. It's well recorded, with a dynamic approach, so it's going to be difficult to top, though I suspect the Borodins may manege it, but we'll see...

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    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      #32
      A very good BaL thus far.
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

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      • Barbirollians
        Full Member
        • Nov 2010
        • 11789

        #33
        Yes I enjoyed it but it always seems to go well when the reviewer agrees with me

        Argerich at Lugano is wonderful as are the Hollywood Quartet . I missed the start so did the absence of the Richter get a mention ?

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        • Mal
          Full Member
          • Dec 2016
          • 892

          #34
          Originally posted by BBMmk2 View Post
          A very good BaL thus far.
          Yes very good, but I'm not having a "must have that" moment. I'll probably just stick with the Nash...

          Comment

          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            #35
            Originally posted by Mal View Post
            Yes very good, but I'm not having a "must have that" moment. I'll probably just stick with the Nash...
            Most certainly a very good one. I have my favourite with Argerich, Capuçon et al and Marc-Andre Hamelin.

            In all the time I’ve known this work, the influence of Bach, never occurred to me. Of course in the opening you can tell that straight away. Reminds me of JSB’s 48.
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

            Comment

            • Cockney Sparrow
              Full Member
              • Jan 2014
              • 2292

              #36
              It came down to the Juillard or Argerich. Final choice Argerich, Capucon etc, Lugano - CD . I've found these details :
              "The Lugano Recordings .Label: Warner Classics - Parlophone .Catalogue No.: 5099950450459" (On Naxos Music Library).

              It also shows up in the 20CD M_ A_ The Lugano Recordings (same Label) at least, I assume it is that recording.

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              • Eine Alpensinfonie
                Host
                • Nov 2010
                • 20576

                #37
                A truly excellent BaL this week, though I now have a problem in that the slow movement was remarkably similar to a film or TV theme, but I just don't seem to be able to put a name to it.




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                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  #38
                  Originally posted by Cockney Sparrow View Post
                  It came down to the Juillard or Argerich. Final choice Argerich, Capucon etc, Lugano - CD . I've found these details :
                  "The Lugano Recordings .Label: Warner Classics - Parlophone .Catalogue No.: 5099950450459" (On Naxos Music Library).

                  It also shows up in the 20CD M_ A_ The Lugano Recordings (same Label) at least, I assume it is that recording.
                  I have the Argerich!
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

                  Comment

                  • ardcarp
                    Late member
                    • Nov 2010
                    • 11102

                    #39
                    I am grateful to this BAL for introducing me to a work I didn’t know. What a terrific piece.

                    Comment

                    • DracoM
                      Host
                      • Mar 2007
                      • 12995

                      #40

                      Echo that - a fine primer to extend one's knowledge. Thx, BAL.

                      Comment

                      • BBMmk2
                        Late Member
                        • Nov 2010
                        • 20908

                        #41
                        Ardcarp, DracoM, I am glad you found this work and enjoyed it as well.
                        Don’t cry for me
                        I go where music was born

                        J S Bach 1685-1750

                        Comment

                        • Nick Armstrong
                          Host
                          • Nov 2010
                          • 26575

                          #42
                          Originally posted by ardcarp View Post
                          I am grateful to this BAL for introducing me to a work I didn’t know. What a terrific piece.
                          Wow better late than never ardy. Was fortunate to discover it in my teens via the DSCH performance on Melodiya on a disc borrowed from the local library. (I imagine it was the later DSCH performance). Gorgeous piece.

                          Originally posted by Mal View Post
                          I have the Nash ensemble, which topped the list as a key recording in the Penguin guide. It's well recorded, with a dynamic approach, so it's going to be difficult to top, though I suspect the Borodins may manege it, but we'll see...
                          Yes I have that too - didn't even rate a mention in this BAL unless I missed it. Certainly didn't make the 'shortlist'...


                          Originally posted by BBMmk2 View Post
                          In all the time I’ve known this work, the influence of Bach, never occurred to me. Of course in the opening you can tell that straight away. Reminds me of JSB’s 48.
                          I've always thought the opening directly reminiscent of DSCH's 24 in style - hence of course the link back to JSB
                          "...the isle is full of noises,
                          Sounds and sweet airs, that give delight and hurt not.
                          Sometimes a thousand twangling instruments
                          Will hum about mine ears, and sometime voices..."

                          Comment

                          • edashtav
                            Full Member
                            • Jul 2012
                            • 3672

                            #43
                            DSCH always brings out the best in you, Caliban. The most worthwhile criticism is based in love and enthusiasm.

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                            • mikealdren
                              Full Member
                              • Nov 2010
                              • 1206

                              #44
                              I missed a couple of minutes, did he actually mention Richter and the Borodins? I know he said that he had restricted his programme to those that had something to say about the music but to miss them entirely seems rather surprising. I made me wonder whether he would review the Elgar cello concerto without mentioning du Pré or Beethoven sonatas without Schnabel.

                              Comment

                              • LeMartinPecheur
                                Full Member
                                • Apr 2007
                                • 4717

                                #45
                                Originally posted by mikealdren View Post
                                I missed a couple of minutes, did he actually mention Richter and the Borodins? I know he said that he had restricted his programme to those that had something to say about the music but to miss them entirely seems rather surprising. I made me wonder whether he would review the Elgar cello concerto without mentioning du Pré or Beethoven sonatas without Schnabel.
                                See #1 and #3: presumably it didn't get a mention because, unbelievably, it is NLA
                                I keep hitting the Escape key, but I'm still here!

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