Originally posted by Eine Alpensinfonie
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BaL 16.03.19 - Brahms: Piano Concerto no. 2 in B flat
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My journey probably started with Backhaus/VPO/Bohm, on through Pollini/BPO/Abbado (DG 1997, rec. 1995) and Fleisher/Szell, then an adored Chesky of Bachauer/Dorati….
But once I’d heard the 23/10/48 Horowitz/Toscanini/NBC live one (Pristine lossless download, 44'23), my disaffection toward stately, middle-paced, middle-aged Brahmsian interpretation (e.g. the recent Sunwook Kim/Elder, at 50'54...) was even more keenly confirmed.
How I long for Brahms to be played as the Schubert Completed D.759 B minor Symphony is on the recent CMW release. Just imagine the Piano Concertos played like that, with a solo instrument of the Streicher & Sons design that Brahms himself knew and wrote for…
Or imagine Mackerras doing them with the SCO, in the recording sound and style of those 2 Serenades....alas...
We’ve reached a point in the history of recorded music where you can hear or obtain pretty much everything you want, or at least any style of performance you care for. But there are still very few chamber-orchestral or reduced-symphony-orchestral Brahms recordings, done with fire and energy; and scarcely any period-instrument ones.
Can the Brahmsian performing tradition be refreshed and renewed, or are we doomed to preservation in La Musée Imaginaire...?
The Hough/Salzburg/Wigglesworth set gets me some of the way but I need more passion still.…
As a dark horse which won’t win, but plays the B flat with my subjectively-requisite speed and attack, I’d offer the Arte Nova release of
Wolfgang Manz, with the George Enescu Bucharest PO/Mandeal. Yes it’s well off-piste, but part of a fascinating 7-album Brahms cycle full of individual interpretative choices, a winning orchestral blend of the Slavonic/Austro-Germanic, and - at 43’21, comes marvellously close in pace, fire and virtuosity to that near-unsurpassable Horowitz/Toscanini performance.Last edited by jayne lee wilson; 12-03-19, 17:22.
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Originally posted by verismissimo View PostAlthough he's in Alpie's list, I can't find a Kempff recording of PC2.
If he did not do one, I wonder why not, given his very extensive Brahms discography?
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Gilels/BPO/Jochum, Tirimo/LPO/Levi, and Serkin/Cleveland O/Szell here.
Though it's a piece I like and listen to a lot, I don't see the need for another recording.
Maybe the BaL (if I can endure Tom Service!) will persuade me otherwise.
Alpie: The Serkin/Szell is surely in one or other (Serkin or Szell) big Columbia CD box (if not both!) so not download only.
And there's a tiny typo: Weissenberg with an n not an m!
All credit to you for compiling the list, as others have said.
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Originally posted by verismissimo View PostAlthough he's in Alpie's list, I can't find a Kempff recording of PC2.
If he did not do one, I wonder why not, given his very extensive Brahms discography?
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Originally posted by Pulcinella View Post(if I can endure Tom Service!)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by verismissimo View PostAlthough he's in Alpie's list, I can't find a Kempff recording of PC2.
If he did not do one, I wonder why not, given his very extensive Brahms discography?
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Originally posted by Caliban View Post... I hadn't picked up that he was doing it.Originally posted by Eine Alpensinfonie View PostRe Tom Service doing this BaL, he did a reasonably good one not long ago (until he started singing). As I said in post 2, there’s no chance of this being a twofer. AMcG would never get a word in.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by HighlandDougie View PostThere is/was a Tahra issue ("Inédits Paul van Kempen") of a performance from the 1955 Besançon Festival (1 September) of Kempff with the Orchestre National de France conducted by Paul van Kempen - not, I think, easily available.
Some copies available from the usual sus ... source:
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Eine Alpensinfonie View PostRe Tom Service doing this BaL, he did a reasonably good one not long ago (until he started singing). As I said in post 2, there’s no chance of this being a twofer. AMcG would never get a word in.
He did two excellent surveys, of the Bruckner 3rd Symphony (21/12/16...covering the various editions remarkably well given time-limit) and Mozart's 38th (30/12/17....excellent close listening there..)... as I recall they were generally well-received around here.
So Cal - don't despair - his presentation manner/delivery does seem more measured away from interview/live present etc. And he usually seems to have The Knowledge...
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Originally posted by jayne lee wilson View PostSo Cal - don't despair - his presentation manner/delivery does seem more measured away from interview/live present etc. And he usually seems to have The Knowledge..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostYes, I recall he was ok in this role, where the format limits the incontinent burbling and focuses his undoubted knowledge. I shall lift the embargo for an hour on Saturday morning!
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