Originally posted by jayne lee wilson
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BaL 16.03.19 - Brahms: Piano Concerto no. 2 in B flat
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I’m delighted that my rather ungenerous reference to IM promoted such a wonderful anecdote from such a distinguished source.
Jayne's description of the various roles on the Penguin is probably about right. My reservations about IM's reviewing are about depth, not his entrepreneurial skills. I used to rely on it a lot too, but looking back the greatest weakness was having only three reviewers (two of them rather superficial), compared to the large and knowledgeable panel at Gramophone. Perhaps with half a dozen reviewers Penguin might have had even greater authority. Having said that, I do miss both Penguin and the Gramophone Good CD Guide, and wish there was a modern equivalent for those moments when you find you want to listen to, say Nielsen 6, and don’t want to back to the Blomstedt that’s had pride of place in your CD collection for decades, because now you can choose from plenty on Qobuz. But which one to choose?
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I loved that story from Tony.
Reading back through Alpie's herculean list again, I realize that my first recording of the piece wasn't included. My sister had a Vox lp from the mid sixties, and I think the Pianist was Gyorgy Sandor, and the Conductor was Jascha Horenstein. Those names meant nothing to me then, but when we were cleaning out my mother's condo a few years ago in preparation for her moving to a senior building I came across the lp. I meant to save it though I doubt it would have been playable, but it got inadvertently tossed.
There is no such recording listed on Presto and I am not sure about the players, and certainly there are enough versions of this piece to add a lifetime, but if those forces did record it I think most of we veteran collectors would agree that it's worth hearing, and I would would love to make the acquaintance of it again. Does anyone remember this? (The archives of Forumites never cease to amaze me).
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Originally posted by richardfinegold View PostI loved that story from Tony.
Reading back through Alpie's herculean list again, I realize that my first recording of the piece wasn't included. My sister had a Vox lp from the mid sixties, and I think the Pianist was Gyorgy Sandor, and the Conductor was Jascha Horenstein. Those names meant nothing to me then, but when we were cleaning out my mother's condo a few years ago in preparation for her moving to a senior building I came across the lp. I meant to save it though I doubt it would have been playable, but it got inadvertently tossed.
There is no such recording listed on Presto and I am not sure about the players, and certainly there are enough versions of this piece to add a lifetime, but if those forces did record it I think most of we veteran collectors would agree that it's worth hearing, and I would would love to make the acquaintance of it again. Does anyone remember this? (The archives of Forumites never cease to amaze me).
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Originally posted by HighlandDougie View PostNo, not Jascha Horenstein but Rolf Reinhardt with the Südwestfunk Orchestra on Vox - a common Horenstein orchestral partner so easily assumed (not least as JH recorded at least two symphonies with them: the 1st and the 3rd). Oops, apologies FHG - cross-posted.
A warning: I notice that the link I gave takes us to an item marked "Vinyl" in the price box, even thought the photo clearly is a CD issue - worth checking if anyone was thinking of buying.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Goon525 View PostI’m delighted that my rather ungenerous reference to IM promoted such a wonderful anecdote from such a distinguished source.
Jayne's description of the various roles on the Penguin is probably about right. My reservations about IM's reviewing are about depth, not his entrepreneurial skills. I used to rely on it a lot too, but looking back the greatest weakness was having only three reviewers (two of them rather superficial), compared to the large and knowledgeable panel at Gramophone. Perhaps with half a dozen reviewers Penguin might have had even greater authority. Having said that, I do miss both Penguin and the Gramophone Good CD Guide, and wish there was a modern equivalent for those moments when you find you want to listen to, say Nielsen 6, and don’t want to back to the Blomstedt that’s had pride of place in your CD collection for decades, because now you can choose from plenty on Qobuz. But which one to choose?
Seek out the Nielsen thread on the Composers' Subforum for more (much more..).
Just the 6th? Start with Oramo (BIS) or Storgårds (Chandos) - both set new standards in very contrasted ways...
(Sorry OT-uncommercial-break now over...)Last edited by jayne lee wilson; 18-03-19, 20:24.
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Originally posted by jayne lee wilson View Post
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Originally posted by Bryn View PostAfter tonight's 1st Concerto at the RFH, I am really looking forward too tomorrow's 2nd.
I gather that Schiff no longer does radio - so you have to be there!
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Originally posted by verismissimo View PostIt was a very special occasion. Schiff said to us that he hoped it would be like hearing the D minor concerto for the first time - and it was just that. The piano was an 1860 Bluthner.
I gather that Schiff no longer does radio - so you have to be there!
As to Sir Andras Schiff not doing radio, it would not be the first time he changed his mind about a major aspect of his work if he returned to it. After all, did he not say, a few years ago, that he would not play historic instruments in the future?
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