You are quite right edashtav to make this distinction - "Frank/Fauré traditions" (plural) would indeed have been a better phrase, as the two composers are so far apart in method and aesthetic. I was making a shortcut, to bundle these pre-existent influences on Debussy's Quartet - in a nutshell, Franck's concept of cyclic form and Fauré's use of lucid instrumentation, harmonic subtlety and melodic transmutation. Both strands of course contribute to Debussy's extraordinary achievement in this work. He both used and departed from these various models.
BaL 5.1.19 - Debussy: String Quartet.
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Originally posted by Master Jacques View PostYou are quite right edashtav to make this distinction - "Frank/Fauré traditions" (plural) would indeed have been a better phrase, as the two composers are so far apart in method and aesthetic. I was making a shortcut, to bundle these pre-existent influences on Debussy's Quartet - in a nutshell, Franck's concept of cyclic form and Fauré's use of lucid instrumentation, harmonic subtlety and melodic transmutation. Both strands of course contribute to Debussy's extraordinary achievement in this work. He both used and departed from these various models.
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