Originally posted by ferneyhoughgeliebte
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BaL 29.12.18 - Rachmaninov: Piano Concerto no. 2 in C minor Op. 18
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Originally posted by Mal View PostShe can, she just needs to include the entire history of recorded music.
I felt that the favourable mentions of the recordings by Rachmaninoff, Moiseiwitsch, Joyce, and Richter made clear her great appreciation of the many recordings that she illustrated (as well as the many she mentioned having enjoyed that couldn't be included in the programme for time reasons). It was also very clear that, because of the recorded orchestral sound, she didn't think that the Richter was the "best ever", and that the more recent recordings that she selected give better total representations of the work. I don't think it can be gainsaid that Papano and the BPO are heard to better effect than Wislocki and the Warsaw NPO, can it? Or, for that matter, Oramo and the CBSO or Nezet-Seguin and the Philadelphians?Last edited by ferneyhoughgeliebte; 29-12-18, 14:26.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by gradus View PostOdd how personal prejudice (aka taste) gets in the way of appreciating an artist. A few years back I went to an Andsnes Chopin recital which I thought the worst I'd ever attended and ever since I can't warm to his playing. My loss I fear.
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Originally posted by Mal View PostShe can, she just needs to include the entire history of recorded music. It's meant to be "building a library" not "building a library of the last twenty years". Although she did say Richter's orchestra was a bit muddy and that knocked it ff the top spot. So maybe she didn't need to make the twenty year caveat. But she did, so now we don't know what she thinks is the "best ever".
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Originally posted by zola View PostLook again at message number one on this thread. She'd still be talking now if she aimed to reference everything. Some kind of methodology has to be employed when faced with a work with such an extensive catalogue, given the time constraints of the programme and no doubt time constraints on the reviewer that would not be covered by a BBC fee ! From the list, there were many recordings from the last twenty years that were not given space as well as more venerable efforts.
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Originally posted by cloughie View PostMusical ageism is a real problem! Using the 20 year yardstick 15 years of DDD is being ignored!
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Originally posted by cloughie View PostMusical ageism is a real problem! Using the 20 year yardstick 15 years of DDD is being ignored![FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Anyway, very good BaL, with understandable and sensible, if not universally popular, reasons for selecting from recent recordings.
Great to have a presenter who illuminated both the work and the recordings that she focused on.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostAnyway, very good BaL, with understandable and sensible, if not universally popular, reasons for selecting from recent recordings.
Great to have a presenter who illuminated both the work and the recordings that she focused on.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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