I listened with the intention of perhaps, finding some new 'depths' (as if that were possible with Rossini! ) but alas - I still basically don't like the piece. Simple as that - my loss, probably; I'm aware of that.
BaL 17.11.18 - Rossini: Petite messe solennelle
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As a footnote on the use of harmonium, it is fairly common in mid-to-late 19th c. French chamber music.
Aside from this Rossini Mass (which like other contributors I've gone "cold" on unfortunately) and the famous Dvorak Bagatelles for harmonium and string quartet, I rather think César Franck holds the palm - he wrote a large amount of very worthwhile music for solo harmonium, in addition to the very haunting Prélude, fugue et variation (for harmonium and piano, which I have in a marvellous performance by Joris Verdin and Jos van Immerseel on a 2-CD Ricercar album.)
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Originally posted by Master Jacques View PostAs a footnote on the use of harmonium, it is fairly common in mid-to-late 19th c. French chamber music.
Aside from this Rossini Mass (which like other contributors I've gone "cold" on unfortunately) and the famous Dvorak Bagatelles for harmonium and string quartet, I rather think César Franck holds the palm - he wrote a large amount of very worthwhile music for solo harmonium, in addition to the very haunting Prélude, fugue et variation (for harmonium and piano, which I have in a marvellous performance by Joris Verdin and Jos van Immerseel on a 2-CD Ricercar album.)
(nice customer review, too... .)
This is good, too :
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Slightly off-piste, but I seem to remember that Sigfrid Karg Elert (1877 - 1933) wrote many of his pieces (e.g. The Chorale 'Improvistions') for organ or harmonium. I've never been quite sure how that worked because the ones I've got are laid out on three staves (i.e. with pedals). Maybe they were first published differently? Anyway it suggests the harmonium was widespread at the the time...and Karg Elert presumably wished his oeuvres to be bought more widely!
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Originally posted by vinteuil View Post
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Originally posted by ardcarp View PostSlightly off-piste, but I seem to remember that Sigfrid Karg Elert (1877 - 1933) wrote many of his pieces (e.g. The Chorale 'Improvistions') for organ or harmonium. I've never been quite sure how that worked because the ones I've got are laid out on three staves (i.e. with pedals). Maybe they were first published differently? Anyway it suggests the harmonium was widespread at the the time...and Karg Elert presumably wished his oeuvres to be bought more widely!
Our family had one briefly, alongside the piano. It was being thrown out and was rescued by some young lads who were part of the musical scene we were involved in at the time(youth orchestra etc) My father refused to have anything to do with it but when he wasn't around we had some pretty entertaining times with a selection of miniature scores, hymn books, vocal scores and whatever instruments and voices were to hand.
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I guess Estey reed organs were made at Battleboro. Presumably, like the better-known Mason&Hamlin make, they were suckers rather than blowers i.e. negative air pressure was created by the 'bellows' which are more correctly called 'extractors'. The generic name 'American Organ' was applied to such instruments, and are the type most frequently found in the UK. The original French harmoniums, often larger and more elaborate, had genuine bellows which blew air through the reeds.
I'm no expert and have just mugged up a bit, so stand to be corrected!
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I remember one of the teachers playing a harmonium during our school assemblies in the 60s....the primary school was a modern one, so heaven knows where the instrument came from.
I even remember an evangelical youth group (the Crusaders?) arriving on the beach in Summer with a collapsible harmonium...ideal for Sankey and Moody.
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