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Best answer! Very rarely - very rarely indeed, have I felt the need to abide by a BaL 'winner'..... and certainly NEVER felt deflated when a particular fav. of mine has been ignored, or cast out as trash!
Furtwangler - and Klemperer - have both received favourable comments in similar repertoire (well, similar-ish: Beethoven's Eroica) from Kenyon on a past BaL, so if they do get mentioned on this one, I doubt that they'll be "slated". (But neither will "win".)
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Furtwangler - and Klemperer - have both received favourable comments in similar repertoire (well, similar-ish: Beethoven's Eroica) from Kenyon on a past BaL, so if they do get mentioned on this one, I doubt that they'll be "slated". (But neither will "win".)
Quite. I can't imagine WF ever being slated* - not that I'm a particular 'fan' of his.
* I was of course, being rather 'tongue in cheek!'
And interesting start to the review, with a reference to one of the great classics, followed by a predictable aren't-I-clever-I-can-play-it-tastelessly-faster-than-you rushed alternative. Now before anyone suggests I'm anti-HIPP, the Jacobs excerpt showed no such deficiencies.
Furtwangler - and Klemperer - have both received favourable comments in similar repertoire (well, similar-ish: Beethoven's Eroica) from Kenyon on a past BaL, so if they do get mentioned on this one, I doubt that they'll be "slated". (But neither will "win".)
... but, on the other hand ...
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
If Kenyon had an agenda to select a 'modern' recording, several forumistas seem to have an agenda to find offence regardless, to fit in with their prejudice against the reviewer. This may I remind you, was the final verdict with commendations for Krips and Giulini.
Was I mis-hearing or was the Norrington HIPP recording of the DG opening played directly after the vintage recording surprisingly sharper in pitch rather than , as I would have expected, flatter ?
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