Originally posted by Caliban
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BaL 30.06.18 - Finzi: Dies Natalis
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Prompted by gurnemanz' post, I have just listened to the Kennedy/BBC/NOW/Judd version (not in contention as not commercially available). I am not a fan of his voice, which I find 'shouty' at times, and there are some very oddly distorted vowel sounds ('all' and 'glory' being particularly offensive to my ears). That said, all credit to BBC MM for giving this wonderful piece wider exposure by including it on one of their cover discs.
The classic Brown recording is available at a silly price new (£49.99!), but there are some reasonably priced offerings of used copies, in different incarnations.
Snap them up now if you can: you won't be disappointed.
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I find I already have it in :
BRITISH COMPOSERS WARNER (EMI) - 5CD - VAUGHAN WILLIAMS FINZI HOLST 5 099909 543324 - 5CD
A couple of 2nd hand copies (for more than the single discs quoted above - at the moment of writing) in the usual place - ASIN: B004RCLCOU.
Available as a download at Presto Classical:
Vaughan Williams, Finzi & Holst. Warner Classics: 0954332. Buy download online. Cecil Aronowitz (viola), Ian Partridge (tenor), John Shirley-Quirk (baritone), John Westbrook (speaker), John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor), David van Asch (bass), Wilfred Brown (tenor), Philip Langridge (tenor), Dame Janet Baker (mezzo-soprano), Philip Fowke (piano),...
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DoctorT
Agreed. I'm not familiar with this work so it's great to discover something new and wonderful!
I assume the Gilchrist recording is included in this box...
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Originally posted by DoctorT View PostI assume the Gilchrist recording is included in this box...
https://www.mdt.co.uk/catalogsearch/...er=most_viewed
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Richard Tarleton
Originally posted by ardcarp View Post...whereas Wilfred Brown's diction is impeccable.
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Originally posted by Richard Tarleton View PostI liked the Rebecca Evans extract (a singer I've heard live a few times).
A pity: I was highly tempted to get a soprano version to supplement Wilfred Brown after the early suggestion that this was Finzi's clear preference - the tenor option only in brackets in the score. Perhaps because the soprano voice is closer to a newborn's??I keep hitting the Escape key, but I'm still here!
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DoctorT
Originally posted by ferneyhoughgeliebte View PostYes; Disc 8 - Amazon shows the back of the box to make this clear:
https://www.amazon.co.uk/Finzi-Antho.../dp/B01ICFPT1O
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Nevilevelis
Originally posted by Richard Tarleton View PostWilfred Brown was my first experience of an English tenor voice - he was the soloist in a school performance of St Nicholas in 1963, the year of this recording - I was a treble, sitting a few feet away. I don't remember us even rehearsing with him, so the effect on me of this voice at the performance was revelatory. Not having any particular interest in the work I was nevertheless interested in what EMT liked and why (I was listening in the car). To my ear, Padmore's voice, in this anyway, has a disagreeable beat in it, absent from the likes of Brown, Langridge, Gilchrist etc. I liked the Rebecca Evans extract (a singer I've heard live a few times).
NVV
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Originally posted by mikealdren View PostWhat a lovely programme about such a lovely work. It helps that Elin Manahan Thomas has such a beautiful, lilting speaking voice as well as a performer's deep knowledge of the work. All the options considered and no twofer interruptions.
Perfect
It was a delightfully honest personal approach that revealed how her own expectations changed as she listened to the various recordings.
I am still not persuaded that it suits the soprano voice as well as it does the tenor, though, so am more than happy with the versions I have (though I was a little tempted by the Bostridge/Marriner, at least in the extracts she played with him singing rather than just the first movement).
And yes, much to be grateful for that it was not a twofer.
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