BaL 30.06.18 - Finzi: Dies Natalis

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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #31
    Originally posted by Caliban View Post
    Welcome to the Forum, sbmonty - good to hear you get a lot out of these discussions Just pitch in and have fun!
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      #32
      Welcome sbmonty! You will have great fun here indeed. Not only on one topic stuff but on topic, as well. I will be on holiday from today for a fortnight but will be able to listen via WiFi.
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

      Comment

      • Pulcinella
        Host
        • Feb 2014
        • 11062

        #33
        Prompted by gurnemanz' post, I have just listened to the Kennedy/BBC/NOW/Judd version (not in contention as not commercially available). I am not a fan of his voice, which I find 'shouty' at times, and there are some very oddly distorted vowel sounds ('all' and 'glory' being particularly offensive to my ears). That said, all credit to BBC MM for giving this wonderful piece wider exposure by including it on one of their cover discs.

        The classic Brown recording is available at a silly price new (£49.99!), but there are some reasonably priced offerings of used copies, in different incarnations.
        Snap them up now if you can: you won't be disappointed.



        Comment

        • Cockney Sparrow
          Full Member
          • Jan 2014
          • 2291

          #34
          I find I already have it in :
          BRITISH COMPOSERS WARNER (EMI) - 5CD - VAUGHAN WILLIAMS FINZI HOLST 5 099909 543324 - 5CD

          A couple of 2nd hand copies (for more than the single discs quoted above - at the moment of writing) in the usual place - ASIN: B004RCLCOU.

          Available as a download at Presto Classical:
          Vaughan Williams, Finzi & Holst. Warner Classics: 0954332. Buy download online. Cecil Aronowitz (viola), Ian Partridge (tenor), John Shirley-Quirk (baritone), John Westbrook (speaker), John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor), David van Asch (bass), Wilfred Brown (tenor), Philip Langridge (tenor), Dame Janet Baker (mezzo-soprano), Philip Fowke (piano),...

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          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            #35
            I have the Wilfred Brown version amongst others.
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

            Comment

            • mikealdren
              Full Member
              • Nov 2010
              • 1203

              #36
              What a lovely programme about such a lovely work. It helps that Elin Manahan Thomas has such a beautiful, lilting speaking voice as well as a performer's deep knowledge of the work. All the options considered and no twofer interruptions.

              Perfect

              Comment

              • DoctorT

                #37
                Agreed. I'm not familiar with this work so it's great to discover something new and wonderful!
                I assume the Gilchrist recording is included in this box...

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #38
                  Originally posted by DoctorT View Post
                  I assume the Gilchrist recording is included in this box...

                  https://www.mdt.co.uk/catalogsearch/...er=most_viewed
                  Yes; Disc 8 - Amazon shows the back of the box to make this clear:

                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • Richard Tarleton

                    #39
                    Originally posted by ardcarp View Post
                    ...whereas Wilfred Brown's diction is impeccable.
                    Wilfred Brown was my first experience of an English tenor voice - he was the soloist in a school performance of St Nicholas in 1963, the year of this recording - I was a treble, sitting a few feet away. I don't remember us even rehearsing with him, so the effect on me of this voice at the performance was revelatory. Not having any particular interest in the work I was nevertheless interested in what EMT liked and why (I was listening in the car). To my ear, Padmore's voice, in this anyway, has a disagreeable beat in it, absent from the likes of Brown, Langridge, Gilchrist etc. I liked the Rebecca Evans extract (a singer I've heard live a few times).

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #40
                      James Gilgrist!
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • LeMartinPecheur
                        Full Member
                        • Apr 2007
                        • 4717

                        #41
                        Originally posted by Richard Tarleton View Post
                        I liked the Rebecca Evans extract (a singer I've heard live a few times).
                        Wished we'd heard a bit more of her version. My only disagreement with EMT was over Susan Gritton's diction, which she thought exemplary. I didn't, but possibly it's that all sopranos in alt will struggle to get the words across(?).

                        A pity: I was highly tempted to get a soprano version to supplement Wilfred Brown after the early suggestion that this was Finzi's clear preference - the tenor option only in brackets in the score. Perhaps because the soprano voice is closer to a newborn's??
                        I keep hitting the Escape key, but I'm still here!

                        Comment

                        • DoctorT

                          #42
                          Originally posted by ferneyhoughgeliebte View Post
                          Yes; Disc 8 - Amazon shows the back of the box to make this clear:

                          https://www.amazon.co.uk/Finzi-Antho.../dp/B01ICFPT1O
                          Thanks fhg

                          Comment

                          • Nevilevelis

                            #43
                            Originally posted by Richard Tarleton View Post
                            Wilfred Brown was my first experience of an English tenor voice - he was the soloist in a school performance of St Nicholas in 1963, the year of this recording - I was a treble, sitting a few feet away. I don't remember us even rehearsing with him, so the effect on me of this voice at the performance was revelatory. Not having any particular interest in the work I was nevertheless interested in what EMT liked and why (I was listening in the car). To my ear, Padmore's voice, in this anyway, has a disagreeable beat in it, absent from the likes of Brown, Langridge, Gilchrist etc. I liked the Rebecca Evans extract (a singer I've heard live a few times).
                            Agreed, and if I were going to purchase a sop. version, it would be Evans. For me, Langridge is the no. 1 tenor, despite her reservations re. the balance, which I must say never really bothered me. Gilchrist is a superb musician and so beguiling as an interpreter but the voice leaves me cold, I'm afraid. Oh, that Allan Clayton had recorded it!

                            NVV

                            Comment

                            • Pulcinella
                              Host
                              • Feb 2014
                              • 11062

                              #44
                              Originally posted by mikealdren View Post
                              What a lovely programme about such a lovely work. It helps that Elin Manahan Thomas has such a beautiful, lilting speaking voice as well as a performer's deep knowledge of the work. All the options considered and no twofer interruptions.

                              Perfect

                              It was a delightfully honest personal approach that revealed how her own expectations changed as she listened to the various recordings.
                              I am still not persuaded that it suits the soprano voice as well as it does the tenor, though, so am more than happy with the versions I have (though I was a little tempted by the Bostridge/Marriner, at least in the extracts she played with him singing rather than just the first movement).
                              And yes, much to be grateful for that it was not a twofer.

                              Comment

                              • BBMmk2
                                Late Member
                                • Nov 2010
                                • 20908

                                #45
                                I can’t inagin a woman’s voice singing this?
                                Don’t cry for me
                                I go where music was born

                                J S Bach 1685-1750

                                Comment

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