Originally posted by Bryn
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BaL 24.03 18 - Debussy: Preludes Book 1
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I'm a bit obsessed with Debussy so my 19th recording of the Préludes Book One has just been delivered by La Poste (Hans Henkemans). I pretty much agree with the lack of enthusiasm for Zimerman (as I said in an earlier post about his Schubert, "Wow!" at first, then the mannerisms become wearisome on repeated listening). Bavouzet, Bianconi, Cassard, Chaplin, Lubimov, and Planès all do it for me these days. Gun to head, I would save Lubimov. Given the long list of recordings and the sometimes elusive nature of this music, though, I find the idea of another twofer, even if it is Iain Burnside, a bit depressing. Even DON would have made me feel more enthusiastic. Having said that, I can but hope that my Cassandra-like forebodings are proved to be wrong.
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Originally posted by vinteuil View Post... which is one of the reasons it's in my essentials list of de Bussy recordings!
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Originally posted by Bryn View PostBear in mind that Planès used an 1897 Bechstein for the Préludes.
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These are such great pieces that I almost don't care who plays them as long as they can get through the notes, but contrary to the above praise for him I don't much care for the Ciani set which for some reason seems unidiomatic to me. No, I'm not sure what I mean either!
On the other hand Ciani in the Schumann Novelettes is simply wonderful.
I hope that Cedric Thibergien has recorded the preludes and is included in the BAL. He gave Book I in a broadcast recital a few years back and it was thrilling, full of daredevilry and intensely expressive.
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Originally posted by Bryn View Postthe Lubimov double CD set
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Originally posted by HighlandDougie View PostI'm a bit obsessed with Debussy so my 19th recording of the Préludes Book One has just been delivered by La Poste (Hans Henkemans). I pretty much agree with the lack of enthusiasm for Zimerman (as I said in an earlier post about his Schubert, "Wow!" at first, then the mannerisms become wearisome on repeated listening). Bavouzet, Bianconi, Cassard, Chaplin, Lubimov, and Planès all do it for me these days. Gun to head, I would save Lubimov. Given the long list of recordings and the sometimes elusive nature of this music, though, I find the idea of another twofer, even if it is Iain Burnside, a bit depressing. Even DON would have made me feel more enthusiastic. Having said that, I can but hope that my Cassandra-like forebodings are proved to be wrong.
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