Originally posted by waldo
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BaL 17.02.18 - Haydn: String Quartet in G minor (Op 20 No 3)
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Originally posted by Bryn View PostIf WiFi is involved, possibly, but most of the Internet is carried by fibre or copper, not air.
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Originally posted by waldo View PostOf course. Can you be more specific.....? What kind of loss are we talking about? We are all familiar with signal drop-outs or connection failures. Is that what you mean?
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Originally posted by BrynNot an area of expertise for me. I was just making the point that it was not necessarily a question of airwaves. How reliable the various error correction algorithms are, I am not qualified to comment.
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Originally posted by waldo View PostYou mean information is lost on the airwaves?
At any rate, back to Haydn. I am missing my Kodaly recordings of Op.20. Any other recommendations?
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The last time BaL dealt with Haydn quartets, the subject was the entire Op.33 set, and it's a mystery to me why this individual quartet has been singled out when the others in the Op.20 set are just as wonderful.
I'm very satisfied with the Mosaiques version. I have owned various Kodaly Quartet recordings but as soon as I heard the Lindsays and the Mosaiques I knew this was the real thing.
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Each individual Haydn quartet (from at least Op.9 onwards) seems to me substantial enough to deserve independent treatment; I wouldn't agree with a "library building" approach of whole opus numbers.
I started on the Mosaïques and the London Haydn Quartet, but feel like the new Chiaroscuro (in this quartet in particular) has a visionary and expressive quality that can make the other two sound a little safe.
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I agree with Rauschwerk that the whole set should have been considered. I suspect that I am not unique in that I am likely to choose a complete op20 set rather than each quartet individually. My choice is likely to be based on the set as a whole, not on just one of the 6 quartets.
Although I have sets of several Haydn quartets I only have no4 of op20 (in a mixed Haydn recital by the Lindsays) so will listen to this with interest.
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We are snowbound here. I spent a pleasant Saturday afternoon listening to the Haydn Op.76 Quartets on a Blu Ray with the Auryn Quartet. They play modern instruments with a very small but focused tone that is quite lovely and I find appropriate for Haydn.
I then dug out an old hard drive that contains the Kodaly Quartet Op. 20 and gave 1-3 a listen. Either the music of the Op.20 set is second rank compared to The later Quartets or the style of string Playing is so different that the Magic was gone. While the Kodaly plays beautifully, it’s such a heavy, lumpen type sound. Thick goulash vs bouillabaisse
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Originally posted by richardfinegold View PostWe are snowbound here. I spent a pleasant Saturday afternoon listening to the Haydn Op.76 Quartets on a Blu Ray with the Auryn Quartet. They play modern instruments with a very small but focused tone that is quite lovely and I find appropriate for Haydn.
I then dug out an old hard drive that contains the Kodaly Quartet Op. 20 and gave 1-3 a listen. Either the music of the Op.20 set is second rank compared to The later Quartets or the style of string Playing is so different that the Magic was gone. While the Kodaly plays beautifully, it’s such a heavy, lumpen type sound. Thick goulash vs bouillabaisse
The BIS notes here should help you get an overview....
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Originally posted by jayne lee wilson View PostThe OP.20 Quartets are very different in style to the later sets, they do need a light, preferably HIPPs-touch in their performance.... I would strongly recommend the Chiaroscuro Quartet (which I linked to above) as a wonderful way in to unlock their secrets....
The BIS notes here should help you get an overview....
http://www.eclassical.com/shop/17115...58_booklet.pdf
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Originally posted by richardfinegoldI then dug out an old hard drive that contains the Kodaly Quartet Op. 20 and gave 1-3 a listen. Either the music of the Op.20 set is second rank compared to The later Quartets or the style of string Playing is so different that the Magic was gone. While the Kodaly plays beautifully, it’s such a heavy, lumpen type sound. Thick goulash vs bouillabaisse
I know what you mean about the Kodaly. They were highly recommended at the time, but I never understood this. I like the Kodaly in Schubert, but something went wrong with the Haydn. The sound isn't very good for one thing. It was one of those big Naxos projects, so perhaps it suffered from being rushed etc
I am not absolutely convinced by the Chiaroscuro quartet here. Fine recordings, certainly, but as with so many HIP recordings they have gone for quite a reverberant Churchy acoustic. You can heard the notes bouncing off the walls and then back across the room again. I am not sure, either, that a quartet led by a celebrated soloist ever becomes a true quartet...........But they are good. I still prefer the Mosaiques overall for sound and overall interpretation, though the recording could be a bit warmer. I also like the Salomon Quartet (a bit coarse, perhaps), as well as the Festetics (nice dry acoustic, but also coarse....)
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Originally posted by Rolmill View PostI have the Quatuor Mosaiques Op.20 set, which is excellent - is it really nla?
I can see it on Amazon here. Another supplier has it as part of a 10 CD Haydn box; they say it is currently out of stock at the UK suppliers, but available to order - don't know if that meets the availability criterion for BaL!
Alpie doesn't seem to have listed it in the OP, but it is very much available.
I'll listen to this BaL and it will influence my choice. I shall buy a set, I only have the Kodaly set, which I can't seem to find at the moment. If my memory is anything to go by, I need not spend too much time looking for it.
I've a provisional shortlist of Quatuor Mosaiques, The London Haydn Quartet (the set of 1-6 available for just £8.99 as a FLAC download from Hyperion -I'm really pleased with their op.33 set that I bought on 19/04/14) and the Chiaroscuro Quartet (A bit expensive at $35.56 for both volumes)Last edited by Beef Oven!; 12-02-18, 10:51.
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