9.30
Building a Library: Tom McKinney joins Andrew to make a personal choice from among the available recordings of Boulez's seminal work Le marteau sans maître.
Pierre Boulez first performed this piece in 1955. It sets the surrealist poetry of René Char for contralto and six instrumentalists. He had already established a reputation as the composer of modernist and serialist works and this has become one of his most enduring compositions. The orchestration allows for a continuum of sonorities. As Boulez said, "a number of features shared by these instruments forms a continuous passage from voice to vibraphone".
Available recordings:
Jeanne Deroubaix, Solistes du Domaine Musical, Pierre Boulez
Yvonne Minton, Ensemble Musique Vivante, Pierre Boulez
Hilary Summers, Ensemble Intercontemporain, Pierre Boulez
Hilary Summers, West-Eastern Divan Orchestra, Pierre Boulez
Marjorie MacKay, Robert Craft
Katalin Karoli, International Contemporary Ensemble, Pascal Gallois
Linda Hirst, Odaline de la Martinez, Lontano
Building a Library: Tom McKinney joins Andrew to make a personal choice from among the available recordings of Boulez's seminal work Le marteau sans maître.
Pierre Boulez first performed this piece in 1955. It sets the surrealist poetry of René Char for contralto and six instrumentalists. He had already established a reputation as the composer of modernist and serialist works and this has become one of his most enduring compositions. The orchestration allows for a continuum of sonorities. As Boulez said, "a number of features shared by these instruments forms a continuous passage from voice to vibraphone".
Available recordings:
Jeanne Deroubaix, Solistes du Domaine Musical, Pierre Boulez
Yvonne Minton, Ensemble Musique Vivante, Pierre Boulez
Hilary Summers, Ensemble Intercontemporain, Pierre Boulez
Hilary Summers, West-Eastern Divan Orchestra, Pierre Boulez
Marjorie MacKay, Robert Craft
Katalin Karoli, International Contemporary Ensemble, Pascal Gallois
Linda Hirst, Odaline de la Martinez, Lontano
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