Fashion has always been a form of oneupmanship.
BaL 13.01.18 - Handel: Jephtha
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Welsh National Opera performed a fully-staged version in 2003. It was an excellent production, conducted by Paul McCreesh, with Mark Padmore, Christopher Purves and Susan Bickley. With the WNO Chorus too, I reckon it would have given most recordings some competition.
I recall a palpable-audible collective gulp from the audience when Padmore began 'Waft her, angels'.
[Looking through the programme, which had the full libretto, I wonder how difficult it was to sing, 'Laud her all ye Virgin train'?]Last edited by french frank; 13-01-18, 17:52.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostWelsh National Opera performed a fully-staged version in 2003. It was an excellent production, conducted by Paul McCreesh, with Mark Padmore, Christopher Purves and Susan Bickley. With the WNO Chorus too, I reckon it would have given most recordings some competition.
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Originally posted by Maclintick View PostThanks FF. Wish I'd heard this, as it sounds as if an operatic rendition would perhaps encompass the work's darker and more anguished dimensions in the way GFH intended, but was prevented by censorship from accomplishing on the work's première. The BAL choice struck me as very beautiful, in an English middle-class , & dare I say it, Oxbridgey way..bereft of existential angst, & far too comfortable..It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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