BaL 10.06.17 - Samuel Coleridge-Taylor recordings

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 10.06.17 - Samuel Coleridge-Taylor recordings

    0930
    Building a Library: Ivan Hewett and Andrew survey recordings of the composer Samuel Coleridge-Taylor. He was born in 1875 in Holborn, London, and was of mixed European and African descent. He studied composition under Charles Villiers Stanford and was later helped by Edward Elgar. Coleridge-Taylor sought to do for traditional African music what Brahms did for Hungarian music and Dvořák for Bohemian music. He died at 37 of pneumonia, probably made worse by the stress of his financial situation. His most famous work is Hiawatha's Wedding Feast. But there are many other discoveries to be made.



    Recommended recording:

    Scenes from the Song of Hiawatha
    COLERIDGE-TAYLOR: The Song of Hiawatha
    Helen Field (soprano), Arthur Davies (tenor), Bryn Terfel (baritone), Orchestra of the Welsh National Opera, Kenneth Alwyn (conductor)
    ARGO 4303562
    (Download only)



    Other recommended recordings:

    Below is a shortlist of other recordings which Ivan also liked, although we can’t guarantee the availability of these discs.

    Coleridge-Taylor: Piano Quintet & Clarinet Quintet
    COLERIDGE-TAYLOR: Piano Quintet in G minor Op. 1 (1893); Ballade in C minor for violin and piano Op. 73 (1907); Clarinet Quintet in F sharp minor Op. 10 (1895)
    The Nash Ensemble
    HYPERION CDA67590 (CD)



    The Romantic Violin Concerto 5 - Coleridge-Taylor & Somervell
    COLERIDGE-TAYLOR: Violin Concerto in G minor Op. 80
    SOMERVELL: Violin Concerto in G minor
    Anthony Marwood (violin), BBC Scottish Symphony Orchestra, Martyn Brabbins (conductor)
    HYPERION CDA67420 (CD)



    Coleridge-Taylor: Undiscovered Piano Works
    COLERIDGE-TAYLOR: Cameos Op. 56; Valse-Suite Op. 71; Forest Scenes Op. 66; Moorish Dance Op. 55
    Waka Hasegawa (piano)
    NAXOS MR1301 (CD)
    Last edited by Eine Alpensinfonie; 12-06-17, 19:22.
  • Pulcinella
    Host
    • Feb 2014
    • 11062

    #2
    Here's a link to the works available according to Presto:

    A profile of the composer Samuel Coleridge-Taylor (1875-1912), along with a list of their works available to browse and buy.

    Comment

    • Barbirollians
      Full Member
      • Nov 2010
      • 11751

      #3
      The McAslan version of the Violin Concerto is very good - a lot more interesting than the Marwood

      Comment

      • Pabmusic
        Full Member
        • May 2011
        • 5537

        #4
        Colerdge Taylor is not (and never was) hyphenated.

        Comment

        • Barbirollians
          Full Member
          • Nov 2010
          • 11751

          #5
          Originally posted by Pabmusic View Post
          Colerdge Taylor is not (and never was) hyphenated.
          Interesting Pabs as his name is hyphenated on both the Lyrita and Hyperion CDs I have referred to above .

          Comment

          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            #6
            Originally posted by Barbirollians View Post
            Interesting Pabs as his name is hyphenated on both the Lyrita and Hyperion CDs I have referred to above .
            "Accoring to Wiki" (ommmm) The young man later used the name "Samuel Coleridge-Taylor", with a hyphen, said to be following a printer's typographical error - but his father was simply "Taylor" and "Coleridge" was his middle name (just as the poet was the son of Mr Coleridge, and his middle name Taylor).
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

            Comment

            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20572

              #7
              Originally posted by Wikipedia
              Samuel Coleridge-Taylor was born in 1875 in Holborn, London, to Alice Hare Martin (1856–1953),[2] an English woman, and Dr. Daniel Peter Hughes Taylor, a Creole from Sierra Leone, of mixed European and African descent. They were not married, Alice Hare Martin herself being an illegitimate child.[3] Daniel Taylor returned to Africa by February 1875 and did not know that he had a son born in London. Alice Martin named her son Samuel Coleridge Taylor[4] after the poet Samuel Taylor Coleridge[4] and his mother and grandfather called the boy Coleridge Taylor.[5]

              Taylor was brought up in Croydon, Surrey by his mother and her father Benjamin Holmans. Martin's brother was a professional musician. Taylor studied the violin at the Royal College of Music and composition under Charles Villiers Stanford. He also taught, soon being appointed a professor at the Crystal Palace School of Music; and conducted the orchestra at the Croydon Conservatoire.

              The young man later used the name "Samuel Coleridge-Taylor", with a hyphen, said to be following a printer's typographical error.[6] His father Daniel Taylor was later appointed as coroner for the British Empire in the Gambia in the late 1890s.
              So Pabs was right, but so was I (and the Radio 3 website).

              Comment

              • Pabmusic
                Full Member
                • May 2011
                • 5537

                #8
                Originally posted by Eine Alpensinfonie View Post
                So Pabs was right, but so was I (and the Radio 3 website).
                This has not been the most important point I've ever tried to make.

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #9
                  Originally posted by Eine Alpensinfonie View Post
                  So Pabs was right, but so was I (and the Radio 3 website).
                  Wasn't that one of the arias from last week's BaL?
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20572

                    #10
                    Originally posted by ferneyhoughgeliebte View Post
                    Wasn't that one of the arias from last week's BaL?

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #11
                      I rather like The Nash Ensembles recording(Hyperion again!), of his chamber music
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • EdgeleyRob
                        Guest
                        • Nov 2010
                        • 12180

                        #12
                        Originally posted by Brassbandmaestro View Post
                        I rather like The Nash Ensembles recording(Hyperion again!), of his chamber music
                        Me too,lovely cover

                        Comment

                        • pastoralguy
                          Full Member
                          • Nov 2010
                          • 7799

                          #13
                          Even if I don't agree with either the result or style of presentation of BaL, it often acts as a springboard to investigating a particular composer's work.

                          Comment

                          • pastoralguy
                            Full Member
                            • Nov 2010
                            • 7799

                            #14
                            Originally posted by EdgeleyRob View Post
                            Me too,lovely cover

                            Isn't it!

                            Comment

                            • secondfiddle
                              Full Member
                              • Nov 2011
                              • 76

                              #15
                              In the book of reminiscences by Coleridge-Taylor's wife 'Genius and Musician', not only is his name printed throughout with a hyphen but his wife initials her name with a hyphen. I haven't read through it, though, to see if she makes any comment on the hyphen.

                              Comment

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