Originally posted by Beef Oven!
View Post
BaL 3.06.17 - Britten: Sinfonia da Requiem
Collapse
X
-
I have fond memories of a 2010 Philharmonie Munich performance of the Britten Sinfonia da Requiem that I reported from given by the Münchner Philharmoniker under Andrew Manze conducting a fascinating programme of Britten and Purcell. I remember the concert well as it was on the same evening of the UEFA Champion's League Final in which Bayern Munich was playing and lost.
I also admire the 1976 Lukaskirche, Dresden recording by the Staatskapelle Dresden under Rudolf Kempe reissued on Berlin Classics (originally released GDR's Eterna) c/w The Firebird (1919 Suite).
Comment
-
-
Re HS's post, I 'd have to say that it is hard to think of any composer, certainly from anything like the popular mainstream ( which would include somebody like Tippett,) where I can't find something that I like, even if most of their work may not do it for me.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
Comment
-
-
New Philharmonia/Britten for me.
This was the piece that first opened my ears to the fact that English composers wrote great music too,not just the Austro-German guys.
I've never looked back,mid 70s I heard it on LP borrowed from the school record library,can't remember the performers,might have been Previn.
Comment
-
-
Originally posted by vibratoforever View PostI was certainly interested to learn of some conductors who had taken up the work. Your post has no valuable point.
Comment
-
-
That is an excellent performance, BeefO - many thanks - Ades is such a good conductor.
My feelings towards Britten's Music fluctuate - and there are many of his works, from the 1950s in particular that I find (literally) repulsive - but this work has always remained a favourite - the sheer surge of the Music! It was a great piece for students starting "A"-level courses, too, succinctly showing how the "same" Music could demonstrate opposing "concepts": the way the aggressive syncopated brass motif (starting at 13min 10) becomes the lamenting flute duet starting the final section (15min 45"); and how the shrapnel that tears the Music apart (starting at 14mins 30") becomes the rocking, gentle accompaniment to this lament - these sort of features led to such fantastic discussions amongst the young adults, and real involvement in the potential of Musical expression. Many, many glowing memories (to offset the hours of pointing out consecutive fifths in the months that followed).[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
Comment