BaL 27.05.17 - Sullivan: The Mikado

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20572

    BaL 27.05.17 - Sullivan: The Mikado

    Building a Library: Sarah Lenton recommends the best recording of The Mikado by Sir Arthur Sullivan. This evergreen Savoy Opera concerns the comic goings-on of a motley crew of characters. Ostensibly set in Japan, this Gilbert and Sullivan favourite is in fact a biting satire on British manners and customs.


    Available Versions:-

    2011
    Richard Alexander (The Mikado), Kanen Breen (Nanki-Poo), Taryn Fiebig (Yum-Yum), Mitchell Butel (Ko-Ko), Warwick Fyfe (Pooh-Bah) & Jacqueline Dark (Katisha)
    Opera Australia Chorus & Orchestra Victoria, Brian Castles-Onion (CD/DVD/Blu-ray)

    Sadler's Wells Orchestra & Chorus, Alexander Faris (download)

    1950
    Margaret Mitchell (Yum-Yum), Martyn Green (Ko-Ko), Ella Hallman (Katisha), Darrell Fancourt (The Mikado), Leonard Osborn (Nanki-Poo), Richard Watson (Pooh-Bah), Alan Styler (Pish-Tush), Joan Gillingham (Pitti-Sing), Joyce Wright (Peep-Bo)
    New Promenade Orchestra, D'Oyly Carte Opera Chorus, Isidore Godfrey

    1957
    Donald Adams (The Mikado), Thomas Round (Nanki-Poo), Peter Pratt (Ko-Ko), Kenneth Sandford (Pooh-Bah), Alan Styler (Pish-Tush), Jean Hindmarsh (Yum-Yum), Beryl Dixon (Pitti-Sing), Jennifer Toye (Peep-Bo) & Ann Drummond-Grant (Katisha)
    New Symphony Orchestra of London, Isidore Godfrey

    Anne-Maree Mcdonald, Graeme Ewer, Heather Begg, Peter Cousens & Gregory Yurisich
    The Australian Opera Chorus & The Elizabethan Sydney Orchestra, Andrew Greene (DVD)

    Donald Adams (The Mikado), Anthony Rolfe Johnson (Nanki-Poo), Richard Suart (Ko-Ko), Felicity Palmer (Katisha), Marie McLaughlin (Yum-Yum), Janice Watson (Peep-Bo), Anne Howells (Pitti-Sing), Richard Van Allan (Pooh-Bah), Nicholas Folwell (Pish-Tush)
    Welsh National Opera Chorus & Orchestra, Sir Charles Mackerras


    1973
    John Reed (Ko-Ko), Colin Wright (Nanki-Poo), Valerie Masterson (Yum-Yum), Peggy Ann Jones (Pitti-Sing), Pauline Wales (Peep-Bo), Lyndsie Holland (Katisha), Kenneth Sandford (Pooh-Bah), Michael Rayner (Pish-Tush), John Ayldon (The Mikado), John Broad (Go-To)
    D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash

    Richard Angas (The Mikado), Bonaventura Bottone (Nanki-Poo), Eric Idle (Ko-Ko), Richard Van Allan (Pooh-Bah), Mark Richardson (Pish-Tush), Lesley Garrett (Yum-Yum), Jean Rigby (Pitti-Sing), Susan Bullock (Peep-Bo), Felicity Palmer (Katisha), English National Opera Chorus and Orchestra, Peter Robinson

    The Mikado - Owen Brannigan, Nanki-Poo - Richard Lewis, Ko-Ko - Sir Geraint Evans, Pooh-Bah - Ian Wallace, Pish-Tush - John Cameron, Yum-Yum - Elsie Morison, Pitti-Sing - Marjorie Thomas, Peep-Bo - Jeannette Sinclair, Katisha - Monica Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent

    2008
    David Kelleher-Flight (The Mikado), Kyle Knapp (Nanki-Poo), Frederick Reeder (Ko-Ko), Dennis Jesse (Pooh-Bah), Boyd Mackus (Pish-Tush), Karla Hughes (Yum-Yum), Jessie Wright Martin (Pitti-Sing), Erica Post (Peep-Bo), Julie Wright (Katisha)
    Ohio Light Opera, J. Lynn Thompson

    1960
    Robert Rounseville (Nanki Poo), Dennis King (The Mikado), Helen Traubel (Katisha), Barbara Meister (Yum Yum), Stanley Holloway (Pooh-Bah), Groucho Marx (Ko-Ko), Melinda Marx (Pepp-Bo), Sharon Randall (Pitti-Sing)
    Bell Telephone Hour Orchestra, Norman Luboff Chorus, Donald Voorhees

    Groucho Marx (Ko-Ko), Helen Traubel (Katisha), Stanley Holloway (Pooh-Bah), Dennis King (Mikado), Robert Rounseville (Nanki-Poo), Barbara Meister (Yum-Yum)Sharon Randall (Pitti-Sing), Melinda Marx (Peep-Bo) & Martyn Green (DVD)
    Last edited by Eine Alpensinfonie; 27-05-17, 13:06.
  • pastoralguy
    Full Member
    • Nov 2010
    • 7799

    #2
    This is one for Mrs. PG! She's a big fan of G&S and will be listening.

    Thanks for the list, Alpie.

    Comment

    • MickyD
      Full Member
      • Nov 2010
      • 4814

      #3
      I've got the 1973 Decca set with the wonderful John Reed, but I seem to recall that the later Mackerras version had excellent reviews.

      Comment

      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #4
        Originally posted by MickyD View Post
        I've got the 1973 Decca set with the wonderful John Reed
        I had that on gatefold LP - a rather strange timbre from the Tenor, IIRC. IIARC, Groucho Marx not only sings Ko-Ko on one of the recordings, but contributes to the Three Little Maids from School trio.

        My second public appearance as a performer was on Timps in this work - which led to five years' paid employment with the local G&S Society (which in turn gained the grudging consent of my father to study Music for "O" and "A"-level: he'd never thought anyone could make money doing a "hobby" unless they were "really good". Didn't believe in encouraging kids to "get ideas", my old man). And the 18-year-old Yum-Yum did things to my 13-year-old-hormones that they've never recovered from

        Fond memories of this work - and I shall listen to the broadcast - but I don't think that I shall be parting with any money: I know the work so well, I could probably write it out! (But please don't challenge me to do that. )
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

        Comment

        • mikealdren
          Full Member
          • Nov 2010
          • 1203

          #5
          IIRC the last time G&S came up, the Mackerras version was rejected for lack of dialogue, always an issue, we should really have recommendations with and without.

          Comment

          • visualnickmos
            Full Member
            • Nov 2010
            • 3614

            #6
            Not really my bag at all, but I do have the EMI vinyl set (Sargent) which I did listen to once, after it was given to me way back in the 1980s. Strangely, I find myself quite looking forward to this BaL.....

            Comment

            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #7
              Originally posted by mikealdren View Post
              IIRC the last time G&S came up, the Mackerras version was rejected for lack of dialogue, always an issue, we should really have recommendations with and without.
              I don't think any of the CD-only versions include the dialogue, mike - certainly the D'Oyly Carte (any of 'em), the Sargent, Farris (which uses a different Overture from the more familiar one), and Mackerras don't. (I don't know about the Ohio recording).

              Somewhere in the dungeons of the BBC archives, there are Radio2 broadcasts from the 1980s of performances of (?most?/all?) the Savoy Operas, with dialogue, conducted by Mackerras.
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

              Comment

              • Eine Alpensinfonie
                Host
                • Nov 2010
                • 20572

                #8
                I've never really understood why the Decca D'Oyly Carte Mikados omitted the dialogue. They include it in most of their other recordings.

                However, the Ohio one DOES have the dialogue.

                Comment

                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  #9
                  I like to hear G & S, every now and again. Great fun! This should make rather an interesting BaL!
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

                  Comment

                  • Beef Oven!
                    Ex-member
                    • Sep 2013
                    • 18147

                    #10
                    Originally posted by Brassbandmaestro View Post
                    I like to hear G & S, every now and again. Great fun! This should make rather an interesting BaL!
                    Agreed!

                    I’m quite keen on G&S. I’ve attended most (possibly all) of their operettas and seen 'The Mikado or The Town Of Titipoo' quite a few times.

                    Comment

                    • MickyD
                      Full Member
                      • Nov 2010
                      • 4814

                      #11
                      I've been fond of the score, ever since being in the male chorus of a school production way back in 1976. From my experience, it seems to me that amateur performers always have much more fun than those sitting in the audience!

                      Comment

                      • ferneyhoughgeliebte
                        Gone fishin'
                        • Sep 2011
                        • 30163

                        #12
                        Originally posted by MickyD View Post
                        From my experience, it seems to me that amateur performers always have much more fun than those sitting in the audience!
                        (And professionals often do G&S so badly - deliberately "playing for laughs", which kills the fun of any kind of comedy.)
                        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                        Comment

                        • Hornspieler
                          Late Member
                          • Sep 2012
                          • 1847

                          #13
                          I played a whole season with the Doyle Carte Opera company in 1956 at the Stoll Theatre under Isadore Godfrey* and also a brief couple of weeks on tour in that same year, so I got to know the artistes very well.
                          For quality of vocal performance, I would go for the following:

                          The Mikado - Owen Brannigan, Nanki-Poo - Richard Lewis, Ko-Ko - Sir Geraint Evans, Pooh-Bah - Ian Wallace, Pish-Tush - John Cameron, Yum-Yum - Elsie Morison, Pitti-Sing - Marjorie Thomas, Peep-Bo - Jeannette Sinclair, Katisha - Monica Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent
                          For acting, I would have to go for those I knew and accompanied - especially Peter Pratt as Nanki Pooh.

                          Opera is both aural and visible.

                          With any opera recording, I can only enjoy it if I have actually attended a live performance on stage; so that I can visualize the set, the costumes and the acting as I listen to the music and the vocal performances.

                          I'm sure that many of us feel the same, where recorded opera, musicals or even ballet music, would agree.

                          HS.

                          * It was a tragedy that Godfrey's Assistant Conductor, William Coxe-Ife perished (along with that superb Pianist Clifford Benson) in the air disaster over Strumble Head, after appearing together as Conductor and Soloist in Ireland.
                          Last edited by Hornspieler; 21-05-17, 09:19. Reason: Typos

                          Comment

                          • BBMmk2
                            Late Member
                            • Nov 2010
                            • 20908

                            #14
                            Certainly Sir MS, knew his G & S!
                            Don’t cry for me
                            I go where music was born

                            J S Bach 1685-1750

                            Comment

                            • ferneyhoughgeliebte
                              Gone fishin'
                              • Sep 2011
                              • 30163

                              #15
                              Originally posted by Brassbandmaestro View Post
                              Certainly Sir MS, knew his G & S!
                              There are other knighted conductors of whom it can be said "knew his G & T"
                              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                              Comment

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