I have the orchestra Mozart/Abbado with Carbonare. Yes I know Mozart!! :)
BaL 25.03.17 - Mozart: Clarinet Concerto in A (K.622)
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Originally posted by Tony View Post...
Returning to the huge list of recorded versions, I must say, they need to be re-categorised ( with all due respect to EA's herculean efforts!) into:
1) 'Modern' performances using a modern 'A' clarinet whose lowest note is a ( concert pitch) C# a 7th below 'middle C';
2) 'Modern' performances using a modern 'A' 'basset clarinet whose lowest note is A an octave and a minor 3rd below middle C;
3) 'HIPP' performances using a lower pitched (A =430) authentic 'A' basset clarinet (probably made of boxwood) whose lowest note is an A an octave and a minor 3rd below 'middle C'.
Within those 3 categories there must surely be further sub-categories of
A) 'Wobblers'and
B) 'Straight toned' players.
Oh dear, what a can of worms...!
Shame that Mark van de Wiel hasn't recorded it. He's a fine cat 2B player, for many years (and still) principal with the Philharmonia, the London Sinfonietta and Endymion.
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Originally posted by Barbirollians View PostThea King on the basset clarinet for me - though I have a longstanding love of the Brymer/Beecham no matter how " wrong it is . Joy Farrall's recording is very good too
Surely there must be a recording of his performance for inclusion in Alpie's list?
"Jack" and Thea used to give recitals together; each playing the piano for the other's performance.
As Professor of Clarinet at the RCM, he trained, coached and encouraged many of those clarinetists on Alpie's list.
I used to have his Mozart Concerto on a 78rpm disk. Does anyone remember it?
I'm sure that one of his star pupils, Colin Bradbury, would know.
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Originally posted by verismissimo View PostMy guess is that all in Tony's category 1 and category A will be tipped overboard at the outset. That'll make the list much more manageable!
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Thea King (basset-clarinet version) and Charles Neidich the soloists for me, though there are masses of recordings in EA's list I don't know and I look forward to this BaL. Nowadays I wouldn't listen to recordings of this work but only live performances and, like rfg, much prefer the basset-clarinet (either modern or period) as the solo instrument.
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Originally posted by mikealdren View PostNot sure about wobblers but I'm sure Cat 1 will get a fair hearing. Ms Devonald is a Oboist and on previous occasions she has been a very balanced reviewer.
Gotta go!
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Originally posted by verismissimo View PostMy guess is that all in Tony's category 1 and category A will be tipped overboard at the outset. That'll make the list much more manageable!
Shame that Mark van de Wiel hasn't recorded it. He's a fine cat 2B player, for many years (and still) principal with the Philharmonia, the London Sinfonietta and Endymion.
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Originally posted by Bryn View PostAlso a shame that the first player I ever heard play it using an admittedly modern 'A' basset clarinet, Alan Hacker, did not record it, though thankfully he did record the quintet, and for that he used a category 3 instrument.
The family he was staying with overnight brought their little girl to the concert, and he added a Scottish folktune to the programme specially for her!
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Originally posted by verismissimo View PostCat 1 clarinettists simply can't play the music that Mozart wrote - and they are the majority in Alpie's list.
Gotta go!
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Originally posted by Eine Alpensinfonie View PostWe don't know what Mozart wrote. All we have is a copy in another hand, and a scrap of a version for basset clarinet in G. They may both be authentic - as are 2 versions of Symphony no. 40.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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