BaL 18.02.17 - Rodrigo: Concierto de Aranjuez

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20538

    BaL 18.02.17 - Rodrigo: Concierto de Aranjuez

    0930
    Building a Library: Tom McKinney recommends a recording of Joaquin Rodrigo's Concierto de Aranjuez, one of the most popular works ever written

    Available versions:-

    Siegfried Behrend, Berlin Philharmonic Orchestra, Reinhard Peters
    Ernesto Bitetti, Philharmonia Orchestra, Antoni Ros-Marba (download)
    Carlos Bonell, English Chamber Orchestra, Steuart Bedford
    Carlos Bonell, Orchestre Symphonique de Montréal, Charles Dutoit
    Carlos Bonell, Royal Philharmonic Orchestra, Jacek Kaspszyk (download)
    Julian Bream, The Julian Bream Consort, Sir Colin Davis (download)
    Julian Bream, The Monteverdi Orchestra, John Eliot Gardiner
    Julian Bream, Chamber Orchestra of Europe, John Eliot Gardiner
    Julian Bream, Chamber Orchestra of Europe, Sir Charles Groves (DVD)
    Julian Bream, City of Birmingham Symphony Orchestra, Sir Simon Rattle
    Cañizares, Berliner Philharmoniker, Sir Simon Rattle (DVD/Blu-ray)
    Edoardo Catemario, Orchestra della Toscana, ORT - Orcestra della Toscana, Enrique Bátiz
    Christoph Denoth, London Symphony Orchestra, Jesús López Cobos
    Eduardo Fernandez, English Chamber Orchestra (download)
    Ricardo Gallen, Asturias Symphony Orchestra, Maximiano Valdes
    Gerald Garcia, Slovak State Philharmonic Orchestra, Kosice, Peter Breiner (download)
    Slava Grigoryan, Queensland Symphony Orchestra, Brett Kelly
    Waldemar Gromolak, Artur Rubinstein Philharmonic Orchestra, Wojciech Czepiel (download)
    Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster (download)
    Sharon Isbin, New York Philharmonic, José Serebrier (download)
    Rafael Jiménez, Bournemouth Sinfonietta, Terence Frazor
    Milo Karadaglic, London Philharmonic Orchestra, Yannick Nézet-Séguin
    Dale Kavanagh, Internationale Philharmonie, Horst-Hans Bäcker
    Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward
    Alexandre Lagoya, Orchestre National de l’Opéra de Monte-Carlo, Antonio de Almeida
    Anneleen Lenaerts, Brussels Philharmonic, Michael Tabachnik
    Alfonso Moreno, The State of Mexico Symphony Orchestra, Enrique Bátiz (download)
    Kaori Muraji, Sinfonica de Galicia Victor, Pablo Perez (download)
    Craig Ogden, BBC Philharmonic, Sachio Fujioka
    Charles Ramirez, Chamber Orchestra of Europe, Douglas Boyd
    Gyan Riley, Chamber Orchestra of Philadelphia, Andrew Grams (download)
    Angel Romero, London Symphony Orchestra, André Previn
    Angel Romero, San Antonio Symphony Orchestra, Victor Alessandro
    Pepe Romero, Academy of St Martin in the Fields, Neville Marriner
    Pepe Romero, Academy of St Martin in the Fields, Neville Marriner (DVD)
    Pepe Romero, Danish National Symphony Orchestra, Rafael Frühbeck de Burgos (DVD/Blu-ray)
    Rolando Saad, Royal Philharmonic Orchestra, Fuat Mansurov
    Regino Sainz de la Maza
    Karin Schaupp, Tasmanian Symphony Orchestra, Benjamin Northey
    Emanuele Segre, Grande Orchestra Sinfonica di Milano, Gianandrea Noseda (download)
    Marco Socías, Orquesta Ciudad de Granada, Josep Pons
    Göran Söllscher, Orpheus Chamber Orchestra
    Miguel Trápaga, Real Filharmonía de Galicia, Óliver Díaz
    John Williams, Philharmonia Orchestra, Louis Frémaux
    John Williams, English Chamber Orchestra, Sir Charles Groves
    John Williams, Members of the Philadelphia Orchestra, Eugene Ormandy (download)
    John Williams, English Chamber Orchestra, Daniel Barenboim (download)
    Xuefei Yang, Orquestra Simfonica de Barcelona, Eiji Oue
    Narciso Yepes, Philharmonia Orchestra, García Navarro
    Narciso Yepes, Orquesta Sinfonica R.T.V. Espanola, Odon Alonso


    Harp version:-

    Xavier de Maistre (harp), Vienna Radio Symphony Orchestra, Bertrand de Billy
    Isabelle Moretti, Real Orquestra Sinfonica de Sevilla, Edmon Colore
    Marisa Robles, Philharmonia Orchestra, Charles Dutoit (download)
    Gwyneth Wentink, Asturias Symphony Orchestra (OSPA), Maximiano Valdés
    Naoko Yoshino, Orchestre d’Auvergne, Roberto Forés Veses


    Arrangements:-

    Miles Davis & his band, Gil Evans
    Jens Lindemann (trumpet), The Canadian Staff Band
    Last edited by Eine Alpensinfonie; 18-02-17, 12:15.
  • Richard Tarleton

    #2
    Quite a list! There's yet another Bream performance on DVD from his BBC2 TV series back in the '80s ("Guitarra", a KULTUR DVD no D0067, ISBN 0-7697-0067-5), with the Chamber Orchestra of Europe conducted by Sir Charles Groves (spelt Grove on the DVD cover ). The Bream/Davis/Melos (inc the late Gervase de Peyer, I have no doubt) dates from 1964 and was the version that introduced me to the work. The first performance was given by Regino Sainz de la Maza in Barcelona on 9 November 1940 - his recording was played a year or so ago on R3, still sounding pretty good. I used to have a recording by the late Alirio Diaz which it would appear has dropped off the list, and I'm not sure if the great Ida Presti, who played it a lot in the 1940s (before becoming a duo with Alexandre Lagoya) ever recorded it, perhaps not.

    I've only heard it performed live once - by John Williams with the LSO /Previn. I have two of his recordings, and four of Bream's, which is more than enough!

    Segovia never recorded or performed it, he was living in South America at the time. Doubtless Tom McKinney will mention this. Tom McKinney has still not explained inventing a Bream quotation on his RR review of the Williams box set, so I'm not sure if I'm speaking to him at the moment.

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20538

      #3
      The harp version is very good, and the instrument is well suited to the concert platform, requiring no sound balance tinkering.

      Comment

      • Nick Armstrong
        Host
        • Nov 2010
        • 26342

        #4
        The Karadaglic/LPO/Nezet-Séguin version recently 'won' the blind-listening French Tribune des Critiques survey of the work, sounding better than a number of the sacred beasts in the list and making one listen anew (the performance of the slow movement is spell-binding and sounds somehow fresh). I acquired it immediately. Don't think I shall be getting any others....
        "...the isle is full of noises,
        Sounds and sweet airs, that give delight and hurt not.
        Sometimes a thousand twangling instruments
        Will hum about mine ears, and sometime voices..."

        Comment

        • richardfinegold
          Full Member
          • Sep 2012
          • 7326

          #5
          I always find the dates of the composition interesting; basically written on the eve of the Spanish Civil War. The themes from the piece have been overused to point of kitsch than for most people in States--who are much less likely to travel to Spain than people from the U.K.--they represent 'real Spain'. I've read that Franco took a real shine to Rodrigo, and trotted him out for propaganda purposes.
          I like the piece, and my wife positively swoons during the slow movement. I've never felt the need to augment my collection past John Williams

          Comment

          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20538

            #6
            The Bonell/Dutoit was one of my first ever CDs, back in 1983. It still impresses.

            Comment

            • Richard Tarleton

              #7
              Who are you calling a sacred beast, Cali?

              These days I'm more likely to listen to the Bream/Rattle version, one of his 4 valedictory recordings with EMI. Bream played it on the BBC in 1951 when still in his teens - he speaks amusingly about the episode in the DVD "My Life in Music" - he bought all the orchestral parts, and was paid about £5 by the BBC.

              I very rarely listen to it these days - heard it too many times.

              Milos was off games last year - not sure if he's back?

              Comment

              • Richard Tarleton

                #8
                Originally posted by richardfinegold View Post
                I always find the dates of the composition interesting; basically written on the eve of the Spanish Civil War. The themes from the piece have been overused to point of kitsch than for most people in States--who are much less likely to travel to Spain than people from the U.K.--they represent 'real Spain'. I've read that Franco took a real shine to Rodrigo, and trotted him out for propaganda purposes.
                I like the piece, and my wife positively swoons during the slow movement. I've never felt the need to augment my collection past John Williams
                Richard, it was written in 1939, at the end of the civil war (and first perf in 1940). I get the impression that Rodrigo was apolitical, naive at best - he'd lived in Germany in the 1930s. An interesting piece here. Being blind, life was hard enough for him. I haven't read Graham Wade's biography.

                Agreed absolutely about kitsch, I can't bear hearing the adagio out of context.

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26342

                  #9
                  Originally posted by Richard Tarleton View Post
                  I very rarely listen to it these days - heard it too many times.

                  Milos was off games last year - not sure if he's back?

                  Yes that was my feeling till I heard the Nezet-Séguin.

                  Didn't know about Milos's hand I can find out if he's back, he's a mate of Laurie Watt of this parish.
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • Pulcinella
                    Host
                    • Feb 2014
                    • 10225

                    #10
                    Originally posted by Richard Tarleton View Post
                    Agreed absolutely about kitsch, I can't bear hearing the adagio out of context.
                    It was the 'wake-up' music for us on an escorted coach trip around Seville, Granada, Cordoba, etc, a few years ago, as we got near to our destination (or a pit stop along the way). The driver claimed it was his favourite piece of music!

                    Comment

                    • ferneyhoughgeliebte
                      Gone fishin'
                      • Sep 2011
                      • 30163

                      #11
                      Originally posted by Richard Tarleton View Post
                      I very rarely listen to it these days - heard it too many times.
                      Yes - I give it a spin about once a decade or so. Perfectly happy with the Kraft/NCO/Ward NAXOS disc with the Villa-Lobos and Castelnuovo-Tedesco couplings - might give this BaL a miss.
                      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                      Comment

                      • vinteuil
                        Full Member
                        • Nov 2010
                        • 12468

                        #12
                        Originally posted by ferneyhoughgeliebte View Post
                        Yes - I give it a spin about once a decade or so ... might give this BaL a miss.
                        ... a free morning at last! Hurrah!!

                        Comment

                        • Bryn
                          Banned
                          • Mar 2007
                          • 24688

                          #13
                          I have some of the usual suspects but since getting the Behrend/BP/Peters some decades ago have felt no need to supplement further.

                          Comment

                          • BBMmk2
                            Late Member
                            • Nov 2010
                            • 20908

                            #14
                            I'll be giving this one a miss!
                            Don’t cry for me
                            I go where music was born

                            J S Bach 1685-1750

                            Comment

                            • visualnickmos
                              Full Member
                              • Nov 2010
                              • 3607

                              #15
                              Blimey!
                              Well - I don't often spin this one, but it is a fine composition. I've heard a few versions, and they range from wonderfull, to b****y awful!
                              Yepes on Decca with Argenta conducting the "Spanish National Orchestra" can't recall the exact name without delving, is my choice - so far!

                              So come on - give the guy a chance! ( that said, I really do have to be in the mood)

                              Comment

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