BaL 21.01.17 - Beethoven: String Quartet no. 12 in E flat, Op. 127

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20578

    BaL 21.01.17 - Beethoven: String Quartet no. 12 in E flat, Op. 127

    0930
    Building a Library on the first of Beethoven’s late, great string quartets, Op.127 in E flat major. Stephen Johnson compares recordings of the first of the five extraordinary string quartets which were to be Beethoven’s last works, and which stand alone in terms of sheer scale, length, and complexity. Stephen has been listening to recordings spanning eight decades to find the best recording for your library.


    Available recordings:

    Alban Berg Quartett
    Alexander String Quartet (download)
    Amadeus Quartet
    Amadeus Quartet
    Artemis Quartet
    ASFS - arr. string orchestra (download)
    Auryn Quartet
    Bartok Quartet (download)
    Belcea Quartet
    Belcea Quartet (DVD)
    Borodin Quartet
    Brentano String Quartet
    Budapest String Quartet
    Busch Quartet
    Camerata Nordica, Terje Tønnesen (arr. string orchestra)
    Cleveland Quartet
    Colorado Quartet
    Cypress String Quartet
    Emerson String Quartet
    Endellion String Quartet
    Gewandhaus-Quartett
    Guarneri Quartet
    Hagen Quartett
    Hollywood String Quartet
    Hungarian Quartet (download)
    Juilliard String Quartet (download)
    Klingler Quartet
    Kodaly Quartet
    Lasalle Quartet (download)
    Leipziger Streichquartett
    Lindsay Quartet (download)
    Lydian String Quartet
    Medici String Quartet
    Orford String Quartet
    Petersen Quartet (download)
    Prazák Quartet
    Quatuor Alcan
    Quartetto di Cremona
    Quatuor Hermès
    Quartetto Italiano
    Smetana Quartet
    Suske Quartett
    Takács Quartet
    Talich Quartet
    Tokyo String Quartet
    Vanbrugh Quartet (download)
    Végh Quartet (download)
    Vermeer Quartet (download)
    Vienna Konzerthaus Quartet
    Weller Quartet (download)
    Wihan Quartet
    Last edited by Eine Alpensinfonie; 22-01-17, 11:55.
  • richardfinegold
    Full Member
    • Sep 2012
    • 7823

    #2
    I see that the recording that I learned the work from, the Hungarian Quartet, is download only. Their Beethoven Quartet cycle was widely available in the States when I was a lad on an EMI budget label; I remember borrowing mine from my school library. I purchased them on CD from a French web site several years ago and perhaps it's the first love phenomenon but despite adding many cycles in the interim I still prefer them by a slight margin over the Italians

    Comment

    • Beef Oven!
      Ex-member
      • Sep 2013
      • 18147

      #3
      Originally posted by richardfinegold View Post
      I see that the recording that I learned the work from, the Hungarian Quartet, is download only. Their Beethoven Quartet cycle was widely available in the States when I was a lad on an EMI budget label; I remember borrowing mine from my school library. I purchased them on CD from a French web site several years ago and perhaps it's the first love phenomenon but despite adding many cycles in the interim I still prefer them by a slight margin over the Italians
      Yes, I think sentiment has much to do with it - I opened the door on this music with the Emersons. They and the Italians for me.

      Comment

      • DracoM
        Host
        • Mar 2007
        • 13005

        #4
        Italians yes, but for me the Berg takes some beating.

        Comment

        • vinteuil
          Full Member
          • Nov 2010
          • 13065

          #5
          .

          The Hungarians are available on CDs on amazon.fr -



          There are two Tokyo cycles -


          .


          Sadly one of my favourites - the Vlach on the praga label - seems to be unavailable

          Comment

          • Bryn
            Banned
            • Mar 2007
            • 24688

            #6
            Don't forget the ABQ DVDs.

            Comment

            • Bryn
              Banned
              • Mar 2007
              • 24688

              #7
              Originally posted by vinteuil View Post
              .

              The Hungarians are available on CDs on amazon.fr -



              There are two Tokyo cycles -


              .


              Sadly one of my favourites - the Vlach on the praga label - seems to be unavailable
              The 1960s Hungarian survey were in the 50 CD Beethoven Collectors' Edition issued by EMI. I paid around £45 for the boxed set when it came out, then later got a second set for a fiver when it fell out of the catalogue. That second box is still in its film wrap. Perhaps I should put it up for sale on amazon.co.uk:

              Comment

              • silvestrione
                Full Member
                • Jan 2011
                • 1738

                #8
                Oh dear, is there really so little interest in a string quartet, even a late Beethoven masterpiece?

                I have the Busch and the Takacs, and it will take something special to convince me I need another.

                Comment

                • Beef Oven!
                  Ex-member
                  • Sep 2013
                  • 18147

                  #9
                  Originally posted by silvestrione View Post
                  Oh dear, is there really so little interest in a string quartet, even a late Beethoven masterpiece?
                  Beethoven’s great, but he’s no Bruckner.

                  Comment

                  • Richard Barrett
                    Guest
                    • Jan 2016
                    • 6259

                    #10
                    Hagen Quartett for me in the late Beethoven quartets (and Bartók and Janáček and everything else they play). Their disc of op.127 and 132 is brilliant in every way.

                    Comment

                    • ahinton
                      Full Member
                      • Nov 2010
                      • 16123

                      #11
                      Originally posted by Beef Oven! View Post
                      Beethoven’s great, but he’s no Bruckner.
                      Beef Oven!'s great and he's an expert on Bruckner!

                      Beethoven's also great, as you rightly note, although Mr Johnson will have only different versions of recordings of Op. 127 to survey rather than of the score itself; not only that, even those will not include a reloading by Peter Maxwell Marthé!

                      Comment

                      • Richard Tarleton

                        #12
                        Originally posted by silvestrione View Post
                        Oh dear, is there really so little interest in a string quartet, even a late Beethoven masterpiece?
                        String quartets comprise a good part of my home listening these days, and the late Beethoven quartets more than any others, just didn't have anything to add to the above! The Italians my only full set on CD, tho' I catch as many live and R3 perfs of Beethoven quartets as come my way, tho' all too often it's a Rasumovsky. I greatly enjoyed Edward Dusinberre's book on the Tacacs - a chapter on recording Op. 127, which made me want to investigate them further. I've been enjoying the Belceas from Vienna, repeated regularly on Sky Arts.

                        (I listen to less and less orchestral music at home these days, except Bruckner of course )

                        Comment

                        • ostuni
                          Full Member
                          • Nov 2010
                          • 552

                          #13
                          I first got to know the Late Quartets through the Vegh recordings (the stereo set): wonderful, eloquent, slightly fragile performances that observe a distinction which, for me, is a real deal-breaker in any late Beethoven (piano or string quartet): between pand pp.

                          Some years later, I grew to enjoy the powerful performances of US groups like the Yale and Fine Arts quartets. And when the Takacs recordings came out, I greatly admired their accuracy, flexibility, and sweep - but nowadays find them sometimes a bit hard-edged, and the leader's vibrato gets to me more than it used to.

                          The cycle which ticks all the boxes for me, as far as my present tastes go, is the Belcea. Again, real observance of all the dynamic markings and, crucially, an ability (and a desire) to use vibrato as means of expression rather than as a 'natural' element of string sound.

                          Comment

                          • aeolium
                            Full Member
                            • Nov 2010
                            • 3992

                            #14
                            I still have a soft spot for the Quartetto Italiano through whose recording I first got to know this work. I'd also put in a word for the Henschel Quartet which I think ought to be on EA's otherwise excellent list.

                            Comment

                            • ahinton
                              Full Member
                              • Nov 2010
                              • 16123

                              #15
                              Originally posted by aeolium View Post
                              I still have a soft spot for the Quartetto Italiano through whose recording I first got to know this work.
                              Same here, although I think that I had first heard it with the Guarneri Quartet. I'd love to hear what the Pacifica and Diotima wold make of it...

                              Comment

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