Is this part of the 'new truth'?!
BaL 21.01.17 - Beethoven: String Quartet no. 12 in E flat, Op. 127
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Originally posted by Eine Alpensinfonie View PostJames Jolly compounded the scandal with a terminological inexactitude (aka a lie), saying the Belcea Quartet was "the Library Choice".
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Richard Tarleton
Originally posted by aeolium View PostBut should you have "compounded the scandal" by highlighting both Busch and Belcea as winners in your opening post? Let the Busch stand alone, I say!
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Originally posted by EdgeleyRob View PostIs anyone else reminded of the opening of the Eroica at the start of this quartet,or is it just me ?
As if it's the start of something new for the future of the string quartet,as the the 3rd heralds a new style of symphonic writing,if that makes sense.
Maybe I'm talking #####
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Originally posted by pastoralguy View PostThis is turning into as big a scandal as when Ida Haendel was overlooked for her recording of the Britten violin concerto! So, now we have op. 127 gate to add to Ida gate!
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Originally posted by Mal View PostIt's worse than that. The only explanation for Buschgate is institutional insanity! I heard Leicester City were beaten yesterday; now Gary Lineker can just decide they won, announce it, and then make sure everybody in the sports department goes along with his insanity. Hmmm... is that how Leicester actually won the league last year? :)
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Originally posted by Beef Oven! View PostLeicester didn’t win the Premiership last season, Manchester United did on goal difference. Last game of the season, and we were second to Arsenal by 13 goal difference. Arsenal got beat 6-0 by Spurs in their last game and we beat Liverpool 8-0 in ours. Funny ol’ game, football.
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Get over it people. It makes sense to favour the modern recording (SJ did say, the Belcea if you want modern sound, and was full of enthusiasm for their performance) for a library choice where the programme may be reaching listeners new to the work or relatively new to classical music.
I remember years ago a Third Programme feature recommended Toscanini's Beethoven 7th as streets ahead of all other recordings, and I bought it, put the LP on and could hardly believe the horrible noise coming out!
1930s sound is an acquired taste, even if it hugely improved now since those days.
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Originally posted by silvestrione View PostIt makes sense to favour the modern recording (SJ did say, the Belcea if you want modern sound, and was full of enthusiasm for their performance) for a library choice where the programme may be reaching listeners new to the work or relatively new to classical music.
Does it matter? Probably not hugely, in the scheme of things (I can't see this becoming BBC Buschgate). But 'get over it people' is perhaps unnecessarily brutal (calling to mind as it does the mantra of the Brexiteers and Trumpistas), and I don't think your argument really stands up, because the fact remains that the Busch was THE library choice for SJ.
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