BaL 14.01.17 - Tchaikovsky: Symphony no. 4 in F minor

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20578

    BaL 14.01.17 - Tchaikovsky: Symphony no. 4 in F minor




    0930
    Building a Library: Rob Cowan sifts through some of the available recordings of Tchaikovsky’s 4th Symphony. Considered one of his very greatest works, the 4th was written at a time of emotional turmoil. Tchaikovsky said that the fanfare first heard at the opening stands for “the fatal power which prevents one from attaining the goal of happiness ...There is nothing to be done but to submit to it and lament in vain...all life is an unbroken alternation of hard reality with swiftly passing dreams and visions of happiness.”

    Available versions:

    Chicago Symphony Orchestra, Claudio Abbado
    Wiener Philharmoniker, Claudio Abbado (download)
    Utah Symphony Orchestra, Maurice Abravanel
    Colorado Symphony Orchestra, Marin Alsop
    NHK Symphony Orchestra, Tokyo, Vladimir Ashkenazy (download)
    Philharmonia Orchestra, Vladimir Ashkenazy
    Hallé Orchestra, Sir John Barbirolli
    Hallé Orchestra, Sir John Barbirolli (live)
    Chicago Symphony Orchestra, Daniel Barenboim
    Royal Philharmonic Orchestra, Sir Thomas Beecham
    Tokyo Symphony Orchestra, Kálmán Berkes
    New York Philharmonic Orchestra, Leonard Bernstein (mono)
    New York Philharmonic Orchestra, Leonard Bernstein
    New York Philharmonic Orchestra, Leonard Bernstein (DVD)
    London Symphony Orchestra, Karl Böhm
    Tschechische Philharmonie, Karl Böhm
    Melbourne Symphony Orchestra, Oleg Caetani (download)
    NBC Symphony Orchestra, Guido Cantelli
    Münchner Philharmoniker, Sergiu Celibidache
    London Symphony Orchestra, Antal Doráti
    Philadelphia Orchestra, Christoph Eschenbach
    Large Symphony Orchestra, Ministry of Culture, Russia, Vladimir Fedoseyev
    Moscow Radio Symphony Orchestra, Vladimir Fedoseyev (DVD)
    Tchaikovsky Symphony Orchestra of Moscow Radio, Vladimir Fedosseyev
    Budapest Festival Orchestra, Iván Fischer
    RIAS SO, Berlin, Ferenc Fricsay
    Vienna Philharmonic Orchestra, Wilhelm Furtwangler
    Royal Philharmonic Orchestra, Daniele Gatti
    Mariinsky Orchestra, Valery Gergiev
    Mariinsky Orchestra, Valery Gergiev (DVD/Blu-ray)
    Vienna Philharmonic, Valery Gergiev
    Sofia Philharmonic Orchestra, Vladimir Ghiaurov (download)
    SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen
    Royal Concertgebouw Orchestra, Bernard Haitink
    Anima Eterna Orchestra, Jos van Immerseel (download)
    Symphonieorchster des Bayerischen Rundfunks, Mariss Jansons
    Oslo Philharmonic Orchestra, Mariss Jansons
    Gothenburg Symphony Orchestra, Neeme Järvi
    London Philharmonic Orchestra, Vladimir Jurowski
    Berliner Philharmoniker, Herbert von Karajan (DG)
    Berliner Philharmoniker, Herbert von Karajan (EMI/Warner)
    Berliner Philharmoniker, Herbert von Karajan (DVD)
    Philharmonia Orchestra, Herbert von Karajan
    Wiener Philharmoniker, Herbert von Karajan (download)
    Wiener Philharmoniker, Herbert von Karajan (DVD)
    Wiener Symphoniker, Herbert von Karajan
    Gürzenich-Orchester Köln, Dmitrij Kitajenko
    NBC Symphony Orchestra, Erich Kleiber
    Orchestre de la Société des Concerts du Conservatoire, Erich Kleiber
    Philharmonia Orchestra, Ottto Klemperer
    London Philharmonic Orchestra, Ken-ichiro Kobayashi (download)
    Staatskapelle Dresden, Franz Konwitschny (download)
    Boston Symphony Orchestra, Serge Koussevitzky
    Symphonie-Orchester des Bayerischen Rundfunks, Rafael Kubelik
    Vienna Philharmonic Orchestra, Rafael Kubelik
    Yomiuri Nippon Symphony Orchestra, Tokyo, Alexander Lazarev (download)
    Polish National Radio Symphony Orchestra, Adrian Leaper
    Arctic Philharmonic, Christian Lindberg
    Berliner Philharmoniker, Lorin Maazel
    Cleveland Orchestra, Lorin Maazel
    Berlin Philharmonic Orchestra, Lorin Maazel (download)
    Vienna Philharmonic Orchestra, Lorin Maazel
    Philharmonia Orchestra, Nikolai Malko
    French National Radio Orchestra, Igor Markevitch
    London Symphony Orchestra, Igor Markevitch
    Orchestra Sinfonica di Torino della RAI, Igor Markevitch
    Gewandhausorchester Leipzig, Kurt Masur
    Los Angeles Philharmonic Orchestra, Zubin Mehta
    Minneapolis Symphony Orchestra, Dmitri Mitropoulos
    Boston Symphony Orchestra, Pierre Monteux
    Boston Symphony Orchestra, Pierre Monteux
    Leningrad Philharmonic Orchestra, Evgeny Mravinsky
    Leningrad Philharmonic Orchestra, Evgeny Mravinsky
    Radio-Sinfonieorchester Stuttgart des SWR, Hans Müller-Kray (download)
    Boston Symphony Orchestra, Charles Munch
    Philharmonia Orchestra, Riccardo Muti
    City of Birmingham Symphony Orchestra, Andris Nelsons
    Deutsches Symphonie-Orchester Berlin, Eugene Ormandy
    Philadelphia Orchestra, Eugene Ormandy
    NHK Symphony Orchestra, Tadaaki Otaka (download)
    Berliner Philharmoniker, Seiji Ozawa
    Orchestre de Paris, Seiji Ozawa
    Orchestra dell’ Accademia di Santa Cecilia, Antonio Pappano
    Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
    Russian National Orchestra, Mikhail Pletnev
    Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Christoph Poppen
    Pittsburgh Symphony Orchestra, Andre Previn (download)
    Royal Philharmonic Orchestra, Artur Rodzinski
    BBC Symphony Orchestra, Gennadi Rozhdestvensky
    London Symphony Orchestra, Gennadi Rozhdestvensky (download)
    Symphony Orchestra of the Ministry of Culture, Russian Federation, Gennadi Rozhdestvensky
    Berliner Philharmoniker, Kurt Sanderling (DVD)
    Leningrad Philharmonic Orchestra, Kurt Sanderling
    Vienna State Opera Orchestra, Hermann Scherchen
    Philharmonia Orchestra, Thomas Schippers
    Stuttgart Radio Symphony Orchestra , Carl Schuricht
    Bamberger Symphoniker, José Serebrier
    Volgograd Philharmonic Orchestra, Edward Serov
    Philharmonia Orchestra, Constantin Silvestri (download)
    Moscow Philharmonic Symphony Orchestra, Russian Music Society, Yuri Siminov (download)
    Detroit Symphony Orchestra, Leonard Slatkin (download)
    Orchestre National du Capitole de Toulouse, Tugan Sokhiev
    Chicago Symphony Orchestra, Sir Georg Solti (download)
    Chicago Symphony Orchestra, Sir Georg Solti (DVD)
    American Symphony Orchestra, Leopold Stokowski
    USSR State Symphony Orchestra, Evgeny Svetlanov
    London Symphony Orchestra, George Szell
    Royal Philharmonic Orchestra, Yuri Temirkanov
    Saint Petersburg Philharmonic Orchestra, Yuri Temirkanov (DVD)
    San Francisco Symphony, Michael Tilson Thomas
    San Francisco Symphony, Michael Tilson Thomas (DVD)
    Prague Radio Symphony Orchestra, Vladimir Valek (download)
    Basel Symphony Orchestra, Walter Weller (download)
    Baltimore Symphony Orchestra, David Zinman
    Dallas Symphony Orchestra, Jaap van Zweden
    Last edited by Eine Alpensinfonie; 14-01-17, 11:29.
  • pastoralguy
    Full Member
    • Nov 2010
    • 7870

    #2
    This was the first symphony I ever heard in a concert and it changed my life forever. On that occasion, it was the BBCSSO conducted by Christopher Seaman in the Usher Hall, Edinburgh, on June 4th 1977. I was absolutely blown away and, of course, wanted to get a record. So, Saturday morning saw me heading down to Rae Mac's to find one. Of course, as a schoolboy, I was aiming for the lowest price so left with Sir Alexander Gibson's rendition with the SNO. (£1.15, iirc). To say I played it into oblivion would be an understatement and I got to know it pretty well. The friend I had gone to the concert with was a bit richer and he bought the Mravrinsky/Leningrad set on a mid price DG. He kindly let me make a tape of it and that too was played hundreds of times. Eventually, my birthday came round and my grandfather gave me a five pound note with which I bought the Karajan version. That too was played a lot although, more often than not, it was Gibson and the SNO that I turned to.

    I suppose that if I were to give my younger self advice it would be that I should have been investigating other repertoire rather than a few works over and over but I had no-one to ask for advice and simply became more adventurous as I went along. Alas, Tchaikovsky's fourth symphony is no longer on my 'must hear' list but I do get caught up in it whenever I hear it.

    Comment

    • ahinton
      Full Member
      • Nov 2010
      • 16123

      #3
      Mon Dieu! Imagine writing a symphony and getting at least 115 recordings of it!...

      Comment

      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #4
        MFantastic! I love this one, most indeedy! Now off the top, I have Mariss Jansons(Oslo PO), Andrew Litton(Bournemouth SO), Muti(Philedelphia), Gergiev(VPO), Jurowski(LPO).

        Incidentally, how do you do musical notation on here?
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

        Comment

        • Beef Oven!
          Ex-member
          • Sep 2013
          • 18147

          #5
          Crikey! Alpensinfonie must’ve been up all night compiling that list!

          Comment

          • Richard Barrett
            Guest
            • Jan 2016
            • 6259

            #6
            Originally posted by pastoralguy View Post
            This was the first symphony I ever heard in a concert
            Likewise. But unlike you I then didn't hear it for many years, in fact not until the Mravinsky recordings came out on CD and I bought them to reacquaint myself with the music. It's not something I listen to very often, but it's the only piece by Tchaikovsky I've ever had any time for. Apart from Mravinsky I have the Jos van Immerseel recording, and Celibidache, which make for three very different views in some ways, but in others not so different, in that none attempts to produce a gleamingly polished product with everything smoothly and predictably phrased and balanced.

            Comment

            • pastoralguy
              Full Member
              • Nov 2010
              • 7870

              #7
              Originally posted by Richard Barrett View Post
              Likewise. But unlike you I then didn't hear it for many years, in fact not until the Mravinsky recordings came out on CD and I bought them to reacquaint myself with the music. It's not something I listen to very often, but it's the only piece by Tchaikovsky I've ever had any time for. Apart from Mravinsky I have the Jos van Immerseel recording, and Celibidache, which make for three very different views in some ways, but in others not so different, in that none attempts to produce a gleamingly polished product with everything smoothly and predictably phrased and balanced.
              Sorry to hear you have a low opinion of the great Russian composer, Richard. One of my top five composers.

              Comment

              • richardfinegold
                Full Member
                • Sep 2012
                • 7823

                #8
                It wasn't the first Symphony I ever heard but otherwise my experience with it is similar to that of PG. Also around 1977 Bernstein made a recording with the NYP and they performed it live on our Public Television Network. It was overwhelming--Lenny leaps at the start of the finale, falls off the podium on his back, and scramble to stand back up as fast as he can, and the players looked as if they were trying not to split their pants laughing.
                That recording was played to death, followed by Monteux and Boston, each probably at least a 100 times.
                I don't find much time now for it, having become over familiar with it, but that Bernstein would be the one that I would take to the great internet forum in the sky

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20578

                  #9
                  This was a Tchaikovsky symphony I arrived at relatively late. For many years I much preferred 2 & 5, though I had an LP of no. 4 that got an occasional spin.

                  When I was 17, I borrowed Beecham's recording, which changed everything, and is still a favourite version. The VPO/Maazel recording was the first stereo recording I heard on my new hi-fi system in 1970. I was bowled over by this, and subsequent acquisitions (Barbirolli, Mravinsky, Furtwangler and Rozhdestvensky) have done nothing to displace this.

                  Comment

                  • gurnemanz
                    Full Member
                    • Nov 2010
                    • 7445

                    #10
                    My first recording was Szell with LSO on a Decca World Of The Great Classics LP for 99p. Thinking myself at the time - 1972 - not to be a big Tchaikovsky fan I had hardly any of his music and was prompted by EG in the Gramophone describing it as a great performance which had been produced by John Culshaw and which Szell had repressed for unknown reasons. I later got a CD on the Penguins Classics label which confirms its status.

                    Comment

                    • Once Was 4
                      Full Member
                      • Jul 2011
                      • 312

                      #11
                      Originally posted by gurnemanz View Post
                      My first recording was Szell with LSO on a Decca World Of The Great Classics LP for 99p. Thinking myself at the time - 1972 - not to be a big Tchaikovsky fan I had hardly any of his music and was prompted by EG in the Gramophone describing it as a great performance which had been produced by John Culshaw and which Szell had hitherto repressed for unknown reasons. I later got a CD on the Penguins Classics label which confirms its status.
                      Am I right in saying that, for some reason, Szell tried to prevent this recording being issued? The Bass trombonist on it is the legendary Frank Mathison, still playing in various groups around Yorkshire despite being well into his 80s.

                      Comment

                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20578

                        #12
                        In my experience, people who don't like Tchaikovsky's music particularly dislike the finale of the 4th symphony - superficially a crash-bang-wallop movement. Whilst there are moments of this, it's only part of the story. Consider the folksong second subject and the inspired way way it's developed. It's interesting to note how the composer has "westernised" the melody, changing the 3-bar phrases of the original to 4-bar phrases - From "Da-da-da-da-dah da-da-dah dah, Da-da-da-da-dah da-da-dah dah" to "Da-da-da-da-dah da-da-dah dah, ting ting, Da-da-da-da-dah da-da-dah dah, ting ting"

                        Comment

                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          #13
                          Originally posted by Eine Alpensinfonie View Post
                          In my experience, people who don't like Tchaikovsky's music particularly dislike the finale of the 4th symphony - superficially a crash-bang-wallop movement. Whilst there are moments of this, it's only part of the story. Consider the folksong second subject and the inspired way way it's developed. It's interesting to note how the composer has "westernised" the melody, changing the 3-bar phrases of the original to 4-bar phrases - From "Da-da-da-da-dah da-da-dah dah, Da-da-da-da-dah da-da-dah dah" to "Da-da-da-da-dah da-da-dah dah, ting ting, Da-da-da-da-dah da-da-dah dah, ting ting"
                          This is where music notation on here would come in handy!!!
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

                          Comment

                          • ferneyhoughgeliebte
                            Gone fishin'
                            • Sep 2011
                            • 30163

                            #14
                            Originally posted by gurnemanz View Post
                            My first recording was Szell with LSO on a Decca World Of The Great Classics LP for 99p. Thinking myself at the time - 1972 - not to be a big Tchaikovsky fan I had hardly any of his music and was prompted by EG in the Gramophone describing it as a great performance which had been produced by John Culshaw and which Szell had repressed for unknown reasons. I later got a CD on the Penguins Classics label which confirms its status.
                            Snap in all respects, except that I bought my LP copy a couple of years later.

                            I have Karajan x3 and Mravinsky in addition to the Szell, so won't be looking for another - it's my least favourite of the final three. (Not, incidentally because of the Finale, which is exhilarating in these recordings - although the return of the Fate motif needs very careful handling to keep the sniggers at bay - but the Second Movement. I just don't like the tune - and it gets heard rather a lot!)
                            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                            Comment

                            • Eine Alpensinfonie
                              Host
                              • Nov 2010
                              • 20578

                              #15
                              Originally posted by Brassbandmaestro View Post
                              This is where music notation on here would come in handy!!!
                              Fair comment! Point made.

                              Comment

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