BaL 24.12.16/10.12.22 - Mozart: Piano Concerto no. 21 in C, K467
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I've been comparing Immerseel with Viviana Sofronitsky in a variety of WAM's concertos. As mentioned previously in this thread, Immerseel seems somewhat soft-focused - both the fortepiano and the orchestra - and rather recessed, while Sofronitsky is more front and centre, vividly filled with energy. Does the difference spring from the instruments used, or the recording balance, or the performances? Perhaps all of the above.
I rather think that Sofronitsky's cycle has been overlooked by many. I've come to enjoy it a lot.
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Originally posted by Master Jacques View PostStrange that a great concerto which nobody can forget still bears the name of a terrible film which nobody (mercifully) can remember.
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Very strong new contender......
V
Mozart Momentum - 1785
Leif Ove Andsnes
- Released on 28/05/2021 by Sony Classical
- QOBUZ 24/96//CD
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