Originally posted by underthecountertenor
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But nah... I shan't be troubling Santa or any other retailer for this piece. For all the RKO Pictures glamour of the harmonies and orchestration, it all stops short of giving me the slightest wish to hear any of it again (with the possible exception of Johnson's first set piece, which the reviewer described as one of the opera's high spots). I can do without the mawkish "Hello Minnie" stuff, too.
I suspect that's why I've gone several decades without investigating - because I now recall an opera-addict friend at University raving about the Milnes/Domingo/Neblett/Mehta recording and playing us some of it (only a few years after it came out ) - I could hear the vocal splendour but the music did nothing for me. Seems as if I haven't changed much.
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