Originally posted by vinteuil
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BaL 15.10.16 - Cabaret
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Originally posted by Serial_Apologist View PostAsked by my next-door neighbours, most of whom speak little or no English, where I acquired my "Italian", I told them it was a combination of music scores, menus and recipes.
yes - my Italian from Monteverdi and Verdi, my German from Bach and Wagner.
So I'm OK if it's passion and betrayal and mourning and doom - hopeless for getting a taxi or explaining a burst pipe to a plumber...
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Originally posted by vinteuil View Postmy German from Bach and Wagner."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostMine too - and Strauss (my school also denied me the chance to learn German). Anyway, I'm laughing now when I meet a silent woman, or one without a shadow, when touring Germany...
Many years ago I had a conversation in Munich with my hotel receptionist about this. I said that I'd learnt what German I had from Wagner and he said that if you talked in the same way in Germany few would understand you as Wagner wrote his libretti in High German which, my hotel receptionist pointed out, is something equivalent to Shakespeare's English here.
On the question of spoken dialogue, Die Fledermaus has very close to an entire Act in dialogue. The line between opera, operetta and musical is often blurred and Fledermaus has elements of all three."The sound is the handwriting of the conductor" - Bernard Haitink
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As a young violin student and professional I spent a LOT of time playing in pits for shows and I've always loved them. There's something about playing for an audience of people who wouldn't normally hear live music that made those weeks in the pit special.
I've played 'CABARET' a couple of times and the shivers still run down my spine when I hear that snare drum roll at the start.
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Originally posted by pastoralguy View PostAs a young violin student and professional I spent a LOT of time playing in pits for shows and I've always loved them. There's something about playing for an audience of people who wouldn't normally hear live music that made those weeks in the pit special.
I've played 'CABARET' a couple of times and the shivers still run down my spine when I hear that snare drum roll at the start.
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Originally posted by Beef Oven! View Post
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Originally posted by ardcarp View PostDespite being on the opposite side of he fence, I actually agree with Draco's points 1,2 and 3 (post#83) which are well-put.
However, I still don't have any objection in principle to Cabaret being 'done' and I did enjoy the programme and its presentation!
Another musical BaL, West Side Story, also very well presented, had a similar problem: Edward Seckerson’s survey was to compare various recordings to the Broadway original which in his opinion, was the ultimate. As a result, the final selection as such was completely pointless.Last edited by doversoul1; 16-10-16, 19:52.
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Originally posted by doversoul1 View PostBut it wasn’t ‘done’ as a BaL, as Draco points out that this survey was ‘without any or VERY little comparison at all’, and as a result, the final selection, the very point of BaL, was little more than formality if not pointless. It was very well done but it was not a BaL.
Does it signal a lurch downhill for Radio 3, some sort of permanent change to BaL from which it will never be rescued? Depths to which the Third Programme would never have sunk?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostWe could all simply accept this. But it appears to have been (even Draco agrees) a well researched, well-presented programme. Why can't it just be accepted for what it was - a departure from the usual which, as such, many people enjoyed?
Does it signal a lurch downhill for Radio 3, some sort of permanent change to BaL from which it will never be rescued? Depths to which the Third Programme would never have sunk?
Ideally, there should be a dedicated programme or a slot in a regular programme for this sort of survey.
Many people enjoyed yes, but those who didn’t may not be voicing their thoughts. I can’t think I am the only one who was very annoyed at the original hearing.
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